The One and Only Angel Season 5 Thread

[Guest TheJewof2001]

Just visit http://www.jesusrules.com

[Guest Brian]

I so want to bring back the Beast right now.

[Guest Brian]

BTW, does anyone else want to help pick up an episode or two before I get writer's block?

[RavishingRickRudo 0]

Ooooh oooh oooh!!!

 

<-----

 

[RavishingRickRudo 0]

Topic:

 

"Joss Whedon has a habit of making black male characters' names literal"

 

Evidence: Charles Gunn - he uses guns.

 

Discuss.

[Guest Brian]

1727- Liam is born in Galway, Ireland.

 

1753 - Sired in Ireland. Massacres the entire village, including his family.

 

1764 - (York, England) Holtz is already on the hunt for Angellus and Darla, where they slay his family.

 

1765 - Followed by Holtz, Darla and Angel take refuge in a barn in France before their cover is blown.

 

1767 - (Marseilles, France) In transit to Morocco while fleeing Holtz. Traveling with James, Darla, and Elizabeth.

 

1771 - (Rome) The monsignor assists Holtz in his capture and torture of Angellus before Darla arrives with reinforcements to bail him out. I'm pretty sure this is the last confrontation between the two.

 

1789 - (Prussia) Angel is on route to Vienna when he meets the Beast. Angel is beat to near death before the Beast is banished.

 

1799 - Angel sires Penn.

 

1818 - (Dublin, Ireland) Kills Daniel on Christmas.

 

1838 - Romania

 

1860 - (London, England) Angel sires Dru, who once had the visions.

 

1880 - (London) Dru turns Spike. Darla has left Angelus for the master. The three massacre a wedding. Spike finds Angel messing with Dru after telling him she was his "destiny". And the two fight, with Angel prevailing and giving the young'un a lesson.

 

1880 - (Yorkshire, England) On the run from London, the four take refuge in a coal mine during the day.

 

1890 - Angellus is watching Jezel (ballet) by the Valiznikov troupe. I'm assumingthis is in St. Petersburg.

 

1894 - (Rome, Italy) - Being tied up with Spike so the Immortal can have a three-way.

 

1898 - (Borsa, Romania) Ensouled after murdering a gypsy girl that Darla brought Angel.

 

1900 - (China) - Angel tries to reunite with Darla during the Boxer Rebellion. Spike defeats a slayer.

 

1902 - (New York, New York) Angel arrives in the US.

 

1920s - (Chicago, IL) Angel saves a puppy

 

1920s - (Juarez, Mexico) Angel fights Boone over a senorita for three and a half days before the sun comes up and Boone lets up.

 

1930s - (Las Vegas, NV) Hanging with Bugsy Segal.

 

1930s - (Missoula, Montana) Reasons unknown, passed through during the Depression.

 

1943 - (Atlantic Ocean) Angel is being used by the US government to help recover a captured sub.

 

1952 - (Los Angeles, CA) - Angel is at the Hyperion where a poltergeist is in control of the hotel. Angel is hung and leaves before he can slay the ghost.

 

Early-Mid 60's - (Las Vegas, NV) Hung out with the Rat Pack at the Sands.

 

5/1/67 - Angel attends Elvis' wedding at the Aladdin Hotel in Las Vegas.

 

1975/6 - Angel drinks from a restaurant owner who's been shot, spends the next twenty years drinking from rats and living in alleys.

 

1996 - Whistler, working for the PTB and trying to restore a balance between good and evil, offers to pick up Angel and get him started. Angel is wandering the streets of Manhattan. He shows him Buffy in Los Angeles.

[AnonymousBroccoli 0]

Someone might want to introduce a military element to the Connor story. You'd figure that when one of the largest cities in the US is heavily under attack, it would be defended somehow.

[RavishingRickRudo 0]

*I* think Ron Glass should play a shopkeeper who runs his store inspite of the apocalypse. I have said this already, BUT, I *also* think this shopkeeper (named "the shopkeeper") should also be a Powers that Be who also was Jasmines father. So you get the Connor-the-physical-father and the Shopkeeper-metaphysical-father element that is so hip nowadays.

[Guest Brian]

Someone might want to introduce a military element to the Connor story. You'd figure that when one of the largest cities in the US is heavily under attack, it would be defended somehow.

