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MrRant

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  1. From DVDDebate.com:

     

    Paramount have just sent us full details of their November 3rd release of The Borg Megacube. This set will include every single episode from all seven seasons of the highly acclaimed Sci Fi TV series Star Trek: The Next Generation. Containing no less than 48 DVDs and boasting a £449.99 RRP, this could be the largest and most expensive commercial DVD box set released to date.

     

     

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    The Borg MegaCube

    The Complete Star Trek: Next Generation Seasons

    1-7DVD Collection

     

    Captain’s Log 3rd November 2003

     

    By order of Starfleet Command, The Borg MegaCube, a DVD Box Set Collection unlike any other is to be released to commemorate the legendary voyages of the Starship USS Enterprise-D.

     

    The Borg MegaCube, the ultimate DVD collection, contains the Complete Star Trek: The Next Generation series 1- 7 across 48 discs and is strictly limited to just 1000 numbered copies worldwide. This collection is presented in the shape of a Borg Cube - both in recognition of the crew’s struggles against one of mankind’s greatest threats – The Borg – and in remembrance of the thousands of Starfleet lives lost at the battle of Wolf 359.

     

    A collective intelligence, formed of organic beings with cybernetic enhancements, the Borg wander the galaxy, seeking out cultures to assimilate. The Enterprise Crew are first introduced to the Borg in the second season episode ‘Q – Who’ and the Cyborgs have since become the single greatest threat facing the Federation……

     

    In ‘The Best of Both Worlds’, voted as the best ever TNG episode by the US public in a recent poll, the Borg arrive in Federation space to assimilate their people and technology. They capture Picard, turning him into ‘Locutus of Borg’ in an attempt to conquer the human race and set course for Earth. Acting Captain Riker must find a way to stop them before the Enterprise has to break off the pursuit.

     

    In ‘I-Borg’, the Enterprise discovers a crashed Borg scout ship with an injured survivor. Dr Crusher insists on saving his life, despite the concerns of the others. She is shocked when she discovers that Picard intends to use him to spread a virus that would destroy the Borg completely.

     

    ‘Descent’ sees the Borg return to do battle with the Federation, boasting a new individuality. Things become complicated when they enable Data to feel his first emotion and an injured Borg starts to show individualistic tendencies.

     

    This Star Trek Next Generation box set collection also includes an individually numbered certificate of purchase commissioned by Starfleet Command and holds a special limited edition Star Trek Next Generation Clock, specifically designed for this exclusive release.

     

    The Borg MegaCube Box Set, with digitally re-mastered picture quality and Dolby surround sound, is available from Paramount Home Entertainment on 3rd November and costs £449.99 from major DVD retailers.

     

    Live Long and Prosper

     

    The Story of the Borg Ship

     

    At the time of the filming of ‘Q-Who’, there were two visual supervisors: Dan Curry and Rob Legato. They each had their own specifications for the design of the Borg ship:

     

    Rob Legato - The Borg ship should be a ball with a trench of detail around the middle.

    Dan Curry - The Borg ship should be a cube that looked smooth at a distance. As you got closer and closer, more detail would be revealed. (Dan had hired Special Effects for this job).

     

    The Rob Legato team experienced problems and the job of building the Borg Ship went to Special Effects. It took 14 modellers two weeks to finish the job. That is nothing short of amazing when you consider that while the specifications called for only one side finished, Special Effects supplied a Borg ship that was finished on all sides. In order to achieve that level of detail, F/X put everything in they could find, including R2-D2, toy soldiers, plastic model "rails", and the F/X logo.

     

    Highlights of Next Generation Seasons

     

    Season One includes the very first Next Generation episode, ‘Encounter At Farpoint’ which introduces us to the Crew of the Enterprise. Episode Guide - Q challenges the crew to prove the humanity of the human race through a series of tests on Farpoint – if they fail, they face certain death! When an unidentified ship begins firing on the old Bandi city, they learn that the people of Deneb IV have captured its mate and are holding it against its will. Will the crew of the Enterprise reunite the estranged aliens and convince Q of their positive qualities before time runs out?

