WrestlingDeacon

That's about the same track lineup as "Elvis' Gold Records: Volume 5" cd I have. All very good stuff. Of what you don't have from that period on there I would recommend Long Black Limousine, Any Day Now, Loving Arms, Don't Cry Daddy, Patch it Up and Rubberneckin' since it's being used in commercials now.

Nope. I don't believe either them or Blind Faith have been given heavy consideration as much of that work is grouped in with Clapton's solo stuff a good bit of the time.

Of what I put up, I would go with Gerry and the Pacemakers since you don't have a lot of early invasion stuff and Supertramp who I find to be really underrated and creative. You could make four cd's of British rock very easy.

who had one of RD Reynolds' favorite hometowns, WCW Special Forces. Another of his favorites is ARACHNIMAN'S Web City.

Some Brit groups you don't have with a song choice for each. Gerry and the Pacemakers: Ferry Across the Mersey Genesis: abacab from the earlier days, Land of Confusion for later on. Spencer Davis Group: I'm a Man and Gimme Some Lovin' Supertramp: Bloody Well Right Dire Straits: Sultans of Swing Police: Don't Stand so Close to Me Mott the Hoople: All the Young Dudes Bad Company: Silver, Blue and Gold and Feel Like Making Love Tom Jones: It's Not Unusual Billy Idol: White Wedding and Dancing with Myself Herman's Hermits: There's a Kind of Hush

Yeah, that's what I was thinking. Science still lets him do crazy junk and mess stuff up, but it's not a direct copy of Home Improvement.

and he reopened Stampede wrestling with the aide of brother KEITH HART.

If you mean how they can sell a belt with WWF in it because of the settlement with the World Wildlife Fund, it's due to the fact that's it not the scratch logo. Vince had a deal with the Wildlife people on the old bubble logo, but not the new scratch logo, which apparently too closely resembled the same logo the Wildlife Fund was using at the same time. They blur the scratch logo, but anything from the New Generation era or before is fine.

then they faced the BOLSHEVIKS at the Wrestlemania after that.

who got jobbed out to GREG THE HAMMER VALENTINE the Wrestlemania after that.

you're right. I forgot that Savage didn't wrestle at 9. He faced Crush at 10. However, that was his next Wrestlemania match after Flair and that's what I tricked me up. I guess, I'll link to myself as Savage's first Wrestlemania appearance was facing GEORGE THE ANIMAL STEELE at Wrestlemania 2.

who Savage fought at Wrestlemania IX, a far cry from facing RIC FLAIR the year before.

Harrison being in for the Beatles is fine, but not as a solo artist. Lennon and McCartney are also in twice. Clapton is in three times for himself, Cream and The Yardbirds. Neil Young is in three times for Buffalo Springfield, CSNY and himself.

I like everbody on that list and if everyone performs it will be a damn good show to watch. I think people underplay or don't realize the importance and greatness of Traffic. Harrison I think is sympathy on account of his death, because his solo career was really lame if you look at it. Shit, are they going to let Ringo in? I love Jackson Browne and Bob Seger it's nice to see that other people on here do too. My favorite Seger song is the live version of Ramblin' Man that segues into Beautiful Loser. For Browne, I dig Runnin' on Empty and Doctor My Eyes, but of lesser stuff Rebel Jesus and In the Shape of a Heart and These Days.

I think Tim Allen would be a good choice. He's naturally likable and funny. He also has experience in warm, family sitcoms. Here's how I would do it. You bring Allen in as a teacher at the kids' high school. Make him the consumate bachelor or divorced. You don't want him to be a widower too and you don't want him to have a kid. Katey Seagal goes in for a parent/teacher conference and they hit it off great. So he asks her out. Allen is like the cool science teacher that all the kids like. It's important for the kids to have reservations with who their mom starts seeing, but you don't want the dynamic of somebody they don't like. That would leave a bad taste in people's mouthes. Where you bring the real tension out is with Garner and Allen, who should have good chemistry together. You kind of get back to the basic prinicpal of the show where you have Garner as the dad looking out for his little girl.

Here's the idea. All these girls should take pictures of themselves now while they're hot and then save them for they are broke and middle aged.

c'mon you skipped HTM! That's blasphemy. Dibiase was slated to win the WWF World Title at Wrestlemania IV until HTM refused to job the IC back to RANDY SAVAGE and he was given the title tourney to make it up to him.

No, that was the FABULOUS ROUGEAU BROTHERS. Jacques was in both teams, but Raymond was replaced by Carl Oulette in the Quebecers.

And here is where I point out that the Monkees had turned into a real band that wrote and played most of thier own stuff by the third album and Mike Nesmith is one of the most underrated guitarists and songwriters of the late sixties. I highly recommend checking out both Headquaters and the Head soundtrack.

and before that he was P.J. Walker and I have him on tape getting his ass kicked by THE HEAD SHRINKERS.

Nash to The Giant on Nitro when the nWo took over the booth. "Are you really Andre's kid?" "Uh...no."

who tagged with THE BIG BOSSMAN.

Here you go throatwobbler: Late sixties bubblegum. Highlighted by The Archies who weren't even a real fucking band. They were portrayed as being the damn cartoon characters.

Country, even more than the mainstream, has always been more single oriented than album oriented. It was only with the beginning of the outlaw movement in the seventies when you had artists who were not only good songwriters, but also knew how to pick good songs from others; like Johnny Cash, Willie Nelson, Waylon Jennings and Merle Haggard, that you began seeing more cohesive albums. If you notice that only albums from rock legends like Little Richard, Jerry Lee Lewis and Elvis are essentially greatest hits albums or compilations. The album as we know it really didn't come into being until the lp was produced and the first concept album was Frank Sinatra's "In the Wee Small Hours of the Morning" in 1955. Which is 100 on the above list and would certainly be in my top five, maybe number one. It kind of brings into question what an album really is. Is just a collection of songs good enough to be on a list of the best albums of all time or does their need to be some thought and theme behind it in it's construction.

I liked the old random synth song they used for random crap back in the '80's can't think what it was called though. And no, it wasn't the synth version of "Easy Lover" that they used for other random crap.