FOX's fall/spring lineup unveiled, Sarah Connor comes to TV Options

[bob_barron]

FOX PRIMETIME SCHEDULE: FALL 2007 (All Times ET/PT)

MONDAY
8:00-9:00 PM PRISON BREAK
9:00-10:00 PM K-VILLE

TUESDAY
8:00-9:00 PM NEW AMSTERDAM
9:00-10:00 PM HOUSE

WEDNESDAY
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM BONES

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM KITCHEN NIGHTMARES

FRIDAY
8:00-9:00 PM THE SEARCH FOR THE NEXT GREAT AMERICAN
BAND (working title)
9:00-10:00 PM NASHVILLE (working title)

SATURDAY 8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALK SHOW WITH SPIKE FERESTEN

SUNDAY
7:00-8:00 PM THE OT (NFL post-game)
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

FOX PRIMETIME SCHEDULE: BEGINNING JANUARY 2008 (All Times ET/PT)

MONDAY
8:00-9:00 PM K-VILLE (January)/PRISON BREAK (Spring)
9:00-10:00 PM 24

TUESDAY
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM HOUSE

WEDNESDAY (January)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM AMERICAN IDOL

WEDNESDAY (Spring)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM THE RETURN OF JEZEBEL JAMES (working title)
9:00-9:30 PM AMERICAN IDOL Results Show
9:30-10:00 PM 'TIL DEATH

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM CANTERBURY'S LAW

FRIDAY (Spring)
8:00-9:00 PM BONES
9:00-10:00 PM NEW AMSTERDAM

SATURDAY
8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALKSHOW WITH SPIKE FERESTEN

SUNDAY (Spring)
7:00-7:30 PM KING OF THE HILL
7:30-8:00 PM AMERICAN DAD
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM FAMILY GUY
9:00-10:00 PM THE SARAH CONNOR CHRONICLES

2007-2008 FOX PRIMETIME SCHEDULE NEW SERIES SYNOPSES

The following new dramas will premiere this fall on FOX:

K-VILLE (Mondays, 9:00-10:00 PM ET/PT): From writer and executive producer Jonathan Lisco ("NYPD Blue," "The District") comes a heroic police drama set in New Orleans. Two years after Katrina, the city is still in chaos. Many cops have quit, and the jails, police stations and crime labs still haven't been properly rebuilt. But the cops who remain have courage to burn and a passion to reclaim and rebuild their city. MARLIN BOULET (Anthony Anderson, "The Departed," "The Shield") is a brash, funny, in-your-face veteran of the NOPD's Felony Action Squad, the specialized unit that targets the most-wanted criminals. Even when his partner deserted him during the storm, Boulet held his post, spending days in the water saving lives and keeping order. Now he's unapologetic about bending the rules when it comes to collaring bad guys. Boulet's new partner, TREVOR COBB (Cole Hauser, "The Break-Up," "ER"), was a soldier in Afghanistan before joining the NOPD. He's tough and committed, but if he's less than comfortable with Boulet's methods, it's because he's harboring a dark secret. Cobb has come to New Orleans seeking redemption, but redemption can be dangerous. Will Boulet be able to trust him? Will Cobb's past endanger them both? Rounding out the crew of cops are hotheaded BILLY "K-9" FAUST (Maximiliano Hernndez, "Law & Order," "Shark"), who often speaks before thinking; wisecracking JEFF "GLUE BOY" GOODEN (Blake Shields, "Sleeper Cell," "Veronica Mars"), the team's comic relief; tough-as-nails GINGER "LOVE TAP" LeBEAU (Tawny Cypress, "Heroes"), the only female on the squad, who gives as good as she gets; and CAPTAIN JAMES EMBRY (John Carroll Lynch, "Zodiac," "The Drew Carey Show"), who wrangles the eclectic personalities of his squad with equal parts humor and tenacity.