     

    Season Two includes the Emmy nominated episode ‘Q-Who’ which guest stars Whoopi Goldberg as Guinan. This is the first episode to feature the dangerous Borg. Episode Guide - The crew is hurled into the future by the malevolent Q, who sets them up for destruction by a race of half-human, half-robot aliens known as the Borg.

     

    Season Three includes two Emmy nominated episodes which were also voted as America’s favourite TNG episodes, according to a recent poll - ‘The Best of Both Worlds’ and ‘Yesterday’s Enterprise.’ Episode Guide to ‘The Best of Both Worlds’ - The evil Borg capture Picard in an attempt to conquer the human race. Episode Guide to ‘Yesterday’s Enterprise’- The course of history is altered when a time rift brings a Starship Enterprise from the past into the present with a crew which includes Tasha Yar.

     

    Season Four includes the season premiere and second part of the excellent cliffhanger ‘Best of Both Worlds’ as well as ‘Redemption’, which sees the Worf’s loyalties torn between his crew and his people.

     

    Episode Guide to Best Of Both Worlds (part II) - Riker must choose between saving Picard and saving humanity when the Borg use the kidnapped captain as part of their plan to destroy Earth. Episode Guide to Redemption - As civil war threatens the Klingon Empire, Worf's loyalties are torn between the Federation and his people.

     

    Season Five includes two of America’s top 5 episodes, as voted for in a recent poll – ‘The Inner Light’ (voted number 3) and I-Borg (voted number 5) starring Jonathan Del Arco as Hugh, the injured Borg. Episode Guide to ‘The Inner Light’ - After a mysterious accident, Picard awakes up living the life of another person on a faraway planet. Episode Guide to ‘I-Borg’ - Picard and the crew suffer from conflicting emotions when the Enterprise rescues a critically-injured Borg.

     

    Season Six includes the episode ‘Descent’ in which Professor Stephen Hawking makes television history by being the only guest to star as themselves!! Episode Guide to Descent - When the Borg return to do battle with the Federation, they boast a new individuality - and tempt Data when they help him feel his first emotion.

     

    Season Seven includes ‘All Good Things’, the series cliffhanger which was voted as America’s fourth favourite episode ever in a recent poll. Episode Guide to All Good Things - Picard finds himself travelling between the past, present, and future while attempting to prevent the destruction of humanity... by his own actions.

     

     

    http://www.dvddebate.com/article.php?sid=3574


  2. SAN FRANCISCO (Reuters) - Security holes in Microsoft's Internet Explorer browser have been exploited by hackers to hijack AOL instant messaging (news - web sites) accounts and force unsuspecting Web surfers to run up massive phone bills, computer experts cautioned on Friday.

     

    Some Internet Explorer users are also finding that malicious Web sites are secretly slipping trojan programs onto their computers, which could prove an even more dangerous exploit, said Drew Copley, a research engineer at Aliso Viejo, California-based eEye Digital Security, who discovered the original security vulnerability.

     

    Such stealth programs can include keystroke loggers that record everything a person types or software to erase the hard drive, among other things, he said.

     

    Microsoft (Nasdaq:MSFT - news) has released a patch for the original hole, which was reported about a month ago, said Stephen Toulouse, security program manager for Microsoft's Security Response Center.

     

    The company is looking into what it says are variations of the original hole that have been discovered since then that the patch does not fix, Toulouse said.

     

    "We will release a fix for the variations," he said.

     

    Security experts are reporting the variations as new security holes, disclosed within the past three weeks and used for different types of attacks, Copley said.

     

    Microsoft and eEye Digital Security said they have issued information for temporary workarounds.

     

    In general, the attacks are accomplished by leading Internet Explorer users to a malicious Web site, either by sending an e-mail with a link to the Web page or distributing a link through instant messaging, Copley said.

     

    When the Web site appears, it downloads code that can execute commands on its own onto the unsuspecting computer user's machine, according to Copley.

     

    An attacker has written a program that uses a security hole in Internet Explorer to hijack an already running AOL Instant Messenger account, changes the password and send a message to the buddies list with a link to the malicious Web page, according to postings on the Bugtraq security e-mail list.

     

    The Web site the posting listed as stealing the AIM passwords appeared to have been shut down.

     

    An AOL Time Warner(NYSE:AOL - news) spokesman said the company was looking into the issue.

