Guest Unwritten Religion Report post Posted July 8, 2004 Well, Have you heard any songs that are telling a story that disturbing? Well post some of the lyrics and share some of your thoughts to it. Immortal Technique - Dance With the Devil Lyrics [Verse 1] I once knew a n!gga whose real name was William his primary concern, was making a million being the illest hustler, that the world ever seen he used to fuck moviestars and sniff coke in his dreams a corrupted young mind, at the age of thirteen n!gga never had a father and his mom was a fiend she put the pipe down, but forever yeah she was sober her sons heart simultaneously grew colder he started hanging out selling bags in the projects checking the young chicks, looking for hit and run prospects he was fascinated by material objects but he understood money never bought respect he built a reputation cuz he could hustle and steal but got locked once and didn't hessitate to squeal so criminals he chilled with didn't think he was real you see me and n!ggaz like this have never been equal I don't project my insurecurity's at other people he fiended for props like addicts with pipes and needles so he felt he had to prove to everyone he was evil a fever minded young man with infinite potetial the product of a ghetto ... capatalistic mental coincidentally dropped out of school to sell weed dancing with the devil, smoked until his eyes would bleed but he was sick of selling trees and gave in to his greed [Hook] Everyone trying to be trife never face the consequences you propably only did a month for minor offences ask a n!gga doing life if he had another chance but then again there's always the wicked at new and advanced dance forever with the devil on a code cell block but thats what happens when you rape, murder and sell rock devils used to be gods, angels that fell from the top there's no diversity because we're burning in the melting pot [Verse 2] So Billy started robbing n!ggaz, anything he could do he'd get his respect back, in the eyes of his crew starting fights over little shit, up on the block stepped up to selling mothers and brothers the crack rock working overtime for making money for the crack spot hit the jackpot and wanted to move up to cocaine forfilling the Scarface fantasy stuck in his brain tired of the block n!ggaz treating him the same he wanted to be major like the cut throats and the thugs but when he tried to step to 'em, n!ggaz showed him no love they told him any motherfucking coward can sell drugs any bitch n!gga with a gun, can bust slugs any n!gga with a red shirt can front like a blood even Puffy smoked a motherfucker up in a club but only a real thug can stab someone till they die standing in front of them, starring straight into their eyes Billy realized that these men were well guarded and they wanted to test him, before business started suggested raping a bitch to prove he was cold hearted so now he had a choice between going back to his life or making money with made men, up in the cife his dreams about cars and ice, made him agree a hardcore n!gga is all he ever wanted to be and so he met them friday night at a quarter to three [Hook] [Verse 3] They drove around the projects slow while it was raining smoking blunts, drinking and joking for entertainment untill they saw a woman on the street walking alone three in the morning, coming back from work, on her way home and so they quietly got out the car and followed her walking through the projects, the darkness swallowed her they wrapped her shirt around her head and knocked her onto the floor this is it kid now you got your chance to be raw so Billy oaked her up and grabbed the chick by the hair and dragged her into a lobby that had nobody there she struggled hard but they forced her to go up the stairs they got to the roof and then held her down on the ground screaming shut the fuck up and stop moving around the shirt covered her face, but she screamed and clawed so Billy stomped on the bitch, until he broken her jaw the dirty bastards knew exactly what they were doing they kicked her until they cracked her ribs and she stopped moving blood leaking through the corpse, she cried silently and then they all proceeded to rape her violently Billy was meant to go first, but each of them took a turn ripping her up, and choking her until her throat burned a broken jaw mumbled for God but they weren't concerned when they were done and she was lying bloody, broken and bruised one of them n!ggaz pulled out a brand new twenty-two they told him that she was a witness of what she'd gone through and if he killed her he was guaranteed a spot in the crew he thought about it for a minute, she was practicly dead and so he leaned over and put the gun right to her head (Sample from 'Survival of the Fittest' by Mobb Deep) I'm falling and I can't turn back I'm falling and I can't turn back [Verse 4] Right before he pulled the trigger, and ended her life he thought about the gold chain with the platinum and ice and he felt strong standing along with his new brothers cocked the gat to her head, and pulled back the shirt cover but what he saw made him start to cringe and studder cuz he was starring into the eyes of his own mother she looked back at him and cried, cuz he had forsaken her she cried more painfully, than when they were raping her his whole world stopped, he couldn't even contiplate his corruption had succesfully changed his fate and he remembered how his mom used to come home late working hard for nothing, cuz now what was he worth he turned away from the woman that had once given him birth and crying out to the sky cuz he was lonely and scared but only the devil responded, cuz God wasn't there and right then he knew what it was to be empty and cold and so he jumped off the roof and died with no soul they say death takes you to a better place but I doubt it after that they killed his mother, and never spoke about it and listen cuz the story that I'm telling is true cuz I was there with Billy Jacobs and I raped his mom too and now the devil follows me everywhere that I go infact I'm sure he's standing among one of you at my shows and every street cypher listening to little thugs flow he could be standing right next to you, and you wouldn't know the devil grows inside the hearts of the selfish and wicked white, brown, yellow and black color is not restricted you have a self destructive destiny when you're inflicted and you'll be one of Gods children and fall from the top there's no diversity because we're burning in the melting pot so when the devil wants to dance with you, you better say never because the dance with the devil might las **NOTE** This is not a True Story **NOTE** Share this post Link to post Share on other sites