PRODUCTION COMPANY: 20th Century Fox Television

EXECUTIVE PRODUCER/WRITER: Jonathan Lisco

DIRECTOR: Deran Sarafian

CAST: Anthony Anderson as Marlin Boulet, Cole Hauser as Trevor Cobb, Maximiliano Hernndez as Billy "K-9" Faust, Blake Shields as Jeff "Glue Boy" Gooden, Tawny Cypress as Ginger "Love Tap" LeBeau, John Carroll Lynch as Captain James Embry

NEW AMSTERDAM (Wednesdays, 9:00-10:00 PM ET/PT): Directed and executive-produced by visionary Lasse Hallstrm ("My Life As a Dog," "The Cider House Rules," "Chocolat," "The Hoax") and written by Allan Loeb ("Things We Lost in the Fire," "21") and Christian Taylor ("Showboy," "Six Feet Under"), NEW AMSTERDAM is the story of a New York homicide detective unlike any other. He is brilliant, mysterious, reckless, magnetic, unknowable. And he has a profound secret he is immortal. In 1642, JOHN AMSTERDAM (Nikolaj Coster Waldau, "Kingdom of Heaven"), then a Dutch solider in the colony of New Amsterdam later to become New York City stepped in front of a sword to save the life of a Native Indian girl during a massacre of her indigenous tribe. The girl in turn rescued Amsterdam, weaving an ancient spell that conferred immortality upon him. Amsterdam will not age, she told him, until he finds his one true love. Only then will he become whole and ready for mortality. But Amsterdam has found this to be a mixed blessing. Over the course of three centuries, he's experienced endless adventure and honed his many talents. But everyone Amsterdam meets must leave him in time; lovers and children die while he remains young. His sole confidant and current lifelong friend is the sage jazz club owner OMAR (Stephen Henderson, "Law & Order: SVU"), the keeper of Amsterdam's secret, as well as a few of his own. As the exhilaration of eternal life has given way to emotional isolation and bitter loneliness, Amsterdam discovers the blessing has become a curse. Bringing to bear the unorthodox techniques and unique knowledge gained from his vast life experience, Amsterdam today is one of the NYPD's best homicide detectives, sparring with his vibrant, strong-willed partner EVA MARQUEZ (Zuleikha Robinson, "Rome," "The Lone Gunmen") as they solve difficult murder cases. But when Amsterdam suffers and then recovers from what appears to be a massive heart attack while chasing a suspect, and DR. SARA DILLANE (Alexie Gilmore, "Find Love") pronounces him dead in the ER, he realizes that the Indian girl's prophesy may have come true he felt the pain in his heart that she had foretold so long ago. His soul mate must have been nearby. As he works to find a killer on the streets of New York, Amsterdam understands that his own life and possibly his death have changed forever.

PRODUCTION COMPANIES: Regency Television, Scarlet Fire Films

EXECUTIVE PRODUCERS: Allan Loeb, David Manson, Lasse Hallstrm, Leslie Holleran, Steven Pearl

WRITERS: Allan Loeb & Christian Taylor

DIRECTOR: Lasse Hallstrm

CAST: Nikolaj Coster Waldau as John Amsterdam, Zuleikha Robinson as Eva Marquez, Alexie Gilmore as Dr. Sara Dillane, Stephen Henderson as Omar

The new comedy premiering this fall on FOX is:

BACK TO YOU (Tuesdays, 8:00-8:30 PM ET/PT): In the 90s, the local TV news scene in Pittsburgh was dominated by one team: CHUCK DARLING (Kelsey Grammer, "Frasier," "Cheers") and KELLY CARR (Patricia Heaton, "Everybody Loves Raymond"). They had that elusive quality all news teams need: chemistry ... at least on-screen. Off-screen, Chuck was a bit of a self-centered womanizer, Kelly a bit of an uptight know-it-all. So when Chuck got the call to move up to a larger market, no tears were shed. But after an embarrassing on-air tirade ended up on the Internet, Chuck found himself on the downswing career-wise. He even questioned whether his lifestyle of chasing women and living in hotels was as exciting as it used to be. So when he got the call to return to Pittsburgh, to reunite with Kelly and try to take the newscast back to No. 1, it was an offer he couldn't refuse. Back in Pittsburgh, Chuck has a new coworker in RYAN CHURCH (Josh Gad, "Mary and Joe"), the overstressed news director. There are also familiar faces like MARSH McGINLEY (Fred Willard, "Anchorman: The Legend of Ron Burgundy," "Best in Show"), the affable, endlessly inappropriate sports anchor, and GARY CREZYZEWSKI, pronounced Kre-shoov-ski (Ty Burrell, "In Good Company," "Out of Practice"), the perennially put-upon field reporter who always seems to get left out in the snow. But, mostly, there's Kelly, now a single mom to 10-year-old GRACIE (Laura Marano, "Without a Trace"). There was magic between them once. Can they find it again?

