Corey_Lazarus

She lives off campus because she's psychic and knew you would do this, twathead.

You're all forgetting, at least those that say he'd fit into the X-Division and how Dean fit in with the Cruiserweight division in WCW perfectly, that the Cruiserweight division was based on weight, not style. The X-Division style, as pimped by Mike Tenay, is about high-risk action. Call me crazy, but I somehow doubt a Dean Malenko wannabe fits the HIGH-RISK style that the X-Division is supposed to be. Which is why, again, I say they just rename the fucking belt the TNA Cruiserweight title.

Hey... ...I warned you.

For the more hardcore stuff, check out Toxic Narcotic.

"Czech yourself before you wreck yourself" is still your best catchphrase, Czech.

...who are you again?

OWWWWWWWWWWWWWWWWWW WHAT A RUSH!~!!!!!

Dickies rule. Download any and all Misfits songs you can find. I'm surprised it took 6 replies before a Misfits rec was made.

Actually, "Pretty Vacant" is one of the only songs on the album that stands out. Sure, simple chord progression with decent drumming and uber-easy basslines...but it's punk, what do you expect? Steve Vai solo's?

Juventud Guerrera hit an F5-style TKO to, I believe, Johnny Devine or Petey Williams during the final 8-man of the Canada/Mexico X-Cup. He lifted him up in the fireman's carry, swung them off F5-style, and then twisted his own body to come down with an Ace Crusher. And seeing Goldberg Jackhammer The Giant for the very first time on TV, when Bill held him up there for, like, 10 seconds, was great.

Because it was the only studio album from the most notorious punk band of all-time. Punk was becoming more and more popular, but The Sex Pistols just completely inspired a lot of teenage kids to cut their hair awkwardly, dye it, and then pick up a guitar and learn a few chords. Plus...how can you not love "Pretty Vacant"?

Because they then see the rest of his movies, and realize he's just the same character over and over and over and over... ...and over and over... I cannot stand...almost all listed so far, minus Walken. And let's throw that Hayley Joel Osment kid into the mix, even though he can act. Little fucker just makes me want to shoot him. ...fuck Joaquin Phoenix while we're at it, too. And Russell Crowe.

You're the red, white, and blue Oh, the funny things you do America, America This is you

Nope. Static-X just tries too hard to be like White Zombie and Ministry.

No. Mike "Spider" Cummings was living in Boston while Rob moved to LA. Mike formed PM5K in the mid 90's, and they were a funk/rap/hardcore act. The pre-Stars Revolt stuff is really good, actually.

The Iron Maidens, what?

EDIT: It's just Balzac, then. I was confusing him with Jizmak Da Gusha. And how the FUCK did I forget Beefcake The Mighty's name? That's just such a cool name. Beefcake's basslines are actually fairly good, too. He gets a sound out of his bass I haven't heard often.

Wasn't the chick J? I think Sean Yseult was the dude...but I've always heard conflicting stories on them... I saw a Famous Monsters album once at Strawberries under the White Zombie section (which is the only section with each album released by the band at Strawberries, aside from the section for The Beatles, since WZ only released two original albums and one remix, not counting the three or four indy releases before Sexorcisto). Almost picked it up, too. What do Famous Monsters sound like?

I can agree to that Edwin. And I'm probably defending GB too much because it's been my favorite movie since I was 3, so that's 15 years of loving one movie. Now...if we were to argue if Ghostbusters II was better than anything...okay, I'd admit most movies are better than that. The only performances worth watching were Aykroyd's (probably because he wrote the script, and shares the exact same personality as Ray Stantz) and Kurt Fuller's (because he's always good as the prick in charge; only saving grace to No Holds Barred).

What do you expect? It's Kazarian. He ruins nearly every match he's in.

Somebody draft me, bitches.

...I'll return later with an MS Paint parody that'll be sure to get me killed for being so unfunny...

Paragon, I've yet to meet more than a handful of people that wouldn't give Master Of Puppets ****-*****. I think Agent may be one of the only ones. Even people I know that don't listen to any hard music love it.

Oderus Urungus - Vocals Balzac The Gusher - Guitars Slymenstra Hymen - Female Vocals I forget the second guitarist, bassist, and drummer's name. I haven't listened to Gwar in so long. I'd also recommend This Toilet Earth and We Kill Everything. Carnival Of Chaos is only good for a couple of songs, most notably "I Hate Love Songs," but We Kill Everything is a great punk/metal album. This Toilet Earth also has, what I consider, their most popular song: "Saddam A Go-Go." It has been featured in such movies as Empire Records (when Marc is eating the hash brownies, he's watching the video for it, and then hallucinates that he joins a live Gwar show) and Universal Soldier: The Return (when the ex-employee of the company is first introduced, Squid I believe his name is, he is listening to that song while the video plays on a few TV's). It's been in a few other movies too, but it's a ska/metal song (metal riffs and drums, with a horn section over it). Lots of Gwar tunes have a horn section on them, too. We Kill Everything has "The Performer," which has pretty damn funny lyrics*, and even a great instrumental in "A Short History Of The End Of The World." Pick it up, as it's a good introduction to Gwar. * = the lyrics to "The Performer," at least the first verse. I come to town for you Dress up like a clown for you Pullin' my pants on down for you And then I crawl away I will blow hot fart on you I will build an R2-D2 And I won't even start for you Unless you fucking pay

I'll give you that. Well, considering Ghostbusters is a family comedy, and Pulp Fiction is a graphic drama made for mature audiences, I happen to believe Tarantino could get away with more than Aykroyd, Ramis, and Reitman could. Walter Peck, the EPA agent, is what led to the containment unit blowing up, and thus the bringing of Gozer into our dimension. The EPA sub-plot lead to the climax point of the movie. I fail to see how that never went anywhere. As for Venkman/Dana? Dana was the first person to not fall for Venkman's awful one-liner's, and that made Venkman want to impress her all the more. Berrett is also the "damsel in distress" character, as Venkman loved her to the extent where he was willing to sacrifice his own life - as well as the existence of our dimension - to save her. I somehow didn't expect a giant marshmallow man to crush a church, or the EPA to shut the GB's down. I also didn't expect the ass-rape scene, but really, how many movies with a sodomy scene DO you expect? Oh, and JSYK? Cartoon came out in 1986. Movie in 1984. Original script for the movie, which took place in outer space and in the far future, was written in 1981-1982 just before Belushi died. So, basically, don't try to get into a GB argument with me, haha.