Giuseppe Zangara 0 Report post Posted July 8, 2004 Tindersticks - My Sister Do you remember my sister? How many mistakes did she make with those never blinking eyes? I couldn't work it out. I swear she could read your mind, your life, the depths of your soul at one glance. Maybe she was stripping herself away, saying: Here I am, this is me I am yours and everything about me, everything you see... If only you look hard enough. I never could. Our life was a pillow-fight. We'd stand there on the quilt, our hands clenched ready. Her with her milky teeth, so late for her age, and a Stanley knife in her hand. She sliced the tyres on my bike and I couldn't forgive her. She went blind at the age of five. We'd stand at the bedroom window and she'd get me to tell her what I saw. I'd describe the houses opposite, the little patch of grass next to the path, the gate with its rotten hinges forever wedged open that Dad was always going to fix. She'd stand there quiet for a moment. I thought she was trying to develop the images in her own head. Then she'd say: I can see little twinkly stars, like Christmas tree lights in faraway windows. Rings of brightly coloured rocks floating around orange and mustard planets. I can see huge tiger striped fishes chasing tiny blue and yellow dashes, all tails and fins and bubbles. I'd look at the grey house opposite, and close the curtains. She burned down the house when she was ten. I was away camping with the scouts. The fireman said she'd been smoking in bed - the old story, I thought. The cat and our mum died in the flames, so Dad took us to stay with our Aunt in the country. He went back to London to find us a new house. We never saw him again. On her thirteenth birthday she fell down the well in our aunt's garden and broke her head. She'd been drinking heavily. On her recovery her sight returned, a fluke of nature everyone said. That's when she said she'd never blink again. I would tell her when she started at me, with her eyes wide and watery, that they reminded me of the well she fell into. She liked this, it made her laugh. She moved in with a gym teacher when she was fifteen, all muscles he was. He lost his job when it all came out, and couldn't get another one. Not in that kind of small town. Everybody knew everyone else's business. My sister would hold her head high, though. She said she was in love. They were together for five years until one day he lost his temper. He hit her over the back of the neck with his bullworker. She lost the use of the right side of her body. He got three years and was out in fifteen months. We saw him a while later, he was coaching a non-league football team in a Cornwall seaside town. I don't think he recognised her. My sister had put on a lot of weight from being in a chair all the time. She'd get me to stick pins and stub out cigarettes in her right hand. She'd laugh like mad because it didn't hurt. Her left hand was pretty good though. We'd have arm wrestling matches, I'd have to use both arms and she'd still beat me. We buried her when she was 32. Me and my aunt, the vicar, and the man who dug the hole. She said she didn't want to be cremated and wanted a cheap coffin so the worms could get to her quickly. She said she liked the idea of it, though I thought it was because of what happened to the cat and our mum. Share this post Link to post Share on other sites
Red Hot Thumbtack In The Eye 0 Report post Posted July 8, 2004 My Dying Bride - The Light At The End Of The World An isle, a bright shining isle stands forever, alone in the sea Of rock and of sand and grass and shale, the isle bereft of trees. - Small. A speck in the wide blue sea. 'Tis the last of all the land. A dweller upon our lonesome isle, the last, lonely man? - By the Gods he is there to never leave, to remain all his life. His punishment for evermore, to attend the eternal light. The lighthouse, tall and brilliant white, which stands at the end of the world. Protecting ships and sailors too, from rock they could be hurled Yet nothing comes and nothing goes 'sept the bright blue sea. Which stretches near and far away, 't is all our man can see. Though, one day, up high on rock, a bird did perch and cry. An albatross, he shot a glance, and wondered deeply, why? Could it be a watcher sent? A curse sent from the Gods, who sits and cries and stares at him, the life that they have robbed. Each year it comes to watch over him, the creature from above. Not a curse but a reminder of the woman that he loved. - Oh weary night, under stars, he'd lay and gaze. Up towards the moon and stars. The suns dying haze. Time and again, Orion's light filled our man with joy. Within the belt, he'd see his love, remembering her voice - The twinkle from the stars above bled peace into his heart As long as she looks down on him he knows they'll never part One day good, one day bad The madness, the heat, the sun, Out to sea, he spies upon land. His beloved Albion. Cliffs of white and trees of green Children run and play, 'My home land' he cries