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5_moves_of_doom

Your Favorite Albums

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Is Bongo Fury along the lines of Zappa and Beefheart's earlier collaboration, "Willie the Pimp." I love Beefheart, am warm to Zappa and I really like that song.

I find it quite dissapointing.

 

It's still quite good and you should buy it if you're a fan of either artist, but when I bought it I was thinking that it would be a "MegaPowers Collide!" masterpiece and it's not as good as either artist's prime solo stuff. Not nearly as good.

 

Anyhow, I don't remember specifically if I found anything to be better than "Willie the Pimp," as I honestly haven't listened to the album in ages... but I doubt it. I love that song.

 

Anyway my Zappa collection is quite modest... I'm trying to go in vaguely in chronilogical order, but am always hesitant in actually purchasing the Ruben & the Jets album.

 

Absolutely Free

Apostrophe (')

Bongo Fury

Freak Out!

Lumpy Gravy

We're Only In It For the Money

 

 

 

Anyway this post has made me realize that I really haven't listened to Bongo Fury in a coon's age, so when I'm done with Charalambides and Pearls Before Swine I think I'm going to see if my opinion has changed on it over time. I'll get back to you people on that.

 

 

 

FAKE EDIT: Kibagami, I'm glad that someone feels the same way about the first Modest Mouse album. It's the only one I listen to regularly nowadays. And why is that your favorite Dylan record?

 

ANOTHER FAKE EDIT: Just because I'm interested -- Inc, what's your favorite Beefheart album? I've owned Trout Mask Replica since the seventh grade, and always cherished it, but for some reason never went beyond that. I just recently picked up Safe As Milk and an album of interviews lately though, and am totally enjoying the former (while the latter is rather amusing.) Any recommendations from there? I've always been interested in what his later works sound like.

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I decided to just skip Charalambides and go straight to BF... I'm only three songs in, but it's a LOT better than I remember it. Still no masterpiece, but it's very interesting/engaging.

 

...By the way... what the hell is with Beefheart's weight? It's... whacky.

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Iron Maiden - Still Life

Though I prefer songs off of Number of the Beast better than I do Still Life, it's the production I really love. It's much, MUCH better than Number, and the songs don't seem to SOUND as cheesy as those on Number do ("22 Acacia Avenue" and "Invaders" being my prime examples).

You're thinking of Piece of Mind (one of the greatest album titles ever), Up The Irons! ;)

 

Pretty much anything from Metallica, Iron Maiden, Alice In Chains, Jerry Cantrell, Black Sabbath, Ozzy, Megadeth and Anthrax...

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I'm a big Aesop Rock fan, but I prefer Labor Days to Bazookatooth. That record, and it's themes, hit me at the perfect time in my life, and it's incredibly melodic for such a down-tempo hip-hop album, very cohesive overall and throughout with just some killer beats.

 

Wander the Wind, what was that last cover you posted?

 

As for my Zappa collection:

 

Freak Out!

Absolutely Free

Lumpy Gravy

We're Only In It For The Money

Hot Rats

Weasels Ripped My Flesh

Fillmore East, 1971

200 Motels

The Grand Wazoo

Roxy & Elsewhere

Bongo Fury

Joe's Garage

Lather

Lost Episodes

Strictly Commercial

Strictly Genteel

 

Obviously I'm a bigger fan of his stuff with The Mothers than his later prog-rock stuff, though I'm a fan of most of his output in some fashion. I'm proud of my collection, all of it store bought, but one of my friends owns legit copys of every album he put out, quite impressive.

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Bjork- Homeogenic

Clash- London Calling

Velvet Undergound- & Nico

Sonic Youth- Daydream Nation and Sonic Nurse

Blonde Redhead- Misery is a Butterfly

Ween- The Mollusk

Smashing Pumpkins- Siamese Dream

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Guest Agent of Oblivion
...By the way... what the hell is with Beefheart's weight? It's... whacky.

He has multiple sclerosis, last I heard. He just paints nowadays, under his christian name.