PRODUCTION COMPANIES: 20th Century Fox Television, Levitan/Lloyd Productions

EXECUTIVE PRODUCERS/CREATORS: Steven Levitan, Christopher Lloyd

DIRECTOR: James Burrows

CAST: Kelsey Grammer as Chuck, Patricia Heaton as Kelly, Fred Willard as Marsh, Josh Gad as Ryan, Ty Burrell as Gary, Laura Marano as Gracie

New unscripted series joining the FOX schedule this fall include:

KITCHEN NIGHTMARES (Thursdays, 9:00-10:00 PM ET/PT): Hell hath no fury like an angry chef, and no chef has a sharper temper than Gordon Ramsay when things go wrong in the kitchen. The star of the highly rated culinary boot camp "Hell's Kitchen" returns to FOX with another sizzling unscripted series. This time, Chef Ramsay hits the road in each episode, tackling a restaurant in crisis and exposing the stressful realities of trying to run a successful food business. Inspired by one of the UK's biggest hits, KITCHEN NIGHTMARES is seen in more than 50 territories around the globe, and the series reveals a whole new side to Ramsay. He's still prone to the explosive outbursts and spectacular confrontations familiar to fans of "Hell's Kitchen," but he also shows his sensitive and nurturing side a unique blend of fury, passion, inspirational leadership and tough love that can coax a small spark of talent into a roaring flame. There's no time for polite small talk as Ramsay embarks on his mission to turn things around. If the wine waiter's service isn't up to par, he'll be out the door before he can say "merlot." If the head chef doesn't match up to Ramsay's expectations, Ramsay will hammer him into shape, and if he can't stand the heat, he may quit the kitchen. Ramsay's reputation is on the line, so there's bound to be high blood pressure, raised voices and serious clashes as he attempts to do the impossible: turn a deserted dining room into the most sought-after venue in town in just a week.

PRODUCTION COMPANIES: Granada America, Optomen Television, A. Smith & Co.

EXECUTIVE PRODUCERS: Arthur Smith, Pat Llewellyn, Kent Weed, Gerry McKean, Curt Northrup

CAST: Gordon Ramsay

THE SEARCH FOR THE NEXT GREAT AMERICAN BAND (working title) (Fridays, 8:00-9:00 PM ET/PT): What "American Idol" did for individuals, THE SEARCH FOR THE NEXT GREAT AMERICAN BAND is going to do for musical groups. The producers of "American Idol" will conduct the ultimate search for an undiscovered band. THE SEARCH FOR THE NEXT GREAT AMERICAN BAND is scouring the country, seeking groups from all musical genres who think they have what it takes to make it big. Judges will narrow down bands from all walks of life musicians of different ages, family acts, garage bands, etc. to 10 semi-finalists, who will perform in front of a live studio audience. Viewers then will have the opportunity to vote for their favorite bands. The final three acts will compete for a major recording contract and the chance to become music superstars.

PRODUCTION COMPANIES: FremantleMedia North America, 19 TV LTD.

EXECUTIVE PRODUCERS: Simon Fuller, Nigel Lythgoe, Ken Warwick, Cecile Frot-Coutaz

NASHVILLE (working title) (Fridays, 9:00-10:00 PM ET/PT): From the creative minds behind the hit series "Laguna Beach: The Real Orange County" comes NASHVILLE, a high-stakes, high-drama docu-soap set in "the biggest small town in America." The show focuses on the dreamers and dream-makers in the music industry, as well as those trying to make their mark on Nashville's big business and high society. The series features a diverse, vibrant young cast perched on the cusp of achieving their greatest successes in a town that can make you or break you. Talent, power, drive, love and hope are the fuel that makes Nashville burn bright and makes this unique place the true embodiment of the American Dream. Behind every song there's a story waiting to be told, and there are many such stories in NASHVILLE.