and weeps, why so far away? Eyes sore and red. Filled with tears, he runs towards the sea. To risk his life, a worthy cause, for home he would be. Into the sea, deep and blue, the waters wash him clean. Awake. He screams. Cold with sweat. And Albion a dream. - Such is life upon the isle, of torment and woe. One day good. One day bad. And some days, even hope. The light at the end of the world burns bright for mile and mile Yet tends the man, its golden glow, in misery all the while? For fifty years he stands and waits, atop the light, alone. Looking down upon his isle the Gods have made his home - The watcher at the end of the world through misery does defile. Remembers back to that single night and allows a tiny smile. (His sacrifice was not so great, he insists upon the world. Again he would crime, Again he would pay, for one moment with the girl) Her hair, long and black it shone, The dark, beauty of her eyes, Olive skin and warm embrace, her memory never dies. 'Twas years ago, he remembers clear the life they once did live. Endless love and lust for life, they promised each would give. Alas, such love and laughter too, was short as panting breath For one dark night, her soul was kissed by the shade of death. (Agony, like none before, was suffered by our man.) who tends the light now burning bright on the very last of land. (Anger raged and misery too like nothing ever before.) He cursed the Gods and man and life, and at his heart he tore. - A deity felt sympathy and threw our man a light 'Your woman you may see again, for a single night. - But think hard and well young man, there is a price to pay: to tend the light at the end of the world is where you must stay. Away from man and life and love. Alone you will be. On a tiny isle. A bright shining isle in the middle of the sea.' - 'I'll tend the light, for one more night with the woman whom I love', screamed the man, with tearful eyes, to the deity above. And so it was that very night his lover did return. To his arms and to their bed, together they did turn. In deepest love and lust and passion entwined they did fall. Lost within each other's arms they danced (in lover's ball). - - Long was the night filled with love. For them the world was done. Awoke he did to brightest light, his woman and life had gone. To his feet he leapt. To the sea he looked. To the lighthouse on the stone. The price is paid and from now on he lives forever alone. Fifty years have passed since then and not a soul has he seen. but his woman lives with him still in every single dream. 'Tis sad to hear how young love has died to know that, alone, someone has cried. but memories are ours to keep. To live them again, in our sleep.- Share this post Link to post Share on other sites
Guest TheZsaszHorsemen Report post Posted July 8, 2004 This topic was invented for... Stay Up Late ---------------- Mommy had. A little baby. There he is. Fast asleep. He's just. A little plaything. Why not. Wake him up? Cute. Cute. Little baby. Little pee pee. Little toes. Now he's comin' to me. Crawl across. The kitchen floor. Baby, baby, please let me hold him I wanna make him stay up all night Sister, sister, he's just a plaything We wanna make him stay up all night Yeah we do See him drink. From a bottle. See him eat. From a plate. Cute. Cute. As a button. Don't you wanna make him. Stay up late. And we're having fun. With no money. Little smile. On his face. Don't cha' love. The little baby. Don't you want to make him. Stay up late. CHORUS Here we go (all night long) Sister, sister (all night long) In the playpen...woo...(all night long) Little baby goes, ha! (all night long) I know you want to leave me... Why don't. We pretend. There you go. Little man. Cute. Cute. Why not? Late at night. Wake him up. CHORUS Here we go (all night long) Sister, sister...woo... (with the television on) Little baby goes...woo! (all night long) Hey, hey, baby! (all night long) And he looks so cute (all night long) In his little red suit (all night long) Share this post Link to post Share on other sites
Guest Choken One Report post Posted July 8, 2004 Likely the Most Mainstream one "Kim"-Eminem Yesterday I changed your diaper, wiped you and powdered you. How did you get so big, can't believe it, now your two Baby your so precious, daddy's so proud of you SIT DOWN, BITCH, IF YOU MOVE AGAIN I'LL BEAT THE sh*t OUT OF YOU.. Kim: OK!! Eminem: (Kim screaming) Don't make me wake this baby, she don't need to see what I’m about to do Quit crying bitch, why do you always make me shout at you How could you?...just leave me and love him out the blue Kim: (crying) Eminem: Oh, what's a matter Kim....am I too loud for you?? (Kim screaming) Too bad bitch, your gonna finally hear me out this time At first, I’m like all right, you wanna throw me out, that's fine. But not for him to take my place, are you out you're mind? This couch, this tv, this whole house is mine. How could you let him sleep in our bed? Look it Kim, Look at your husband now,(kim: NOOO) I said look at him!!! He ain't so hot now is he? Little punk. Kim: Why are you doing this? Eminem: Shut the f*ck up!!! Kim: You're drunk, You're never going to get away at this.. Eminem: You think I give a f*ck! Come on..we're going’ for a ride bitch,(Kim: NOOOO) sit up front. Kim: why can't we just leave Haley alone....what if she wakes up? Eminem: We'll be right back......Well I will, you'll be in the trunk. Chorus 2x SO LONG BITCH YOU DID ME SO WRONG I DON'T WANNA GO ON LIVIN' IN THIS WORLD WITHOUT YOU Eminem: You really f*cked me Kim, You really did a number on me, Never knew me cheatin' on you would come back to hunt me. But we was kids then Kim, I was only 18! That was years ago, I thought we wiped the slate clean That's f*cked up!! Kim: I LOVE YOU. Eminem: OH GOD MY BRAIN IS RACIN! Kim: I LOVE YOU. Eminem: What are you doing, change the station......I HATE this song! Does this look like a big joke? Kim: NO...... Eminem: * There’s a 4 year old boy lyin’ dead with a slit throat.....in your living room.....HA HA........What you think I'm kiddin’ you (crying) You loved him didn't you? Kim: NO Eminem: BULLsh*t YOU BITCH DON'T f*ckING LIE TO ME.....