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Guest Agent of Oblivion

Bongo Fury is pretty good. Beefheart's spoken word/shouted word stuff carries it, as Zappa & co. keep things weirdly in a blues and country mindset for the most part. Not his best, not lower-echelon. Fully worth a download, and probably worth a purchase, depending on how much you like Zappa.

 

Edit: It doesn't really sound like Willie the Pimp very much.

 

Also Edit: Zappa/Beefheart did an awesome collaboration with "The Torture Never Stops" (trimmed to a tiny six minutes) on Cheap Thrills: an album which otherwise isn't very good at all.

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The Beatles - Rubber Soul

Patti Smith - Horses

The Cure - Disintegration

David Bowie - Aladdin Sane

Roxy Music - Country Life

 

If I'm ever bothered I'll justify these some other time.

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Guest Fire and Knives

Labor Days is the better album, but the sound of Bazooka Tooth suits me better.

 

The last cover I posted was Porcupine Tree's Stupid Dream.

 

Bringing It All Back Home is the first Dylan album that really impressed me. He was one of those artists whose work and influence I respected, but didn't necessarily like. Then I heard "Mr. Tambourine Man", bought Bringing It All back Home, and never looked back.

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Frank Zappa is one of the few remaining well known and highly praised artists I have virtually no experience with, largely due to the question of where to begin. I shall acquire Freak Out and Sheik Yerbouti directly.

 

Any input on Jazz From Hell? It seems like a concept I'd like.

 

Some favorite albums from prolific artists:

 

Prince - The Black Album

 

Bowie - Man Who Sold the World

 

Tom Waits - Rain Dogs

 

Nick Cave - Was Murder Ballads for a while, but I've grown to prefer From Her to Eternity

 

Foetus - Hole (probably the closest call on my list)

 

Floyd - Animals

 

Residents - Meet the Residents

 

Lou Reed - Transformer

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Dark Lotus - Tales From the Lotus Pod(original)

 

Insane Clown Posse - The Amazing Jeckel Brothers

 

Twiztid - Mostasteless(re-issue)

 

Blue October - Consent to Treatment

 

Esham - KKKill the Fetus

 

Atmosphere - Seven's Travels

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You suck for listening to ICP, and Atmosphere are huge bitches, but I agree with you about Esham. Twiztid's best album was Freek Show (but god, what a name... Freak Show is the most cliche name ever, spelling it different doesn't change it).

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Guest Agent of Oblivion
Any input on Jazz From Hell? It seems like a concept I'd like.

Synclavier orchestration, whatever that means to you. I don't own it but am to understand it's love it or hate it.

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Guest Agent of Oblivion
Any input on Jazz From Hell? It seems like a concept I'd like.

Synclavier orchestration, whatever that means to you. I don't own it but am to understand it's love it or hate it.

 

PS: you'd probably like Weasels Ripped My Flesh a great deal. Polyrhythmic free jazz meets noise meets pop orchestration. It's kind of related to Lumpy Gravy and We're Only In It For The Money, but stands alone better.

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You suck for listening to ICP, and Atmosphere are huge bitches, but I agree with you about Esham. Twiztid's best album was Freek Show (but god, what a name... Freak Show is the most cliche name ever, spelling it different doesn't change it).

ya freek show and mostasteless are both great. it's hard to choose. Esham has about 10 freakin albums i've only listened to like 3 all the way through. the others i just heard certain songs. but i thought KKKill the Fetus was his best.

 

His new one comes out soon. he's trying hard to get on the radio with this one. good luck.

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I deifnatley agree on Freek Show being the best Twiztid album, Different is a pretty good song. I was very, VERY dissapointed in Mirror Mirror.

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Esham has about 10 freakin albums i've only listened to like 3 all the way through. the others i just heard certain songs. but i thought KKKill the Fetus was his best.

Let me help you out then, because he's really good when he's good, but he's wildly uneven and a good deal of his stuff isn't worth it.

 

KKKill the Fetus and Judgement Day, vol. 1 are his best albums. For most people I'd say just get those and leave it at that, but since you're into that scene you should be happy with Judgement Day, vol. 2 (not even close to as good as vol. 1) and Closed Casket. Beyond that, you're taking your chances. I personally really like Mail Dominance but most people don't. I like it because it's totally different from his usual stuff, which I suppose is most people's problem with it. All the Natas albums are good too, except Multikillionaire, feel free to skip that one, and I haven't heard Godlike.