PRODUCTION COMPANY: Go Go Luckey Productions

EXECUTIVE PRODUCERS: Gary Auerbach, Julie Auerbach

The following new dramas are slated for January launches:

CANTERBURY'S LAW (Thursdays, 9:00-10:00 PM ET/PT): From executive producers Denis Leary and Jim Serpico ("Rescue Me," "The Job") and writer Dave Erickson ("Murder in Greenwich") comes CANTERBURY'S LAW, a courtroom drama about a rebellious female defense attorney who's willing to bend the law in order to protect the wrongfully accused. ELIZABETH CANTERBURY (Julianna Margulies, "ER") is a force of nature. An attorney on the rise, she puts her career on the line to take on risky and unpopular cases, even when they take a toll on her personal life. Elizabeth and her law professor husband MATTHEW CANTERBURY (Linus Roache, "Batman Begins," "The Chronicles of Riddick"), haunted by the disappearance of their young son, have settled in Providence, Rhode Island, in an attempt to distance themselves from the tragedy and put their relationship back together. But those goals become elusive whenever Elizabeth's work provides a stark reminder of the justice absent in their own lives. At the office, Canterbury has surrounded herself with a brilliant but motley crew of attorneys. RUSSELL CROSS (Ben Shenkman, "Pi," "Angels in America") was forced out of the Providence District Attorney's Office when he went toe-to-toe with his morally bankrupt boss, D.A. Zach Williams. His reputation tarnished, Russell turned to Canterbury, the only attorney willing to take him in. Now Russell provides a much-needed voice of reason for Canterbury even when she doesn't want to hear it, his position of influence well-earned by their years of friendship. CHESTER FIELDS (Jocko Sims, "Dreamgirls," "CSI: Crime Scene Investigation") and MOLLY McCONNELL (Trieste Dunn, "United 93") are the associates rounding out Canterbury's legal crew. Chester is a blue-blooded congressman's son who is embarrassed by his privileged upbringing and has turned his back on politics. Molly, in contrast, is headstrong, passionate and quick to take sides even if she finds herself in the opposite corner from Canterbury.

PRODUCTION COMPANIES: Sony Pictures Television, Apostle

EXECUTIVE PRODUCERS: Denis Leary, Jim Serpico, Mike Figgis

WRITER: Dave Erickson

DIRECTOR: Mike Figgis

CAST: Julianna Margulies as Elizabeth Canterbury, Linus Roache as Matthew Canterbury, Ben Shenkman as Russell Cross, Trieste Dunn as Molly McConnell, Jocko Sims as Chester Fields

THE SARAH CONNOR CHRONICLES (Sundays, 9:00-10:00 PM ET/PT): Executive producers Josh Friedman ("War of the Worlds"), David Nutter ("Supernatural," "Smallville") and C-2 Pictures ("Terminator 3: Rise of the Machines") bring to television an intense new drama based on the celebrated heroine of the "Terminator" movies: Sarah Connor. At the end of "Terminator 2: Judgment Day," Sarah vanquished the liquid metal Terminator sent from the future to kill her teenage son, John. Sarah and John now find themselves alone in a very dangerous, complicated world. Fugitives from the law, they are confronted with the reality that still more enemies from the future, and the present, could attack at any moment. THE SARAH CONNOR CHRONICLES reveals what happens when SARAH (Lena Headey, "The Brothers Grimm," "300") stops running and goes on the offensive against an ever-evolving technological enemy bent on destroying her life, and perhaps the world. Her son, 15-year-old JOHN CONNOR (Thomas Dekker, "Heroes"), knows that he may be the future savior of mankind, but is not yet ready to take on the mantle of leadership that he's told is his destiny. John finds himself inextricably drawn to CAMERON (Summer Glau, "Serenity," "The Unit"), an enigmatic and otherworldly student at his high school, who soon proves to be much more than his confidante she assumes the role of Sarah and John's fearless protector. On their trail are not only threats from the future, but an intelligent and tough FBI agent, JAMES ELLISON (Richard T. Jones, "Judging Amy"), who soon becomes a powerful ally. Directed by David Nutter and produced by Warner Bros. Television and C-2 Pictures, THE SARAH CONNOR CHRONICLES represents an exciting reinvention of the "Terminator" franchise, in which the strong and intrepid Sarah discovers that protecting her son and stopping the rise of the machines is more difficult than she had ever imagined.