(honk, honk)....What the f*ck's this guy's problem on the side of me?......f*ck YOU ASSHOLE, YEAH BITE ME........KIM,KIIIM....why don't you like me?.....you think I’m ugly don't you. Kim: IT’S NOT THAT Eminem: no you think I’m ugly, get the f*ck away from me, don't touch me.....I HATE YOU...I HATE YOU...I SWEAR TO GOD I HATE YOU....OH MY GOD I LOVE YOU .....HOW THE f*ck COULD YOU DO THIS TO ME (Kim: sorry) HOW THE f*ck COULD YOU DO THIS TO ME! Chorus2x SO LONG BITCH YOU DID ME SO WRONG I DON'T WANNA GO ON LIVIN' IN THIS WORLD WITHOUT YOU Eminem: Come on get out. Kim: I can't I'm scared. Eminem: I said get out bitch! Kim: Let go of my hair....please don't do this baby...please...I love you...look we can just take Haley and leave Eminem: f*ck YOU!....YOU DID THIS TO US...YOU DID IT...IT'S YOUR FAULT. Oh my god i'm crackin up , GET A GRIP MARSHALL!!!! Hey member the time we went to Brian's party? And you were like so drunk that you threw up all over Archie. That was funny wasn't it? Kim: yes.. Eminem: THAT WAS FUNNY WASN'T IT?!! Kim: YES!! Eminem: See, it all makes sense, doesn't it? You and your husband had a fight One of you tries to grab a knife, and during the struggle he accidentally gets his Adams apple sliced....And while this is goin’ on...his son just woke up, and he just walks in...She panics...and he gets his throat cut, So now they both dead....and you slash your own throat, So now it's double homicide and suicide with no note, I should have known better when you started to act weird, We could've.......HEY! where ya goin....get back here!!! You can't run from me Kim....It's just us...Nobody else! You're only makin’ this harder on yourself HA HA....GOTCHA!!!! (Kim screams)HHHAA.......GO AHEAD YELL HERE ILL SCREAM WITCHA......AH SOMEBODY HELP!!! Don't you get it bitch, no one can hear you? ...Now shut the f*ck up and get what's comin to you......You were supposed to love me!!!!! (kim choking).....NOW BLEED BITCH BLEED....BLEED BITCH BLEED...BLEEEEEED!!!! Chorus 2x SO LONG.. BITCH YOU DID ME SO WRONG.. I DON'T WANNA GO ON.. LIVIN' IN THIS WORLD WITHOUT YOU.. Share this post Link to post Share on other sites
Guest TheZsaszHorsemen Report post Posted July 8, 2004 You guys don't get it - Em rapping about killing his Mom, or Danzig screaming for five minutes about mass decapitation that makes a song get under your skin, in my opinion it's often very subtle and maybe even what's NOT said that makes a song creepy. Share this post Link to post Share on other sites
Guest TheZsaszHorsemen Report post Posted July 8, 2004 You guys don't get it - Em rapping about killing his Mom, or Danzig screaming for five minutes about mass decapitation that makes a song get under your skin, in my opinion it's often very subtle and maybe even what's NOT said that makes a song creepy. I apologize, only Choken didn't get it, everyone else seemed to be doing okay. Share this post Link to post Share on other sites
Guest Choken One Report post Posted July 8, 2004 well he didn't really classify what "disturbing" is. Personaly, talking about Killing your wife somewhat disturbs me... Share this post Link to post Share on other sites
Henry Spencer 0 Report post Posted July 8, 2004 Naw, I think the overwhelming anger of Kim qualifies it as slightly disturbing. Share this post Link to post Share on other sites
Guest combat_rock Report post Posted July 8, 2004 Delia's Gone-Johnny Cash Delia, oh, Delia Delia all my life If I hadn't have shot poor Delia I'd have had her for my wife Delia's gone, one more round Delia's gone I went up to Memphis And I met Delia there Found her in her parlor And I tied to her chair Delia's gone, one more round Delia's gone She was low down and trifling And she was cold and mean Kind of evil make me want to Grab my sub machine Delia's gone, one more round Delia's gone First time I shot her I shot her in the side Hard to watch her suffer But with the second shot she died Delia's gone, one more round Delia's gone But jailer, oh, jailer Jailer, I can't sleep 'Cause all around my bedside I hear the patter of Delia's feet Delia's gone, one more round Delia's gone So if you woman's devilish You can let her run Or you can bring her down and do her Like Delia got done Delia's gone, one more round Delia's gone Share this post Link to post Share on other sites
DCMaximo 0 Report post Posted July 8, 2004 Nick Cave and The Bad Seeds (feat. Kylie Minogue)-Where The Wild Roses Grow They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day From the first day I saw her I knew she was the one She stared in my eyes and smiled For her lips were the colour of the roses That grew down the river, all bloody and wild When he knocked on my door and entered the room My trembling subsided in his sure embrace He would be my first man, and with a careful hand He wiped at the tears that ran down my face They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day On the second day I brought her a flower She was more beautiful than any woman I'd seen I said, "Do you know where the wild roses grow So sweet and scarlet and free?" On the second day he came with a single red rose Said: "Will you give me your loss and your sorrow" I nodded my head, as I lay on the bed He said, "If I show you the roses, will you follow?" They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day On the third day he took me to the river He showed me the roses and we kissed And the last thing I heard was a muttered word As he knelt above me with a rock in his fist On the last day I took her where the wild roses grow And she lay on the bank, the wind light as a thief And I kissed her goodbye, said, "All beauty must die" And lent down and planted a rose between her teeth They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day Share this post Link to post Share on other sites