     

    'PORN DIALER'

     

    Another attack is being accomplished by sending computer users to Web sites -- typically porn sites -- that change the computer's dial-up settings to an expensive long-distance phone number without the user knowing it, said Richard Smith, an independent Boston-based security researcher.

     

    In the so-called "porn dialer" attack, victims are being charged as much as $5 a minute instead of paying their normal Internet service fee, he said.

     

    A third type of attack steers computer users to pay-per-click Web sites, where the spam marketer gets paid each time someone goes to the Web site, Copley said.

     

    "These kinds of bugs are really spooky" because they work in the background, undetected by the computer user, he said. "With these kind of holes, a lot of roaches crawl through."

     

    Computer users can protect themselves by applying patches, following the workaround instructions or changing their settings in Internet Explorer to prompt them before a Web site downloads programs that can execute on their own, Toulouse said.

     

    Also on Friday, anti-virus company Global Hauri of South Korea (news - web sites) warned about a new medium-risk computer worm that spreads through Microsoft Network's MSN Messenger system, attempts to connect to a porn Web site and passes itself around to others in the victim's contact list.

     

    Toulouse said Microsoft was looking into the matter.

     

    Information about the security holes and how to fix them is at http://www.microsoft.com/technet/security.


  3. I should look into transferring to Philly just due to the sports discounts I would get. All of these teams are owned by Comcast (my employer):

     

    Philadelphia Flyers - NHL

    Philadelphia 76ers - NBA

    Philadelphia Phantoms - AHL (Hockey)

    Philadelphia Wings - Lacrosse

    Philadelphia Kixx - MISL (Soccer) Probably wouldn't go.

    Philadelphia Charge - Now of the defunt WUSA.

     

    Owned by Comcast but not in Philly (Dr. Tom should know some of these teams)

     

    Bowie Baysox - AA affiliate of the Orioles.

    Frederick Keys - A affiliate of the Orioles.

    Delmarva Shorebirds - A affiliate of the Orioles.


  4. NORFOLK, Va. - A sudden, irresistible urge. A portable toilet. A confrontation with an angry construction worker. Now, a federal lawsuit.

     

     

     

    William Tremmel, 68, of Altoona, Pa., needed to go. Badly. So he dashed to the nearest portable toilet on the Virginia Beach boardwalk.

     

    Problem was, it belonged to construction workers for Weeks Marine, a company hired by the city to replenish the beach. And those workers were fed up with outsiders using the company can.

     

    They retaliated, Tremmel claims in a lawsuit filed last month, by driving a bulldozer or front-end loader to the toilet and blocking the doorway, pinning him "inside the rank tomb."

     

    Tremmel is seeking $100,000 for the Aug. 19, 2001, incident.

     

    Weeks doesn't deny its employee blocked Tremmel in the toilet but says the worker was within his rights.

     

    Tremmel says he was locked inside for 25 minutes. He claims members of his family shouted at the worker, but the man left and returned with his foreman, who chastised Tremmel through the closed door and accused him of trespassing.

     

    Tremmel says the "abduction and false imprisonment" caused him "humiliation, mortification, shame, vilification, injury to his feelings, mental suffering, insult and indignity." Tremmel and his wife were celebrating their anniversary.

     

    The lawsuit also says Tremmel has emphysema, was recovering from prostate surgery and had undergone double-bypass heart surgery.

     

    Weeks Marine denied that the workers chastised Tremmel or that he was locked in the toilet for almost half an hour. Weeks says in court papers that its workers believed blocking Tremmel's exit was "reasonable" because he was "wrongfully using the port-o-let."

     

    No hearing date has been set.


  5. That is because horror is lumped with Sci-Fi and such. They are similar of course... but different. In general I consider an alien killing a whole bunch of people Sci-Fi but a janitor burned by parents killing a bunch of kids to be horror.

     

    And don't forget the mindboggling subsets of both genres.


  6. If they wish to not be part of a premium package (HBO etc,) then what they will probably have is something like "The Hills Have Eyes" brought to you by Mr. Clean or something of that nature.

     

    Perhaps commercials before and after each movie. I would be okay with commercial breaks even if the movie ended up uneditted.

     

    However Thriller MAX (DirecTV doesn't have it) is already into this niche but with a mix of horror and sci-fi.