PRODUCTION COMPANIES: Warner Bros. Television, C-2 Pictures

EXECUTIVE PRODUCERS: Josh Friedman, David Nutter, James Middleton, Mario Kassar, Andrew Vajna, Joel Michaels

WRITER: Josh Friedman

DIRECTOR: David Nutter

CAST: Lena Headey as Sarah Connor, Thomas Dekker as John Connor, Richard T. Jones as James Ellison, Summer Glau as Cameron

The new comedy scheduled to premiere in January is:

THE RETURN OF JEZEBEL JAMES (working title) (Wednesdays, 8:30-9:00 PM ET/PT): Can two estranged sisters, polar opposites, live together when one agrees to carry the other's baby? SARAH THOMKINS (Parker Posey, "For Your Consideration," "Best in Show") is a bright, optimistic, determined woman who seems to have it all a great job as a children's book editor, an eager-to-please assistant, BUDDY (Michael Arden), who helps keep her life together, and a no-strings-attached personal relationship with successful businessman MARCUS SONTI (Scott Cohen, "Kissing Jessica Stein"). Nevertheless, as her father, RONALD (Ron McLarty, "Law & Order"), is constantly pointing out, something is missing from Sarah's life. Her hard work may garner accolades, but when she goes home at night, she is very much alone. All too aware that she isn't getting any younger, Sarah decides to have a baby on her own and gets the shock of her life when the doctor tells her she can't get pregnant. Having no concept of the term "can't," Sarah wills herself to execute a plan. With nowhere else to turn, Sarah sets up a meeting with her quirky younger sister, COCO (Lauren Ambrose, "Six Feet Under"), and proposes a plan for Coco to carry her baby. They haven't seen each other in a while, and Coco refuses to go along with such a huge favor. But something happens when Sarah mentions that she's turned Coco's imaginary childhood friend, Jezebel James, into a children's book. Even though she doesn't say so out loud, Coco is clearly touched, and, realizing that her current living situation sharing a couch with her friend's sick dog isn't working out, Coco decides that this just might be worth a try.

PRODUCTION COMPANY: Regency Television

EXECUTIVE PRODUCERS: Amy Sherman-Palladino, Dan Palladino

DIRECTOR: Amy Sherman-Palladino

CAST: Parker Posey as Sarah, Lauren Ambrose as Coco, Scott Cohen as Marcus, Michael Arden as Buddy, Ron McLarty as Ronald

The comedy slated for a spring debut is:

THE RULES FOR STARTING OVER (working title) (Date and Time TBA): From the creatively fruitful minds of the Farrelly Brothers comes a single camera comedy, set in Boston, about a group of newly single friends learning the painful lessons of starting over in their 30s. They'd all love to get remarried, if they could just find their true loves. JACK "GATOR" GATELY (Craig Bierko, "Cinderella Man," "Boston Legal") is a charismatic, optimistic leader who never expected to be single again. But now that he is, he's determined to make the best of it. He's going to sift through all the bruised, damaged, occasionally psychotic fruit until he finds "the one." Joining Gator in bachelorhood redux is his thrice-divorced best friend TOMMY (Johnny Sneed, "The Guardian," "Fever Pitch"). The founder and brewmaster of an upstart microbrewery, Tommy has a voracious appetite for food, beer and women. He falls in love easily and always disastrously, yet truly hopes his fourth starter marriage will be "the one." DR. FREDDY SAHGAL (Shaun Majumder, "24," "Harold & Kumar Go to White Castle") has seen some pretty strange stuff during his years as a successful surgeon, but he's never seen any of it through the eyes of a single man. Probably the least equipped of the group to handle this unexpected life change is Dr. Freddy, who can execute a triple bypass in his sleep, but is all thumbs when it comes to the opposite sex. Rounding out the group is KATE (Rashida Jones, "The Office"), a smart, successful attorney who handled all three of the boys' divorces. Having just turned 30, Kate finds herself dumped after a seven-year engagement. She reluctantly joins the guys in negotiating the treacherous waters of dating. Kate owns the brownstone next to Gator's. Over time, this pair may find that "the one" is just a brick wall away.