ArkhamGlobe 0 Report post Posted July 8, 2004 How about this one: John Cale - The Jeweller Very slowly he sipped his tea, not shifting his glance from the thick double spaced printing he read with his jeweller's eye Engrossed in his corner, he passed onto the other inhabitants of the room a scrawled insularity of time and space For both passed him by with the speed of light, not unlike the flow of substance, however varied, into that lysergic entity known as the black hole He was hardly ugly for his time, and conversation was certainly not lost on him Drastic measures were called for, and as in antiquity the lonely man was blessed with wisdom to the point of desperation But there in his corner, developing around him like a sun, was a climate of such rare beauty that sight and sound could no longer be considered sufficient food for the senses And he had begun to notice, as his hearing failed, that mind and matter were in no way connected to one other, as if in fact the one could not propose and prove its erotic existence in terms of the other What does this word mean? he enquired of the solemn waiter hopefully Nothing for desert sir, came the reply, perhaps a cocktail, demitasse or a herbal essence, it helps the breathing you know sometimes . The bill, if you don't mind , quickly he shot back And as the patter of the feet faded in the room, for he barely heard them now, his eye slowly began to close, and by the time he emerged on the sunny street he was forced to rely entirely on the other eye for help, but happily it continued its many functions, blinking gently for lubrication, and registering images It was rush hour, in Hawaii only 10am So, turning into his street, he stopped at the drug store and bought an eye patch that soon covered the reluctant eye Climbing the stairs he pondered what to do next, he would call a doctor and have tests made, eat nourishing food and if necessary consent to surgery, the last resort of the gambling man And at 1am he awoke from a dream and after fumbling his way in the obolescent light of his room he peered into the rusty veins of his mirror and lifted away the patch What he saw astonished him. Where once was tremulous tissue and membrane was now a follicle and perfectly formed vagina with vulva, overgrown and mysterious, unrevealing and still to the untrained eye But in the deep dark recesses of that sticky occlusion lay the unclosing watchful eye of disgust in its closing moments, lunging forward and hungry for the cold light of days Share this post Link to post Share on other sites
Henry Spencer 0 Report post Posted July 8, 2004 Falling James in the Tahoe mud Stick around to tell us all the tale Well he fell in love with a Gun Street girl And now he's dancing in the Birmingham jail Dancing in the Birmingham jail He took a hundred dollars off a slaughterhouse Joe Brought a brand new Michigan twenty-gauge He got all liquored up on that road house corn Blew a hole in the hood of a yellow Corvette A hole in the hood of a yellow Corvette He bought a second-hand Nova from a Cuban Chinese And dyed his hair in the bathroom of a Texaco With a pawnshop radio, quarter past four He left for Waukegan at the slamming of the door Left for Waukegan at the slamming of the door I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long gone Gone to Indiana, ain't never coming home He's sitting in a sycamore in St. John's wood Soaking day-old bread in kerosene Well he was blue as a robin's egg and brown as a hog He's staying out of circulation 'til the dogs get tired Out of circulation 'til the dogs get tired Shadow fixed the toilet with an old trombone He never get up in the morning on a Saturday Sitting by the Erie with a bull-whipped dog Telling everyone he saw, "They went that-a-way, boys" Telling everyone he saw, "They went that-a-way" Now the rain's like gravel on an old tin roof And the Burlington Northern pulling out of the world Now a head full of bourbon and a dream in the straw And a Gun Street girl was the cause of it all A Gun Street girl was the cause of it all Well he's riding in the shadow by the St. Joe ridge Hearing the click-clack tapping of a blind man's cane He was pulling into Baker on a New Year's Eve One eye on a pistol and the other on the door One eye on a pistol and the other on the door Miss Charlotte took her satchel down to King Fish Row Smuggled in a brand new pair of alligator shoes With her fireman's raincoat and her long yellow hair Well they tied her to a tree with a skinny millionaire They tied her to a tree with a skinny millionaire I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long gone Gone to Indiana, ain't never coming home Banging on the table with an old tin cup Sing I'll never kiss a Gun Street girl again Never kiss a Gun Street girl again I'll never kiss a Gun Street girl again I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long gone Gone to Indiana, ain't never coming home Share this post Link to post Share on other sites
