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Everything posted by Giuseppe Zangara
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Do none of you dudes have Whataburger.
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Fairly decent stab at alt-country, more so for the rock numbers than the ballads, which find Costello veering towards the MOR adult alternative he's been too fond of since the advent of the 90s.
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Threads like these usually turn awful quickly. I'd say thanks for not doing the same to my Rachel Ray thread, but I only started it as an excuse to make the second post.
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Sucks, but, in spite of some really cool people, I never felt like posting there. Back when I did go to that board, I got the impression a lot of other people felt the same way.
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borderline schizo/sorta fine tits though
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The Scissor Sisters made me feel bad for Pink Floyd, and I don't care for Pink Floyd, really.
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happy birfday
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Seeing as how they're both black, the comparison is apt!
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I hope I never tire of her boobs.
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I have SafeSearch set on Google for this computer, and I got a picture of what appears to be Avril Lavigne taking a mouthful of cock.
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In order to express my appreciation for the song, I tried to start a poll about "Just Lose It" being one of the few worthwhile moments in Eminem's discography. However, a problem arose:
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Horrible. Your taste repeatedly proves to be suspect, so you shouldn't talk.
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See, I really would bang Amy Lee, but I'd have to muzzle her. Maybe a nice ball gag will suffice.
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And birthday threads. Plus, it helps keep some of the lamers out of this folder.
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"Just Lose It" is one of the few Enimen tracks I like.
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Pharell has a passable voice as long as he keeps within his (limited) range, but that's the biggest problem with Fly or Die (along with the songs just not being that good). Dude can't hit a fucking high note, yet his screeching falsetto is all over the record.
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The Magnetic Fields' I. A few good songs aside, Merritt totally went into adult alternative land on this one. Considering how much I love just about everything else that band has done, it was a big disappointment. The New Danger is up there, yeah. Also, I'd say I was let down by N.E.R.D.'s Fly or Die—their In Search of... was my favorite album of 2002—but Pharell's increasing self-importance since the release of that album kinda took away the surprise of the new one sucking.
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Kotzenjunge's birthday isn't until tomorrow.
Giuseppe Zangara replied to Giuseppe Zangara's topic in General Chat
I was told recently that I could pass for 20; used to be I could pass for 18. Such is life when you get older. -
Yeah, there are only a handful of duds, which, for a double album, isn't bad at all. There's an air of finality over the album; getting married, reflecting back on life, envisioning his death (by old age, no less!)...I wonder where Nas goes from here. Streets Disciple feels like a genuine goodbye (whether or not Nas intended it), much more so than, say, The Black Album.
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It doesn't even break the 90 minute mark. I dunno, this is not as bad as I feared, but it could've been one disc blah blah blah. Disc two is better overall, though. EDIT: "Remember the Times" is sort of a hip hop "88 Lines About 44 Women."
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I dunno, I adblocked whatever avatar you had a few weeks ago, so I can't see any images from the website where you host your pics.
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Kotz would like everyone to call him...
Giuseppe Zangara replied to IllustriousOne's topic in No Holds Barred
I prefer the faux provocateur Rant to the Rant that used to follow me around from thread to thread, craving my approval. I mean, he's still horrible, but having a lapdog is so embarassing. -
Off the top of my head, "Her Majesty" by the Beatles and "Train in Vain" by the Clash were initially hidden tracks on their respective albums (Abbey Road and London Calling), but future pressings ended up listing them. So, deny.
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Oh, Rant.
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IDRM is the only person here I imagine smirks every time he posts.