I agree with none of those, especially "Take Me to the River," the studio version of which is TH's finest moment. The live version is fine, but too "arena funk." I find the use of backing singers in the SMS take extraneous, too.
My picks are "Psycho Killer," "Heaven" and "Girlfriend is Better." The first two are incredible reinventions of already good songs that appear on 77 and Fear of Music, respectively; the former's stripped down performance makes an unsettling song even creepier, while the latter's also stripped perf finds a heartrending sadness missing in the original's sneering sarcasm. "Girlfriend is Better" takes a song that, on Speaking in Tongues, came off as mechanical and flat (for which I blame the super-thin drum machine used in the track, giving the rythym section—and, in turn, the song itself—no life) into something truly funky.