Giuseppe Zangara 0 Report post Posted July 8, 2004 Velvet Underground - The Gift Waldo Jeffers had reached his limit. It was now mid-August which meant that he had been separated from Marsha for more than two months. Two months, and all he had to show were three dog-eared letters and two very expensive long-distance phone calls. True, when school had ended and she'd returned to Wisconsin and he to Locust, Pennsylvania she had sworn to maintain a certain fidelity. She would date occasionally, but merely as amusement. She would remain faithful. But lately Waldo had begun to worry. He had trouble sleeping at night and when he did, he had horrible dreams. He lay awake at night, tossing and turning underneath his printed quilt protector, tears welling in his eyes, As he pictured Marsha, her sworn vows overcome by liquor and the smooth soothings of some Neanderthal, Finally submitting to the final caresses of sexual oblivion. It was more than the human mind could bear. Visions of Marsha's faithlessness haunted him. Daytime fantasies of sexual abandon permeated his thoughts. And the thing was, they wouldn't understand who she really was. He, Waldo, alone, understood this. He had intuitively grasped every nook and cranny of her psyche. He had made her smile, and she needed him, and he wasn't there. (Awww.) The idea came to him on the Thursday before the Mummers Parade was scheduled to appear. He had just finished mowing and edging the Edelsons lawn for a dollar-fifty And had checked the mailbox to see if there was at least a word from Marsha. There was nothing more than a circular form the Amalgamated Aluminum Company of America inquiring into his awning needs. At least they cared enough to write. It was a New York company. You could go anywhere in the mails. Then it struck him: he didn't have enough money to go to Wisconsin in the accepted fashion, true, but why not mail himself? It was absurdly simple. He would ship himself parcel post special delivery. The next day Waldo went to the supermarket to purchase the necessary equipment. He bought masking tape, a staple gun and a medium sized cardboard box, just right for a person of his build. He judged that with a minimum of jostling he could ride quite comfortably. A few airholes, some water, a selection of midnight snacks, and it would probably be as good as going tourist. By Friday afternoon, Waldo was set. He was thoroughly packed and the post office had agreed to pick him up at three o'clock. He'd marked the package "FRAGILE" and as he sat curled up inside, resting in the foam rubber cushioning he'd thoughtfully included, he tried to picture the look of awe and happiness on Marsha's face as she opened the door, saw the package, tipped the deliverer, and then opened it to see her Waldo finally there in person. She would kiss him, and then maybe they could see a movie. If he'd only thought of this before. Suddenly rough hands gripped his package and he felt himself borne up. He landed with a thud in a truck and then he was off. Marsha Bronson had just finished setting her hair. It had been a very rough weekend. She had to remember not to drink like that. Bill had been nice about it though. After it was over he'd said that he still respected her and, after all, it was certainly the way of nature and even though no, he didn't love her, he did feel an affection for her. And after all, they were grown adults. Oh, what Bill could teach Waldo -- but that seemed many years ago. Sheila Klein, her very, very best friend walked in through the porch screen door into the kitchen. "Oh God, it's absolutely maudlin outside." "Ugh, I know what you mean, I feel all icky." Marsha tightened the belt on her cotton robe with the silk outer edge. Sheila ran her finger over some salt grains on the kitchen table, licked her finger and made a face. "I'm supposed to be taking these salt pills, but," she wrinkled her nose, "they make me feel like throwing up." Marsha started to pat herself under the chin, an exercise she'd seen on television. "God, don't even talk about that." She got up from the table and went to the sink where she picked up a bottle of pink and blue vitamins. "Want one? Supposed to be better than steak." And attempted to touch her knees. "I don't think I'll ever touch a daiquiri again." She gave up and sat down, this time nearer the small table that supported the telephone. "Maybe Bill'll call," she said to Sheila's glance. Sheila nibbled on a cuticle. "After last night, I thought maybe you'd be through with him." "I know what you mean. My God, he was like an octopus. Hands all over the place." She gestured, raising her arms upward in defense. "The thing is after a while, you get tired of fighting with him, you know, and after all he didn't really do anything Friday and Saturday so I kind of owed it to him, you know what I mean." She started to scratch. Sheila was giggling with her hand over her mouth. "I'll tell you, I felt the same way, and even after a while," she bent forward in a whisper, "I wanted to," and now she was laughing very loudly. It was at this point that Mr. Jameson of the Clarence Darrow Post Office rang the door bell of the large stucco colored frame house. When Marsha Bronson opened the door, he helped her carry the package in. He had his yellow and his green slips of paper signed and left with a fifteen-cent tip that Marsha had gotten out of her mothers small beige pocket book in the den. "What do you think it is?" Sheila asked. Marsha stood with her arms folded behind her back. S he stared at the brown cardboard carton that sat in the middle of the living room. "I don't know." Inside the package Waldo quivered with excitement as he listened to the muffled voices. Sheila ran her fingernail over the masking tape that ran down the center of the carton. "Why don't you look at the return address and see who it is from?" Waldo felt his heart beating. He could feel the vibrating footsteps. It would be soon. Marsha walked around the carton and read the ink-scratched label. "Ugh, God, it's from Waldo!" "That schmuck," said Sheila. Waldo trembled with expectation. "Well, you might as well open it," said Sheila. Both of them tried to lift the stapled flap. "Ahh, shit," said Marsha groaning. "He must have nailed it shut." They tugged at the flap again. "My God, you need a power drill to get this thing opened." They pulled again. "You can't get a grip!" They both stood still, breathing heavily. "Why don't you get the scissors," said Sheila. Marsha ran into the kitchen, but all she could find was a little sewing scissor. Then she remembered that her father