I'vedebated this myself. They dropped the initiative project, but this is one of the biggest cities. I assume we're dealing with a glamour of some sort, though I haven't really figured out how WR&H would deal with that. Of course, they could pass it off as a terrorist attack or natural disaster and the entire city was decimated and fake the relief situation by shutting out the media. There'd be no contact to verify it.

 

RRR, what is it with you and Ron Glass? I was thinking if you're interested, you could write my Ethan Raines-esque episode. PM me if you're interested. I have the the first ten episodes mapped out and you can pick and choose. Anyone else who's interested can contact me.

[RavishingRickRudo 0]

Well, isn't that... Special.

 

I don't think I have to explain anything more!

 

*after stuff happens*

 

Connor: Well, something -or someone- is watching us.

 

*creepy music starts to play*

 

Kent: Yes, I have that feeling too.

 

*creepy music builds*

 

*camera looks around the abandoned warehouse*

 

Eliana: Is it bad?

 

*footsteps are heard*

 

*camera shows feet in wingtips walking down stairs into the open part of the warehouse*

 

*camera moves up to show Ethan Rayne*

 

*music peaks*

 

Rayne: Bad? Little girl, bad left a long time ago. Now you've got hell raining down and there's no shelter from what's coming... (smug) Oh, hello Kent...

 

*Typically, the show quicks to black in these instances... not here*

 

Kent: Um... Do I know you?

 

*Ethan looks dejected*

 

Rayne: Oh come on!

 

*quick to black*

 

[Ravenbomb 0]

Topic:

 

"Joss Whedon has a habit of making black male characters' names literal"

 

Evidence: Charles Gunn - he uses guns.

 

Discuss.

He uses crossbows, but I don't remember him using guns.

 

What about Robin Wood or Forrest?

[Guest Brian]

Wood = stakes

 

And didn't Gunn not use guns, because he was a gang member but not the way you'd think of him.

[RavishingRickRudo 0]

I was going to say Wood = Desk. but stake works too. Mr. Trick? Book? C'mon ppl! Open your eyes!

 

Forrest always was going through the woods.

[Mole 0]

I think the Gunn thing was just a joke whenever he said his name.

 

"Yes, that is my real name."

 

Plus the fact it's a awesome name.

[LaParkaMarka 0]

Gavin~ was in Spiderman 2. Guy seems to be doing pretty well for himself, what with the recurring role on 24 and bit parts in other shows/movies. I saw him on Voyager too (in what was a shockingly good episode).

[Mole 0]

I wouldn't call getting either non-speaking roles or one-line roles doing well for himself. He had a pretty decent size part in Angel, now he gets smaller roles.

 

But atleast he is getting some parts, which is better than nothing; ie Lilah.

[Guest Brian]

Episode 4 is here. Next episode is Rudo's. This one is not so good. I ended up with a lame, somewhat of a cop-out monster IMO and so it's a ghood thing I'm getting a little break. Anyone else who's interested in picking up an episode, pm me.

 

Scene 1:

 

<Eliana is pointing around as Connor moves furniture around. Connor pushes in a new bed. Eliana begins hanging clothes on a pipe. Kent walks in, arms folded, and leans against a wall.>

 

Eliana: We have to do this more often.

 

Kent: You took her shopping?

 

Connor: We were short a bed and we needed some clothing. Besides, all the stores are abandoned.

 

Kent: You took her out there again? There’s an assassin after you, in case you’ve forgotten.

 

Connor: I went armed.

 

Kent: That doesn’t matter. You took her out there when that Turkiyan was after you. And now you have no idea what’s coming. You put her at a serious risk, and you could have distracted yourself if a fight arose.

 

Connor: We can’t keep her in here all day, everyday. Besides, she needed something to do.

 

<They look over at Eliana, who is looking over her clothing in the mirror.>

 

Kent: Whomever it is, they’re going to send someone else after you. And you’re not ready for it. And neither is she.

 

<Cut to Rudy, who’s sitting at a desk with the camera facing him.>

 

Rudy: A lot of experience in this sort of game. You are corporeal, right? <Pauses> This one isn’t just an easy target though. He’s got a lot of strength, and he’s got relative amount of ingenuity. And he’s got help. <Puts a picture of Kent and Eliana on the desk> We’ve been keeping tabs on him, but we tend to lose him underground. He only seems to come up during the light hours.

 

v.o.: As long as I can kill him, it doesn’t matter.

