CBright7831

I think Mark is starting to lose his voice as the Joker. Then again, he started doing the voice in 1991 (92 is when it made it's debut on tv) and it's 2009. I dont think Conroy's voice has changed much though - but it's been awhile since I watched any episodes of B:TAS. Fuck the age process. I just wonder who screams "Now let's get this party started!" The voice isnt Mark's - thats for sure. Still awesome trailer - and its great to hear them both again.

I remember watching Roundhouse and just waiting for it to go off so Ren and Stimpy could come on next. The only thing that I remember about the show (before watching NC's video about it) was the guy who rode the motorized couch with the tv and etc. That could work for me nowadays. And I agree with Venkman - everyone should check out Nostagia Critic's reviews that he did in Jan (aka Nick month). He recently finished it off with a review of Good Burger.

Dammit, Blagojevich...

I always ed Morph:

Out of all the 05 Best Picture nominees, I liked Good Night Good Luck the best. I remember renting the movie and thinking I would be bored to tears, but I enjoyed it so much that when it got a reduced price at my work, I bought it and watch it to this very day. The same goes for Brokeback Mountain. I didnt think I would like it, but I also ended up enjoying it as well.

Do what I do: chain-smoke

You'd be surprised.

I'm sure there is a fan-base but I just find characters like Huntress, Hawkgirl, Black Canary, and even Batgirl/Oracle more interesting than Wonder Woman. She just bores me.

I'd actually like to see Timm get his hands on the Marvel Universe and see what he can do with it, but alas, I'm sure he's under some DC/Warner Brothers contract. The last that I heard, he was working on the Wonder Woman Animated Movie project. But seriously, who gives a flying fuck about Wonder Woman?

Matt obviously turned heel on Jeff because Jeff ate the last bag of cheese puffs while Matt was away.

So did anyone pick up Hulk VS... ? The Weapon X storyline in the Wolverine story looks better than anything in the Hulk vs Thor story. Not to mention the Wolverine story features Deadpool.

*looks around* *runs*

GASP! Have you been hacked?

- Dave Scherer of PWInsider.com is reporting Monday’s Raw rating as a 3.6, down from last week’s 3.9 (which featured the return of Vince McMahon).

Im betting Shane will get a punt to the head...Stephanie will then join Legacy within the next two months.

The scene where Henry cuts Otis's head off from Henry: Portrait of a Serial Killer flashed through my mind after I read the article.

What about the following year (1977)? Star Wars in no way deserves a win over Annie Hall. Oh no you didn't! [/star wars fanboy] Also take a look at #2 and #32. Empire has chimed in TDK's snubs

I'm betting TDK will NOT win any of it's 8 nominations. I'm looking for an upset in the BSA category. Oscar's only done one posthumous winner (Peter Finch), and I think they like to keep it that way. If Ledger wins, then color me surprised.

Beat you to it, Jingus.