kept a collection of tools in the basement. She ran downstairs and when she came back, she had a large sheet-metal cutter in her hand. "This is the best I could find." She was very out of breath. "Here, you do it. I'm gonna die." She sank into a large fluffy couch and exhaled noisily. Sheila tried to make a slit between the masking tape and the end of the cardboard, but the blade was too big and there wasn't enough room. "Godamn this thing!" she said feeling very exasperated. Then, smiling, "I got an idea." "What?" said Marsha. "Just watch," said Sheila touching her finger to her head. Inside the package, Waldo was so transfixed with excitement that he could barely breathe. His skin felt prickly from the heat and he could feel his heart beating in his throat. It would be soon. Sheila stood quite upright and walked around to the other side of the package. Then she sank down to her knees, grasped the cutter by both handles, took a deep breath and plunged the long blade through the middle of the package, through the middle of the masking tape, through the cardboard, through the cushioning and (thud) right through the center of Waldo Jeffers head, which split slightly and caused little rhythmic arcs of red to pulsate gently in the morning sun. Share this post Link to post Share on other sites
Guest Agent of Oblivion Report post Posted July 9, 2004 I'm buying whatever album that song is on.^ I'm sold. Share this post Link to post Share on other sites
Henry Spencer 0 Report post Posted July 9, 2004 It's on the album White Light/White Heat by The Velvet Underground. Knowing your tastes, I think you'd probably enjoy it. Share this post Link to post Share on other sites
Addy 0 Report post Posted July 9, 2004 GWAR - Baby Dick Fuck Dead.. Baby Dick Fuck Baby Dick Fuck Take your fat tongue! And curl it into a 'U', You take and unborn child who knows not what you do [Chorus:] Baby Dick Fuck Baby Dick Fuck Baby Dick Fuck - Baby Dick Fuck - Baby dick Fuck Baby Dick Suck Baby Dick Fuck Baby Dick Fuck There's no excuse, give him the goose With a push and then a shove Teach that child how grown-ups love [chorus] Fuck Fuck Suck Suck Fuck Fuck I haunt the malls and the Burger Kings I am the giver of pain Splitting the rumps of the wicked Only the nipples remain [x2] The cherub screams "NO" as I move to defile Our bodies entwine in a puddle of bile Many years later we'll look back and smile As we thrash about on the urine-drenched tile The delivery room is as still as a tomb I fuck the child while its still in your womb The child is now dead and you start to blubber Fuck your warm corpse with your child as a rubber Take your fat tongue, ram it up her bung Her face is packed with cum We've only just begun From your head, your eyes I pluck Give you savage socket fuck Work my wand of black obsidian End up like a Branch Davidian Baby Dick Fuck Baby Dick Fuck Baby Dick Fuck [x a lot] Share this post Link to post Share on other sites
Guest Agent of Oblivion Report post Posted July 9, 2004 It's on the album White Light/White Heat by The Velvet Underground. Knowing your tastes, I think you'd probably enjoy it. It's the damnedest thing. All the different cds I have, and not a single VU album among them. I don't know why this is, exactly. Share this post Link to post Share on other sites
ArkhamGlobe 0 Report post Posted July 9, 2004 You should pick up that album post haste, I feel it would be right up your alley. Just wait till you actually hear the song, it sounds quite unlike anything else. Share this post Link to post Share on other sites
Guest Choken One Report post Posted July 9, 2004 My fucking god, I'm getting that velvet cd just for that. Share this post Link to post Share on other sites
EdwardKnoxII 0 Report post Posted July 9, 2004 I know this doesn't count. But, when I heard the story about how Phil Collins "In The Air Of The Night" was a story how Phil was trying to save his brother in the lake while a guy watched and did nothing. Then years later Phil finds the guy and sends him tickets to a concert and then sings the song right in the guys face. The guy figures out who Phil is and runs out and kills himself. Hearing that story and then hearing "In The Air Of The Night" was kinda creepy. Yeah it was just rumor and the song was about Phil getting a divorce but, it's still kinda creepy. Share this post Link to post Share on other sites
Giuseppe Zangara 0 Report post Posted July 9, 2004 It's the damnedest thing. All the different cds I have, and not a single VU album among them. I don't know why this is, exactly. WL/WH is awesome. Go for it. My fucking god, I'm getting that velvet cd just for that. No, it's terrible. Don't bother. Share this post Link to post Share on other sites
godthedog 0 Report post Posted July 10, 2004 It's on the album White Light/White Heat by The Velvet Underground. Knowing your tastes, I think you'd probably enjoy it. It's the damnedest thing. All the different cds I have, and not a single VU album among them. I don't know why this is, exactly. even after i pimped 'sister ray' to you? for shame. Duck and Sally inside They're cooking for the down five Who're staring at Miss Rayon Who's busy licking up her big man I'm searching for my mainline I said I couldn't hit it sideways I said I couldn't hit it sideways Ah, it's just like Sister Ray says Rosy and Miss Rayon They're busy waiting for her booster Who just got back from Carolina She said she didn't like the weather They're busy waiting for her Sailor Who said he's just as big as ever He's just here from Alabama He wants to know a way to earn a dollar I'm searching for my mainline I couldn't hit it sideways Ah, just like Sister Ray said Cecil's got his new piece He cocks and shoots between three and four He aims it at the Sailor Shoots him down dead on the floor Oh, you shouldn't do that Don't you know you'll stain the carpet Don't you know you'll stain the carpet And by the way man, have you got a dollar Oh no man, I haven't got the time time Too busy sucking on a ding dong She's too busy sucking on my ding dong Oh, she does it just like Sister Ray said I'm searching for my mainline I said I couldn't hit it sideways I couldn't hit it sideways Oh, just like, just like Sister Ray says Now, who's that knocking Who's that knocking on my chamber door Now could it be the police They've come to take me for a ride ride Oh, but I haven't got the time time Too busy sucking on my ding dong She's too busy sucking on my ding dong Oh, now, just like Sister Ray said I'm searching on my line I couldn't hit it sideways I couldn't hit it sideways Oh now, just like, just like, just like..... Sister Ray says. Share this post Link to post Share on other sites