PRODUCTION COMPANIES: 20th Century Fox Television, Conundrum Entertainment, Watson Pond Productions

EXECUTIVE PRODUCERS: Bobby Farrelly, Peter Farrelly, Bradley Thomas, Brad Johnson

WRITERS: Chris Pappas, Michael Bernier, Kevin Barnett

DIRECTORS: Bobby Farrelly and Peter Farrelly

CAST: Craig Bierko as Gator, Rashida Jones as Kate, Johnny Sneed as Tommy, Shaun Majumder as Freddy

The new unscripted series scheduled to premiere this summer is:

ANCHORWOMAN (Date and Time TBA): PHIL HURLEY is the owner of a tiny Texas news station, KYTX Channel 19, and he is desperate to turn the tide of his mediocre ratings, or even just compete with a rival channel. Phil has shocked the station and town of Tyler, Texas, by bringing in a gorgeous model and ex-WWE diva with no previous news experience to be his next ANCHORWOMAN all in hopes of reinventing the look of Channel 19 and overhauling its below-average 6 share to a number more like his competitor's dominating 36. Former Miss New York and ber-vixen LAUREN JONES packs up her Versace dresses and heads to the middle of nowhere to start a new career. Can this bombshell cut it as a serious reporter? Will she save KYTX, or make it the laughingstock of the Lone Star State? Lauren wants to show everyone she's no airhead, and this is her big chance to prove she's more than just a pretty face. The entire newsroom thinks the boss has made a giant mistake. Reigning anchor ANNALISA PETRAGLIA is not about to lose her Queen Bee status to some L.A. hottie. News Director DAN DELGADO is fit to be tied as his beloved journalistic standards go out the window. MICHELLE REESE, a hard-nosed reporter bound for CNN, will take no prisoners. Lauren will struggle not only with the news team and an unfamiliar town, but also with the not-so-Hollywood news stories covering bake sales, cowpie-tossing contests and county fairs like they were Watergate. News anchor or dead weight? Only the ratings will tell, so stay tuned for the next ANCHORWOMAN: Lauren Jones.

PRODUCTION COMPANIES: Fox 21, The G Group

EXECUTIVE PRODUCER: Brian Gadinsky

SUPERVISING PRODUCERS/WRITERS: Chad Damiani, JP Lavin

CAST: Lauren Jones as herself, Phil Hurley as himself, Annalisa Petraglia as herself, Dan Delgado as himself, Michelle Reese as xherself

[JHawk]

That lineup looks craptastic.

Another fucking night of American Idol? Oy vey.

[Gary Floyd]

They will never end MadTV. Why?

[Black Lushus]

That lineup looks craptastic.

Another fucking night of American Idol? Oy vey.

January is when they have the have the two nights winding the men and women down to the final 12.

[RonL21]

Honestly..has any other network had the same two shows anchor the same night for so long...I swear as long as I can remember, Cops and America's Most Wanted have had their same slots on Saturdays for the longest....

[SamoaRowe]

Goodbye War at Home, can't say I'll miss you much.

[DrVenkman PhD]

I thought the VFTW thing was supposed to kill American Idol once and for all (according to a local radio DJs speculation, anyway - I didn't follow the whole ordeal).

King of the Hill is still running? I kinda remember hearing that but I guess I forgot. Good for it.

Putting American Dad on at 7:30 is not a good idea, but then again they were airing The War at Home that early a few months ago so maybe times are a changing since Fox called the Christmas episode of Futurama too controversial for 7:30 (though I realize the 'controversial subject matter' was different in that case).