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My List

 

The Velvet Underground-Self Titled 3rd album

My Bloody Valentine-Loveless

Coil-Loves Secret Domain

Cabaret Voltaire-The Crackdown

Kraftwerk-TheMan Machine

Depeche Mode-Music For the Masses

Front Line Assembly-Tactical Neural Implant

The Pharcyde-Bizzare Ride 2 the Pharcyde

Pink Floyd-Meddle

Alice in Chains-Jar of Flies

Massive Attack-Mezzanine

Aphex Twin-Selected Ambient Works 85-92

Led Zeppelin-III

Ministry-The Mind Is a Terrible Thing to Taste

Can-Tago Mago

DJ Shadow-Endtroducing

Public Image Limited-Second Edition

New Order-Substance

Amon Duul II-Yeti

Faith No More-Angel Dust

Godspeed You Blaxk Emperor-F#A#

Fantomas-The Director's Cut

Brian Eno-Before and After Science

 

and there ya have it

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Any input on Jazz From Hell? It seems like a concept I'd like.

Synclavier orchestration, whatever that means to you. I don't own it but am to understand it's love it or hate it.

 

PS: you'd probably like Weasels Ripped My Flesh a great deal. Polyrhythmic free jazz meets noise meets pop orchestration. It's kind of related to Lumpy Gravy and We're Only In It For The Money, but stands alone better.

Lumpy Gravy sucks. I got annoyed by it as soon as "Duodenum" ended. I'd rather not compare it to anything.

 

Weasels Ripped My Flesh is pretty awesome, especially "The Orange County Lumber Truck." I always skip the title track though.

 

As for Synclavier stuff, there's some to be found on Mothers of Prevention, and you're right, it's pretty love/hate. While it's technically sound, it really does sound cold, even though this was a synthesizer that cost like $150,000 in 1981 dollars. There's a real sterile feel to those tracks.

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Guest Agent of Oblivion

So out of curiousity more than anything, I found Jazz from Hell in a store and picked it up along with Them or Us (which I haven't listened to yet).

 

IDRM, you'd probably be in the "love it" camp. Fair warning though, it is indeed cold-sounding, and it's fairly dated in terms of the synth sound. "G-spot Tornado" and the title track are good stuff though.

 

Contrary to popular belief Lumpy Gravy does not suck. Most zappa mutants that don't like it complain that there's too much talking on the album, and not enough orchestration. A correct assumption if you can't figure out that the album is all about production, and that it's We're Only...'s siamese twin. I don't like separating the two.

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Yeah, it seems like the kind of thing I might dig. I'll probably make Jazz From Hell my fourth Zappa album after the two general and one specific recommendations.

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Guest Agent of Oblivion

I've listened to it again, and it's 26 Mixes.. gay uncle, stuck in the early 80's, with a jazzy guitar solo and groove number that comes out of nowhere.

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I personally really like Mail Dominance but most people don't. I like it because it's totally different from his usual stuff, which I suppose is most people's problem with it. All the Natas albums are good too, except Multikillionaire, feel free to skip that one, and I haven't heard Godlike.

I really liked Mail Dominance too. I actually have a Mail Dominance shirt. I still don't get the title? I have all his albums I just haven't listened to them. I head Godlike is a good CD too, but i haven't listened to it. WWW.Com is my fav NATAS Cd.

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I believe the title is a pun referencing email, as there seems to be a theme of the emergence and subsequent dominance of technology, email serving as the representative on that album and the internet for WWW.com, seeing as they came out around the same time and had similar subject matter.

Well, you're stuck with them now, but I think you'll find that a lot of Esham's albums just suck, although you listen to ICP, so you could conceivably like anything. Personally, I can see how people get into him, seeing as he's the most legitimate associate of ICP (though not the best, Twiztid are still better than him), and they draw in a lot of business. I don't think he'd make it without their audience.

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although you listen to ICP, so you could conceivably like anything.

:lol: you ass

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