Copper Feel

That would certainly explain why you haven't killed yourself yet.

I know nothing of Mae Young. But maybe I should. Educate me, Ravenbomb.

I think that we should be more cautious w/r/t our use of a person's weight as an insult, Dandy. Let's not forget the (admittedly humourous) debacle that was Matt Young .vs. Carlito Brigante.

Jesus Christ dude, calm down. The deer was bloody well dead. Animals are considerably less important than human beings in the eyes of the law, and killing an animal that is oftentimes hunted isn't even that big of a deal. I personally believe that necrophilia should be completely legalised w/r/t animals, but that's another discussion for another time.

I object to your accepting a second choice in the first round. I would have just picked my 20 favourite albums right away if I knew that was allowed. edit: Oh, right. That's probably how "serpentine" rules work.

The Caucasian Greeks.

His member title and signature should make it obvious. He aint no heterosexual.

Hey, I take concentration pills as well. I'm not sure what they're called, but I'm a wreck without them by now. Be warned.

There are two Dylan albums that I prefer to Blonde on Blonde, but they will probably be gone by the time I get to them. Good choice anyway.

Hello EHME

Nevermind.

Oh wow, a typo. Resized like a motherfucker.

Will Ferell is a successful Rabbi whom is loved by all of his people and hosts a daytime television show. Soon thereafter an Islamic conspirator frames him as having eaten pork. Whether he used a fork or not is unknown. Will Ferell must then restore his reputation amongst the Jewish community through a series of good deeds. Hilarity ensues.

Just because I'm white, it doesn't mean that I was thinking that. You don't know me.

It might just be because of the stipulations behind the matches, but the fact that I care about the result of every single one is quite impressive for a modern day wrestling event.

Okay, but having two in one night? That's just excess. Wrestling fans may want the most they can possibly get from any one show, but that doesn't mean the promoter should always give them it. I don't mean to sound condescending, but fans don't always know what is best for the product. WWE should want them to particularly want to see these matches, this just goes against that philosophy entirely.

I don't like Appetite for Destruction either, if it's any consolation.

Just to provide a context for my choices, my friend wanted us to be known as "Horrific Bliss".

I'm finally in a position to watch wrestling again and this is going to be free in England! Looks like a great card, I'm excited about it. Having said that: having two Elimination Chamber matches in one night is overkill. Nobody is going to value the concept at all if they use it this liberally.

I'm emancipating you all from having no say in the name of my crappy little three piece band. You're all free to decide between the act of becoming erect and the name of a Jack the Ripper suspect in my thread.

What the hell? He doesn't even look tanned.

This is a different concept though. I'm not asking them to create a band name for me to use, although that's what they've ended up doing anyway, the cunts. I'm asking for the blue eyed sons of TSM to decide between two handles that I've selected for consideration.

I just came back to TSM and was immediately greeted by a rather pleasent private message about this thread. Thank you Steviekick! Without further ado: Led Zeppelin - Houses of the Holy (1973) By the time of this, their fifth album, people would have generally known what to expect from a Led Zeppelin release. Sure, you wouldn't ever get the macho blues rock of Led Zeppelin II mixed up with the reflective folk rock on Led Zeppelin III. But nonetheless, their influences were evident. Not on Houses of the Holy. This album can be neatly divided into two separate halves. One half finds the band dipping into musical genres such as funk ("The Crunge") and reggae ("D'yer Ma'ker") whilst also refining their previous sound into something less blues orientated but based more around a solid groove. This is where drummer John Bonham excels, creating excellent foundations for the other members of the band to play around. I should at this point mention "Over the Hills and Far Away". That song is completely awesome and completes an astoundingly good 1-2-3 punch. The other half of the album is an absolute anomaly. From the soaring dreamlike charge of "The Song Remains the Same", to the almost classical sounding (this is going to be a paradox) synthesizer washes of "The Rain Song", to the mellotron based attack of the haunting "No Quarter, these songs must have been complete mind fucks to the youth of 1973. However, heard through today's ears they stand up as excellent compositions. Jimmy Page's guitar is in fine form throughout, but that was par for the course. The non bass based playing of John Paul Jones is what really merits special consideration here. Seriously, "No Quarter" is the most awesome thing ever, and that's largely because of his mellotron! So yeah, great album. I meant to write a lot less, but I'm not very good at summarising an entire record in one fell swoop.

We like a bit of everything. That influence should be evident in our sound.

Thank you for your input!