[starvenger]

If Kitchen Nightmares is essentially the same as the British original, it should be a good, entertaining show, but I don't see it as a "must see". It's probably better suited to the Food Network, or a station that allows swearing.

[Maztinho]

Back to You looks decent on paper, the promo tag says it all... if Kelsey and Patricia can get some on screen chemistry going I can see this show doing really well. The dramas? Meh.

[Vanhalen]

If Ramseys Kitchen Nightmares is as good as the UK one, you guys are in for a real treat, its nothing like you would think it is, its not some crappy reality tv phone in shite, but really good documentaries. heres a quick few links of the uk version

http://www.youtube.com/watch?v=g_vqPINDceY

http://www.youtube.com/watch?v=8Z-abbqHZcE...ted&search=

http://www.youtube.com/watch?v=YQz5hRPF6o4...ted&search=

http://www.youtube.com/watch?v=LAqnrzba_BM...ted&search=

http://www.youtube.com/watch?v=YT3jMf7HSj8...ted&search=


Im dreading this sarah connor series, terminator 1 and 2 are my favourite films of all time and I just am terrified that they are going to piss it all away, if it was good tho I'd fucking love it

[Dobbs 3K]

They will never end MadTV. Why?

I don't know. It totally sucks. All I ever see on it when I flip there is that annoying Asian guy acting gay. Personally, I haven't bothered watching a full episode in years.

[Vigo]

If Kitchen Nightmares is essentially the same as the British original, it should be a good, entertaining show, but I don't see it as a "must see". It's probably better suited to the Food Network, or a station that allows swearing.

I've seen the British version and it kicks ass. Ramsay's the type of guy you either like or hate there's not really any middle ground when it comes to him. And yeah, being on American TV it's going to be tough for the show as all the bleeps and what not will get really annoying after awhile. My believe with network TV has always been that if you can't show something the way it was meant to be seen i.e. movies on network TV, then don't show it at all. A great example of this is any rated-R comedy being shown on a station like TBS. It just kills the humor of the movie because it's all pretty much edited to shit.

[Youth N Asia]

Looks like just Prison Break for me till 24 comes back

[Jericholic82]

oh no, they're moving Bones to Friday in the spring/ Do they want it to tank or something? CRAP

[King Kamala]

I think I'm the only one who's ever watched the show but I'm glad Talkshow with Spike Ferestein didn't get canceled. I like to watch it whenever SNL is in reruns.

[Richard]

Honestly..has any other network had the same two shows anchor the same night for so long...I swear as long as I can remember, Cops and America's Most Wanted have had their same slots on Saturdays for the longest....

AMW did briefly go off the air, but there was a big enough public outcry that they brought it back. As for cops, it's really cheap to produce. And Mad TV has it's moments, and it's not they have anything better to place in that graveyard slot.

[RavishingRickRud...]

I swear I wrote that show description of K-Ville at one point or another in my life.

And, again, why is it that the immortal can only play detectives? Surely there are better professions. Why not Chef? Or Author? Or Ninja?

Actually, they need to combine K-Ville with that other show, where Anthony Anderson was cursed with never-ending lifeby a Bayou Witch Doctor, with the only condition that he can't leave the borders of Louisiana.

[BigPoppaKev]

None of you guys are jazzed up for The Sarah Connor Chronicles!?!? What are you thinking....

[RavishingRickRud...]

Summer Glaus inclusion sorta makes it mandatory for me to watch it.

[MarvinisaLunatic]

Goodbye War at Home, can't say I'll miss you much.

Im sorta surprised it didnt come back, but..meh..Im surprised it got 2 years.

If Kitchen Nightmares is essentially the same as the British original, it should be a good, entertaining show, but I don't see it as a "must see". It's probably better suited to the Food Network, or a station that allows swearing.

As much as I like the BBC version (through BBC America)..I really dont get why its being put on FOX..I know it seems like a hybrid of Hells Kitchen and the Extreme Makeover series, but its much better suited probably to Food Network. As such, I dont give it more than like..3 episodes before it gets the meat cleaver, especially given its 9-10 Thursday timeslot.