 

<Camera pulls back to reveal no one there except Rudy. Fade to intro.>

 

Scene 2:

 

<Three robed figures are meeting in a dimly lit cavern. One of the robed figures claps twice, and the lights come on. All three remove their heads, revealing pale white skin, and three different Sanskrit letters, respectively, on each of their cheeks. The room is much more elegantly dressed than it looked in the dark. One of the figures heads over to mini refrigerator, pulling out a longneck bottle of beer and opening it.>

 

Robed Figure 1: He’s progressing nicely. He should be ready soon. And the master will soon control this place.

 

Robed Figure 2: And the assassins? Will they succeed?

 

Robed Figure 3: No, but they won’t need to. The ceremony is coming.

 

<Cut to Kent, who is showing Eliana steps of a kata with the katana. He gives the katana to Eliana. Connor is watching from away.>

 

Kent: Ichi. <Eliana stabs forward> Ni. <Eliana brings the katana up and back> San. <Eliana spins but falls out of position> Hold it!

 

<Kent walks over and pulls Eliana’s hand back into position.>

 

Kent: And then finish. That’s basic. Three simple moves, one offense, one defense, and one counter. Practice it.

 

<Kent steps over to Connor and sits down right beside him. He picks up a towel and dabs his forehead, with Eliana in the background.>

 

Kent: If we’re going to take people in, we’re going to have to teach them how to defend themselves. They need to learn how to kill, understand it’s psychological. You can teach them how to fight all you want, but it takes something else to kill. This place doesn’t nurture those who can’t adapt.

 

Connor: I wasn’t thinking about that.

 

Kent: Then what?

 

Connor: I was thinking about all the other people who have died out there because of what has happened. Because of what I did, and don’t do.

 

Kent: Don’t let it get to you.

 

<Eliana drops her sword.>

 

Kent: It’s better that you’ve saved some then none at all.

 

<Kent walks back to Eliana and fixes her form back to starting. Connor picks up his axe and begins walking away. Camera cuts to Connor in the tunnel practicing with lightning quickness. Suddenly, Connor gets whipped to the side of the tunnel, his axe knocked to the side.>

 

Scene 3:

 

<Connor pulls himself up immediately and is ready to fight. He looks around, and sees nothing. He picks up on something moving and swings the axe. Kent blocks it in front of his face with his katana. They both drop their weapons to their sides.>

 

Kent: I’m learning, aren’t I? Can’t sneak up on you. Always got to be ready for a blow.

 

Connor: Good.

 

<Connor looks around.>

 

Kent: What’s gotten into you?

 

Connor: I’m not sure. You didn’t see it?

 

<Kent raises his sword.>

 

Kent: See what?

 

Connor: I’m not sure what it was. But it nearly took me out with a single blow. And it moved so fast, I didn’t see where it went.

 

<Cut to Rudy at his desk.>

 

Rudy: You had him and you didn’t kill him! What were you thinking?

 

<Rudy is picked up from his desk and is hanging by his collar. Suddenly, Rudy breaks the hold and pins something to the desk. With his other hand, he pulls a knife out quickly from an open drawer and stabs at the desk. A man materializes.>

 

Rudy: And now, you’re visible. If you let him get you, and bring you into the light, he’s going to kill you. Do that again, I’m going to kill you. You had an open shot at him and you blew it. Don’t blow it again.

 

<Rudy pulls the knife out of the table, wipes it clean, and puts it back in the drawer, closing it.>

 

Rudy: Now go take care of him.

 

<The Man dematerializes. Rudy gets up out of his chair and heads to the liquor cabinet. He put some ice in a glass, pours himself some cognac, and takes a sip. He pulls a medicine bottle from his coat pocket and takes a few pills.>

 

<Kent is thumbing through a book, looking for something. Connor is leaning over the desk, standing adjacent from him.>

 

Connor: He was moving quickly, but there was nothing special about the way he hit me. It was strength, not size, that hit me.

 

Kent: There are a hundred different demons out there like this. It could have been a Tyaraken demon. Takes the form of humans, but keep their strength and speed, as well a psychic ability. Toursaeg demons are the size of humans. You could be dealing with anything.

 

<Kent turns the pages. He stops and shoots his head up.>

 

Kent: What if it wasn’t something you could see, and that’s why you couldn’t get to it. Not a ghost, but something under a cloak. Obviously, something strong is behind this, some sort of magic.