  7. More:

     

    Fright fans will soon have a cable station to call their own with The Horror Channel, the first 24-hour national digital genre cable network, which will debut in October 2004. FANGORIA has been given the exclusive scoop on the ambitious project, which will involve many of the industry’s key chillmeisters and broadcast a mix of classic and new fright flicks and television shows, as well as original programming.

     

    “I truly believe we can bring the genre into the limelight, where it deserves to be,” CEO and founder Nicholas A. Psaltos tells Fango. ”There’s no reason why the Horror Channel should not exist and thrive. Comedy Central and Sci Fi are both doing extremely well. Both are very valuable enterprises and they’re each only about a dozen years old. And they are both descendants of movie genres. Today there are the Golf Channel, Food Network and DiscoveryWings. None of these borrows its content from a proven, successful or hugely profitable movie genre. But the Horror Channel does.”

     

    “We hope to create a compelling and successful company whose identity is fomented by the true grassroots horror fan,” says co-founder Kim Bangash, who has helped finance a number of films, including STRANGELAND and SLING BLADE. “We want to take that vision and then create an international brand that pays homage to all the different genres of horror in this country and abroad.”

     

    To create this vision, the Horror Channel has turned to the filmmaking community and signed many familiar scream greats to its advisory board. In addition, the Channel has brought FANGORIA editor Tony Timpone on board as a consultant and has an interest in developing a “FANGORIA Fridays”-type programming block, as well as licensing some of the company’s video titles as broadcast premieres.

     

    “One of the first things we did was to reach out to the key horror filmmakers,” Psaltos says. “The masters of horror were all quite happy to meet with us. We met with the established fathers of the genre: George Romero, John Carpenter, Wes Craven, Mick Garris, Guillermo del Toro, Roger Corman, Stuart Gordon, et al. It was like a dream sequence. Every meeting was positive and collaborative. Later on, we reached out to some of the younger guys, up-and-comers like Rob Zombie, Eli [CABIN FEVER] Roth, Lucky [MAY] McKee, Uwe [HOUSE OF THE DEAD] Boll, Robert [LOVE OBJECT] Parigi and Victor [JEEPERS CREEPERS] Salva. These guys are all brilliant and worthy of the honor of carrying the torch for the next several decades. Ultimately, we will be collaborating with many of these people on new programming such as films, miniseries, anthology shows, behind-the-scenes specials and branded guest-hosting spots.”

     

    The next stage involves bringing horror buffs into the endeavor, and Psaltos says that he’s all ears. “Our fans are extremely important in this process,” he explains. “We are launching our consumer website, www.horrorchannel.com, this October 1. We need the fans to fill out a survey so that we can petition every cable operator in the land with their unified voice clamoring for a horror channel. In addition, the fans will become part of our programming and content creation process. We will develop programs that they ask for and, in some cases, produce scripts that they write or air films that they’ve produced. We also have a strong desire to connect with the Goth music and lifestyle scene. Talent like Rob Zombie will be a strong proponent in the music area, and we’re already in discussions with the Costume Network and several others regarding the lifestyle aspect.”

     

    Psaltos says that the lack of a cable station for genre enthusiasts inspired his gargantuan and risky undertaking. “John Hendricks, founder of the Discovery Channel, was a personal hero of mine,” he says. “I saw him on an elevator one day when I worked at Discovery and thought, ‘Why not me?’ All I needed was the right idea. Then a friend of mine was talking about how huge horror was and that it needed its own channel. I thought, ‘Yes, this is interesting.’ So I began visiting all the websites and attending FANGORIA and Chiller Theatre conventions and talking to intriguing people. At the time I was working in a dead-end job at Bravo/IFC. My wife was seven months pregnant, and we’d just bought a house. So what else was I supposed to do? I waited until Henry Nicholas was born, then three weeks later I quit my job and began working on the Horror Channel.”

     

    “It’s hard to believe that no one has put a Horror Channel on the air before,” Bangash adds. ”There have been attempts before that for one reason or another petered out. With the growing penetration of digital cable, today’s environment seems to be the most viable time to launch the Horror Channel. People can now get service with up to 1,000 channels, which makes this idea all the more of a no-brainer. I don’t need to tell you how popular this genre is. It is the last major feature-film genre that does not have a cable channel dedicated to its fanbase.”