For anyone who wants the entire list: Performance by an actor in a leading role * Richard Jenkins in “The Visitor” (Overture Films) * Frank Langella in “Frost/Nixon” (Universal) * Sean Penn in “Milk” (Focus Features) * Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.) * Mickey Rourke in “The Wrestler” (Fox Searchlight) Performance by an actor in a supporting role * Josh Brolin in “Milk” (Focus Features) * Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount) * Philip Seymour Hoffman in “Doubt” (Miramax) * Heath Ledger in “The Dark Knight” (Warner Bros.) * Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage) Performance by an actress in a leading role * Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics) * Angelina Jolie in “Changeling” (Universal) * Melissa Leo in “Frozen River” (Sony Pictures Classics) * Meryl Streep in “Doubt” (Miramax) * Kate Winslet in “The Reader” (The Weinstein Company) Performance by an actress in a supporting role * Amy Adams in “Doubt” (Miramax) * Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company) * Viola Davis in “Doubt” (Miramax) * Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.) * Marisa Tomei in “The Wrestler” (Fox Searchlight) Best animated feature film of the year * “Bolt” (Walt Disney), Chris Williams and Byron Howard * “Kung Fu Panda” (DreamWorks Animation, Distributed by Paramount), John Stevenson and Mark Osborne * “WALL-E” (Walt Disney), Andrew Stanton Achievement in art direction * “Changeling” (Universal), Art Direction: James J. Murakami, Set Decoration: Gary Fettis * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo * “The Dark Knight” (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando * “The Duchess” (Paramount Vantage, Pathé and BBC Films), Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway * “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Art Direction: Kristi Zea, Set Decoration: Debra Schutt Achievement in cinematography * “Changeling” (Universal), Tom Stern * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Claudio Miranda * “The Dark Knight” (Warner Bros.), Wally Pfister * “The Reader” (The Weinstein Company), Chris Menges and Roger Deakins * “Slumdog Millionaire” (Fox Searchlight), Anthony Dod Mantle Achievement in costume design * “Australia” (20th Century Fox), Catherine Martin * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Jacqueline West * “The Duchess” (Paramount Vantage, Pathé and BBC Films), Michael O’Connor * “Milk” (Focus Features), Danny Glicker * “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Albert Wolsky Achievement in directing * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Fincher * “Frost/Nixon” (Universal), Ron Howard * “Milk” (Focus Features), Gus Van Sant * “The Reader” (The Weinstein Company), Stephen Daldry * “Slumdog Millionaire” (Fox Searchlight), Danny Boyle Best documentary feature * “The Betrayal (Nerakhoon)” (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath * “Encounters at the End of the World” (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser * “The Garden” A Black Valley Films Production, Scott Hamilton Kennedy * “Man on Wire” (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn * “Trouble the Water” (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal Best documentary short subject * “The Conscience of Nhem En” A Farallon Films Production, Steven Okazaki * “The Final Inch” A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant * “Smile Pinki” A Principe Production, Megan Mylan * “The Witness - From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde Achievement in film editing * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Kirk Baxter and Angus Wall * “The Dark Knight” (Warner Bros.), Lee Smith * “Frost/Nixon” (Universal), Mike Hill and Dan Hanley * “Milk” (Focus Features), Elliot Graham * “Slumdog Millionaire” (Fox Searchlight), Chris Dickens Best foreign language film of the year * “The Baader Meinhof Complex” A Constantin Film Production, Germany * “The Class” (Sony Pictures Classics), A Haut et Court Production, France * “Departures” (Regent Releasing), A Departures Film Partners Production, Japan * “Revanche” (Janus Films), A Prisma Film/Fernseh Production, Austria * “Waltz with Bashir” (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel Achievement in makeup * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Greg Cannom * “The Dark Knight” (Warner Bros.), John Caglione, Jr. and Conor O’Sullivan * “Hellboy II: The Golden Army” (Universal), Mike Elizalde and Thom Floutz Achievement in music written for motion pictures (Original score) * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.),Alexandre Desplat * “Defiance” (Paramount Vantage), James Newton Howard * “Milk” (Focus Features), Danny Elfman * “Slumdog Millionaire” (Fox Searchlight), A.R. Rahman * “WALL-E” (Walt Disney), Thomas Newman Achievement in music written for motion pictures (Original song) * “Down to Earth” from “WALL-E” (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel * “Jai Ho” from “Slumdog Millionaire” (Fox Searchlight), Music by A.R. Rahman, Lyric by Gulzar * “O Saya” from “Slumdog Millionaire” (Fox Searchlight), Music and Lyric by A.R. Rahman andMaya Arulpragasam Best motion picture of the year * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), A Kennedy/Marshall Production, Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers * “Frost/Nixon” (Universal), A Universal Pictures, Imagine Entertainment and Working Title Production,Brian Grazer, Ron Howard and Eric Fellner, Producers * “Milk” (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers * “The Reader” (The Weinstein Company), A Mirage Enterprises and Neunte Babelsberg Film GmbH Production, Nominees to be determined * “Slumdog Millionaire” (Fox Searchlight), A Celador Films Production,Christian Colson, Producer Best animated short film * “La Maison en Petits Cubes” A Robot Communications Production, Kunio Kato * “Lavatory - Lovestory” A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit * “Oktapodi” (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand * “Presto” (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland * “This Way Up”, A Nexus Production, Alan Smith and Adam Foulkes Best live action short film * “Auf der Strecke (On the Line)” (Hamburg Shortfilmagency), An Academy of Media Arts Cologne Production, Reto Caffi * “Manon on the Asphalt” (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont * “New Boy” (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie * “The Pig” An M & M Production, Tivi Magnusson and Dorte Høgh * “Spielzeugland (Toyland)” A Mephisto Film Production, Jochen Alexander Freydank Achievement in sound editing * “The Dark Knight” (Warner Bros.), Richard King * “Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes * “Slumdog Millionaire” (Fox Searchlight), Tom Sayers * “WALL-E” (Walt Disney), Ben Burtt and Matthew Wood * “Wanted” (Universal),Wylie Stateman Achievement in sound mixing * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten * “The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick * “Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty * “WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt * “Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt Achievement in visual effects * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Eric Barba, Steve Preeg, Burt Dalton and Craig Barron * “The Dark Knight” (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin * “Iron Man” (Paramount and Marvel Entertainment), John Nelson, Ben Snow, Dan Sudick and Shane Mahan Adapted screenplay * “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord * “Doubt” (Miramax), Written by John Patrick Shanley * “Frost/Nixon” (Universal), Screenplay by Peter Morgan * “The Reader” (The Weinstein Company), Screenplay by David Hare * “Slumdog Millionaire” (Fox Searchlight), Screenplay by Simon Beaufoy Original screenplay * “Frozen River” (Sony Pictures Classics), Written by Courtney Hunt * “Happy-Go-Lucky” (Miramax), Written by Mike Leigh * “In Bruges” (Focus Features), Written by Martin McDonagh * “Milk” (Focus Features), Written by Dustin Lance Black * “WALL-E” (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter No thank you, Oscars.

Agreed.

For a show that was only made to sell toys (according to Paul Dini), Batman Beyond (or Batman of the Future ) was a pretty awesome show. It also brought us the best animated Batman/Joker story of all time and one of my all-time favorite Justice League Unlimited episodes ("Epilogue").

I wonder how much they will have to drink tonight.