 

Connor: I hate magic.

 

Kent: We don’t have the tools to break that spell, so you’re going to be fighting an invisible man. We need to get something to help us out around here. We need to find this guy.

 

Connor: How can I fight something I can’t see?

 

<Kent gets up and starts to put his book away.>

 

Kent: Sometimes you have to trust your other sense out there. You’re going to have to find his openings. He makes sounds, he has footsteps, and he’s obviously solid. If he can bleed, you can hurt him.

 

Connor: But where is he?

 

Kent: I think we need to find out who he’s working for.

 

<Cut to an empty sewer tunnel. Footsteps are seen on a small amount of standing water but no body is visible.>

 

Scene 4:

 

<Connor and Eliana are seen walking through the sewer tunnel, both armed with swords. Eliana looks very happy.>

 

Eliana: I can’t believe you’re taking me out there again. I can’t wait. I saw this dress last time we forgot to grab, and you could use a suit or something. Like James Bond. You could so…

 

<Connor cuts Eliana off, putting a hand over her mouth.>

 

Connor: Do you hear something?

 

<Connor lets go of Eliana. He turns around and throws a big hook at the air. Suddenly, he gets hit in the gut and drops to his knees. Connor leg sweeps, making a splash where the invisible man hits the water.>

 

Connor: Run!

 

<Eliana shoots up a ladder to a manhole as Connor takes a shot in the gut, dropping his sword. He sees steps in the water moving towards Eliana, and quickly leaps at the steps, diving onto something. Connor gets up and throws it at the wall. Eliana screams. Connor jumps up, quickly scaling through the hole.>

 

<Cut to the city street during daytime. The manhole is wedged between two large buildings, and Eliana is trying to fend off an ubervamp but gets knocked down. Connor is just getting out of the sewer. He clamps the manhole cover down, then shoots a stake, dusting the ubievamp. He runs over to Eliana, on the ground.>

 

<Cut to Rudy on the rooftop, with one of the robed figures.>

 

Rudy: Now we’re going to get to see some action. <Pauses> Well, maybe we won’t be able to see everything.

 

Robed figure: Is he going to finish the job?

 

Rudy: He should.

 

<Cut back to Connor and Eliana, looking on. Connor’s clutching Eliana, checking to make sure she’s alright. Suddenly the manhole cover flies off. Connor shoots a stake at above the hole, but it continues through, not catching anything. Suddenly, Connor gets an uppercut sending him a few feet backwards.>

 

Rudy, v.o: I love this stuff.

 

<Eliana runs after Connor, but get pulled backward. She tries to swing with the sword but fans. Connor gets up and leaps, tackling Eliana.>

 

Connor: Where is he?

 

<Connor gets hit in the face, but returns fire. Connor gets up. Eliana throws the sword to Connor.>

 

Connor: I can go all day.

 

<Connor takes a shot to the gut, throws a right and misses. He gets hit and falls to a knee. He swings the sword overhead, but misses. He gets hit right in the face and drops the sword. Connor gets hit with another punch and falls to his back. The invisible man picks up the sword but Connor shoots a stake, right into his hand. The invisible man materializes. He screams, then pulls the stake out of his hand. Connor rushes over and they fight face to face. Connor throws a right and gets blocked, but backhand him with his left. Connor grabs the arm and kicks him in the face, then follows with a straight jab to the chest, sending him back into the wall.>

 

Invisible Man: You’ve got a lot of power. Too bad you don’t know what you’re doing with it.

 

<He closes his eyes and slowly fades away. Connor runs forward and tries to get in a shot, but misses and gets throw into the wall. Connor gets his hand up but gets hung from the left side with a cross.>

 

Eliana: Connor!

 

<Eliana grabs the sword and heads over to help but gets knocked back. She lands by a fire hydrant. She slowly gets up, and looks at Connor swinging at air. She turns the sword, and uses it to unscrew the hydrant. Suddenly water bursts out and sprays all over, hitting around the shape of the invisible man. Connor hits a sidekick and walks forward, without hesitation. Eliana throws him the sword and he catches it nonchalantly. He swings, and the head falls off, making an impression with the falling water as the runoff turns crimson. Connor turns around to Eliana.>

 

Connor: So, you think I’d look good in a suit with a tie or not. Because I was thinking that I could go without the tie. Like my…like a solid color shirt underneath.