     

    So what took so long? “Network executives are not rewarded for risk-taking,” Psaltos says. “Launching a new channel is a big risk. They don’t understand the consumers that flock to this genre. Sci-fi won its own channel because their fans were ‘easier’ to identify and categorize. But the paradox here is that horror fans are even easier to find, because everyone loves horror—even if they’re too afraid to admit it. About a dozen years ago, when Sci Fi first launched, they were supposedly the answer to all fantasy genres, including horror. And at first they were, dedicating about 35 percent of their programming to horror. Over time, this changed because Sci Fi wanted to hone their appeal more specifically to the sci-fi audience. Fan complaints were not loud enough within the cable industry to ignite a unique horror channel offering. Plus, at the time, analog channel launches were hugely expensive because shelf space was limited to about 60 channels. Things have changed over the past four years. Direct broadcast satellites [DBS] and digital cable boxes enable homes to receive hundreds of channels. But despite the increased bandwidth, it’s still not easy—or cheap—to launch a channel.”

     

    To deliver the Horror Channel to your living room by fall 2004, Psaltos and company must continue raising at least $3 million in the months ahead. They’ve assembled a number of choice cable executives and business people to facilitate the process.

     

    “We have put together a team that is a healthy mix of veterans from the cable TV, film, consulting and finance industries,” Psaltos says. “Also, we are all horror fans and movie lovers. Kim is from the independent film scene. Our head of marketing, Chris Apostle, was at Showtime Networks. Our CIO and project launch manager, John Giunti, is a huge horror fan and a management consultant. I myself come to the table with 10 years of experience in the cable industry. I was most recently in programming and acquisitions at Bravo/IFC. Prior to that, I was in finance and business development at both A&E and Discovery. We also have several part-time consultants, full-time advisors who are from various cable networks, investment banks and film production/distribution entities.”

     

    “This concept, this team and its timing could not be more right,” Bangash adds. “Many channels are launched by accountant and lawyer types. We are fortunate to not only have the right team of professionals needed to launch a cable network, but most of us are also horror enthusiasts.”

     

    Of course, the question on every Fangorian’s lips is whether the programming will be shown uncensored. “Yes,” answers Psaltos. “Films will be uninterrupted and uncut. Older TV series will have the commercial interruptions that were originally edited into them. Some of the more graphic films will probably only be available on our sister Video On Demand channel.” Adds Bangash, “The advent of digital cable allows us many creative ways to keep the movies coming uncut.”


  8. MAKUHARI, Japan (Reuters) - Japanese video game company Nintendo (news - web sites) Co Ltd said on Friday it plans early next year to offer a device that allows GameBoy Advance users to play games together without the use of cables.

     

    The device will be included free of charge with the purchase of one of two "Pokemon" games, due to be released early next year, for Nintendo's hand-held game machine.

     

    "We've had a lot of discussions about how to extend the networking capabilities for games such as 'Pokemon', to enhance head-to-head battles, exchange of information and communication with others," said Nintendo President Satoru Iwata in a speech on the opening day of the Tokyo Game Show.

     

    The wireless (news - web sites) module will be bundled with Nintendo's "Pokemon Fire Red" and "Pokemon Leaf Green" titles for GameBoy Advance that will go on sale in Japan early next year. The games will sell for 4,800 yen ($43).

     

    Nintendo said it planned to roll out other titles for the GameBoy Advance compatible with the device in the future.

     

    Motorola Inc designed the chip that powers the device's wireless functions.

     

    "It was designed primarily with the gaming experience in mind," Bridgette Cosentino, director of wireless connectivity at Motorola's semiconductor products group, told Reuters. She said the chip was customized to maximize battery life.

     

    Iwata said the technology was similar to Bluetooth, which allows devices to communicate with each other without a physical wire connection. The wireless network extends for "several meters," Iwata said.

     

    The most recent "Pokemon" title for GameBoy Advance sold over 10 million titles worldwide, Nintendo said.

     

    Shares in Nintendo ended up 2.33 percent at 9,670 yen compared to a 0.08 percent rise in the Nikkei 225 average.

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