Guest Agent of Oblivion Report post Posted July 10, 2004 I'm in the middle of a desperate Frank Zappa binge, you'll have to forgive my not buying much else. Share this post Link to post Share on other sites
Giuseppe Zangara 0 Report post Posted July 10, 2004 I seem to remember being the only person on this board who actually likes "Sister Ray." Which is a shame, if that's the case. Share this post Link to post Share on other sites
Lord of The Curry 0 Report post Posted July 10, 2004 "Me and A Gun" by Tori Amos 5 a.m, Friday morning Thursday night, far from asleep And I'm still up and driving Can't go home (obviously) So I'll just change directions, 'cause they'll soon know where I live And I wanna live Got a full tank And some chips It was me and a gun And a man on my back And I sang "Holy Holy" while he buttoned down his pants You can laugh, it's kinda funny The things you think at times like these Like I haven't seen Barbado's so I must get out of this Yes I wore a slinky red thing Does that mean I should spread? For you? Your friends? Father? Mr. Ed? It was me and a gun And a man on my back But I haven't seen Barbado's so I must get out of this And I know what this means Me and Jesus a few years back used to hang And he said "It's your choice babe" "Just remember, I don't think you'll be back in 3 days time so you choose well" Tell me what's right Is it my right to be on my stomach? With threats of ill It was me and a gun And a man on my back You're pushed flat on your stomach It's not a classic cadillac And dear old Carolina Where the biscuits are soft and sweet These things go through your head when there's a man on your back But I haven't seen Barbado's so I must get out of this No I haven't seen Barbado's so I must get out of this Anybody who's heard this song can attest to the creepiness of it as Amos wrote the song about her rape. Share this post Link to post Share on other sites
ArkhamGlobe 0 Report post Posted July 10, 2004 I seem to remember me pimping Sister Ray in some thread a long while back, but apart from Inc I believe there wasn't anyone who agreed with my assesment of it's greatness. Share this post Link to post Share on other sites
Giuseppe Zangara 0 Report post Posted July 10, 2004 Yeah, the VU fans here all have shitty taste. I learned that a long time ago. Share this post Link to post Share on other sites
Guest TheZsaszHorsemen Report post Posted July 10, 2004 I know this doesn't count. But, when I heard the story about how Phil Collins "In The Air Of The Night" was a story how Phil was trying to save his brother in the lake while a guy watched and did nothing. Then years later Phil finds the guy and sends him tickets to a concert and then sings the song right in the guys face. The guy figures out who Phil is and runs out and kills himself. Hearing that story and then hearing "In The Air Of The Night" was kinda creepy. Yeah it was just rumor and the song was about Phil getting a divorce but, it's still kinda creepy. None of that is true. Share this post Link to post Share on other sites
godthedog 0 Report post Posted July 10, 2004 i pimped "sister ray" specifically to agent a while back (along with "heroin" and i think maybe "european son") because it's exactly up his alley. i quite like it, but i don't think it sustains that "kick you in the jimmy" greatness i hear about for its entire 17:27 duration. around the 7- or 8-minute mark it just turns into this long interlude of reed, cale & moe making noise; it's a cool idea, but they're not accomplished enough musicians to really pull it off and the music doesn't feel like it's going anywhere; after a point, it doesn't have a huge effect on me. especially after listening to "ascension" or "machine-gun," with guys who can make shit twice as noisy and still make it go somewhere. the whole breakdown in that track really seems to be going for an avant-garde coltrane vibe in general, but they don't sound like they're using that style to explore any musical ideas, so it lacks that thickness & power of the noisy coltrane, being able to use musical spontaneity with that added substance. to make it work really well, the velvets probably would've needed to play it live a number of times to get a sense of how to really play off each other and where to take the song when the traditional structure breaks down. i love the dissonance & the noisiness of it all (especially the way the organ sounds all blown out), and the velvets were all about that "not quite there yet" garage band sound, but it's not a sound that can keep an exploration like this interesting for an inordinately long period of time. the song regains its ground when lou starts singing again, and it starts to come into full scope when we've got some kind of structure back into the song & something concrete we can grab on to. And when the song breaks down from there it feels more motivated and stronger, and it gets that "kick you in the jimmy" feeling back. but the song's got too much wandering in it for me to think it's really GREAT. Share this post Link to post Share on other sites