 

Eliana: I think we should go with the tie. You need to look professional when you’re doing you kill.

 

<Cut back to the rooftop, where Rudy is pacing.>

 

Rudy: I don’t get it. He’s just a kid. Yeah, he had vampires for parents, but I had demons for parents and you don’t see me with that kind of power. It doesn’t make any sense, he’s human.

 

Robed figure: No, he’s definitely not human.

 

Rudy: It still doesn’t make sense.

 

Robed figure: And you’re still failing. We’re getting tired of your games.

 

Rudy: Hey, give me a break here. I underestimated him. He’s smarter, more resourceful than I assumed. So I’m going to have to bring in something bigger. We’ve got to take him out of his game.

 

Robed figure: And the girl and the man?

 

Rudy: We won’t have to worry about him when this cat shows up. He’ll take care of those two without a hassle.

 

Robed figure: You’re running low on time.

 

Rudy: Don’t worry about it.

 

<Rudy turns away, and pulls out his cellphone. He dials and puts it to his ear.>

 

Scene 5:

 

<Kent is in a large room with no ceiling or walls, only pillars. He facing up to a podium, though the camera never rises enough to show who is there.>

 

Kent: There’s something else out there after him and I need to know what it is. He’s can’t do this alone, there’s something else bigger than him out there pulling the strings. And the whole city is overrun.

 

v.o. (bellowing voice): We sent you to protect him, put him in position for his eventual fate.

 

Kent: How can I protect him if I don’t know what’s going on. We are seriously understocked in terms of weapons. We’re short of information. I can’t handle it, he can’t handle it.

 

v.o.: Fate will always intervene when it is needed. You’re concerns are unwarranted. You may exit now.

 

<Kent grudgingly leaves.>

 

<Cut to Eliana, who is hanging up her new clothes. Connor walks out from a hallway, dressed in a solid colored suit.>

 

Eliana: It looks good.

 

Connor: Yeah.

 

<Kent walks in, obviously frustrated. He heads straight to his desk.>

 

Connor: You like my new suit.

 

Kent: It’s fine Connor. But we have more important things to figure out then what we’re going to where to the prom.

 

<Kent turns around in his chair and grabs a book.>

 

Kent: Because we have no idea what we’re going up against.

 

<Cut to the robed figures, sitting in a circle around a table.>

 

Robed Figure #1: We need to do something about the boy. The demon cannot do it alone.

 

Robed Figure #2: They’re time will come.

 

<Cut to Rudy, working out around a punching bag. He hitting it hard, and breaks the chain off the bag, opening it. He walks over to a bulletin board, with a picture of Connor pinned to it.>

 

Rudy: Our time will come, boy. Then we’ll see what you’re made of.

 

<Rudy downs a few pills, then punches at the billboard, leaving a rather large dent. Fade to black.>

[Ravenbomb 0]

Okay, how could you make Rondell literal?

[Anya 0]

I hate how Wood is played by a guy named Woodside.

 

 

I've been watching Buffy season 1 and 2 on DVD lately, just because I haven't seem them in like a year. I hate the quality of the old episodes. The actual camera work and film quality is looks cheap. Even the opening theme is cheaply done. It's cool seeing Jenny and Oz. I could do without the Xander/Cordelia ship though. It's just wrong.

 

 

I got the Radio Sunnydale CD the other day, just for the final battle music from Chosen. They need to do more CDs with the score, not bands that played at the Bronze. I really like the OMFW CD, it's awesome how it comes with the music from The Gift.

[Anakin Flair 0]

I hate how Wood is played by a guy named Woodside.

 

 

I've been watching Buffy season 1 and 2 on DVD lately, just because I haven't seem them in like a year. I hate the quality of the old episodes. The actual camera work and film quality is looks cheap. Even the opening theme is cheaply done. It's cool seeing Jenny and Oz. I could do without the Xander/Cordelia ship though. It's just wrong.

 

 

I got the Radio Sunnydale CD the other day, just for the final battle music from Chosen. They need to do more CDs with the score, not bands that played at the Bronze. I really like the OMFW CD, it's awesome how it comes with the music from The Gift.

I agree with you, Anya, on all counts. That's why, when I list my favorite seasons, the earlier seasons are usually at the bottom of the list. The storylines may have been good, but I also count how everything looks overall when I judge quality, and the first two seasons didn't have a lot of quality camera work.

 

Also, which version of Radio Sunnydale did you get? There is a UK version and a US version. The UK version comes with twice as many songs, including another piece of score, this being from Xander's hero scene score from "The Zeppo", as well as the original version of the Buffy theme by Nerf Herder. The US version has half as many songs, but does include two trakcs not included on the UK version, one of them being the Sarah Mclaughlin song that ended Season 6 "Prayer for St. Francis", I believe. I ended up getting both, just to have a difinative CD.

 

One more thing, I think it's been reported in this thread, but there will be an Angel CD commign out, and I beleive it will be ALL score (may be wrong, and don't have the time to check out the facts." Head over to Buffy.nu opr Whedonesque.com to find out more.

[Anakin Flair 0]

This just in...

 

Adam Busch’s ’Jury’ Faces Death Sentence

From Tv.yahoo.com - 2004-07-4th

 

"The Jury" moved closer to dismissal Thursday when Fox scaled down the struggling legal drama’s airings.

 

Fox’s sibling studio, 20th Century Fox TV, also dismissed the cast and notified the show’s producers that no more original episodes will be shot at this time.

 

Coming from the "Homicide" team of Tom Fontana, James Yoshimura and Barry Levinson (who also played the judge), each episode of "The Jury" recreated a case in flashback as the empaneled citizens debated the verdict. After their decision was delivered, the facts were presented to the audience.

 

On Fox’s summer schedule, original episodes of "The Jury" ran in the Tuesday 9 p.m. slot, with encores airing at 9 p.m. Fridays. Beginning next week, the series will air only in the Friday slot, with all five remaining original episodes slated to run.

 

In the next three weeks, Fox will air reruns of "The Bernie Mac Show" and "Method & Red," the Major League Baseball All-Star Game and repeats of "That ’70s Show" and "Quintuplets" in the Tuesday 9 p.m. period.

 

While the return of "The Jury" to Fox’s November schedule is highly unlikely, a spokesman for the network stressed that Fox’s late-fall launch provides a long enough hiatus to allow for the show to resume production should it show ratings improvements in the next few weeks.

-from Buffy.nu

 

Can someone tell me what the FUCK "Method and Red" is still doing on? And why they'd air reruns of THAT crap? I mean, if you're going to cancel a show, fine. just don't add insult to injury.

[Hank Kingsley 0]

Oh, the Angel CD is going to be great. It's going to be mostly score, with a song from ANDY HALLETT~ and CHRISTIAN KANE~'s "LA" from "Dead End".

[Mole 0]

I've been watching Buffy season 1 and 2 on DVD lately, just because I haven't seem them in like a year. I hate the quality of the old episodes. The actual camera work and film quality is looks cheap. Even the opening theme is cheaply done. It's cool seeing Jenny and Oz. I could do without the Xander/Cordelia ship though. It's just wrong.

The thing with season 1, not as much with 2, but the lighting was different. It was a lot darker because I think they were going with the horror effect more than anything.

[Ravenbomb 0]

Oh, the Angel CD is going to be great. It's going to be mostly score, with a song from ANDY HALLETT~ and CHRISTIAN KANE~'s "LA" from "Dead End".

'bout time they're releasing LA

[Anya 0]

I got the US version of the CD. The Angel CD will be cool.

 

 

Season 1 is way too dark. During the Mantis lady fight you can't even see anything.

 

I think I'd have to say maybe even season 7 is better than season 1. So many eps like The pack and the Puppet Show are painful to watch now.

[Mole 0]

You are making me shudder talking about "Puppet Show."

[Anya 0]

I hate how in the Chaos Bleeds video game Sid the Dummy is in it more than Anya.

 

Just another example of Emma being held down.

 

 

 

The pack has to be the worst ep ever. I hate the long boring shots of the pack just walking towards the camera while music plays.

[Mole 0]

She was a bad guy at the end of a level and I remember it being a pain in the ass to beat her.

[LaParkaMarka 0]

Bah. I liked the Pack. Haven't seen in it forever, but I really enjoyed it when I got the Season 1 DVDs. They ate the principal! Cmon.

[Guest Brian]

Oh, the Angel CD is going to be great. It's going to be mostly score, with a song from ANDY HALLETT~ and CHRISTIAN KANE~'s "LA" from "Dead End".

I *heart* Christian Kane. In that manly way.