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bob_barron

Oscar Nominations Thread

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After watching Revolutionary Road, here are my predictions with bold being who I think will win and italics who should win.

 

Best Picture

Milk

Frost/Nixon

The Curious Case of Benjamin Button

Slumdog Millionaire

Gran Torino (though I don't think it's better than Dark Knight, I have a feeling this will get a last second push)

 

Best Actor

Frank Langella - Frost/Nixon

Sean Penn - Milk

Mickey Rourke - The Wrestler

Brad Pitt - The Curious Case of Benjamin Button

Leonardo DiCaprio - Revolutionary Road

 

Best Actress - (I can't vote on this one because I have only seen two of the movies in which the actress has Oscar Buzz. I am only going to pick who I think will win from reading articles and other award shows)

Anne Hathaway - Rachel Getting Married

Angelina Jolie - Changeling

Meryl Streep - Doubt

Cate Blanchett - The Curious Case of Benjamin Button

Kate Winslet - Revolutionary Road

 

 

 

Best Supporting Actor

Robert Downey Jr. - Tropic Thunder

Heath Ledger - The Dark Knight

Dev Patel - Slumdog Millionaire (If Heath didn't die, he would have won)

Josh Brolin - Milk

Phillp Seymour Hoffman - Doubt

 

Best Supporting Actress

Kate Winslet - The Reader

Penelope Cruz - Vicky Cristina Barcelona

Marisa Tomei - The Wrestler

Amy Adams - Doubt

Taraji P. Henson - The Curious Case of Benjamin Button

 

Best Director

Christopher Nolan - The Dark Knight

Clint Eastwood - Gran Torino

Danny Boyle - Slumdog Millionaire

David Fincher - The Curious Case of Benjamin Button

Darren Aronofsky - The Wrestler

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I think I'm the only person who liked Blindness.

 

The movie scared the shit out of me, and I thought it was a really well made thriller. I didn't like the ending, and it was a bit of a stretch to see Julianne Moore be like: What I'm totally blind you guys for that long.

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I can't recall an ending I hated so completely in any recent movie. The movie had some good will built up from the "give us your women" segment being really effective and for the fact that they at least tried to do something interesting visually. Then they go and throw out one of the worst endings I've ever seen and shoot it all to shit.

 

Spoiler?

 

You mean for the Blindness ending?

 

A guy gets his sight back and Julianne Moore starts acting strange. She goes out onto the deck and we get what seems to be a POV shot of her only seeing white, which is what the blind people 'saw' throughout the movie. Then there's a shot of her looking down slightly, then back to the POV shot that also moves down to show the city, meaning the white she saw was just the overcast sky. It's a fucking awful "gotcha" to the audience that serves absolutely no purpose than to fake you out to think she's blind and then it ENDS with the shot of her POV of the city, like "nope! Suckers!"

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I can be added to the list of people who liked Blindness. I expected so much more out of it, but I thought it was too well made and fascinating not to like at least a little.

 

 

And bob if you wanted someone else to put in supporting actress, how's about Rosemarie Dewitt? I don't think she will end up with a nomination but she deserves one as she is fantastic as Rachael in Rachael Getting Married.

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The book ends the exact same way, so I'm not sure you can blame the filmmakers for it being a 'cop-out' or w/e. Blame the Nobel Prize winning author of the novel.

 

e: I should add that while I thought the ending was really well done in the book, I could see it not translating well to the screen.

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You know, I thought about it when making my own list, but I don't remember anything from the movie. I might have ranked Rachel Getting Married too low in my list, that movie really stayed with me- broke my heart.

 

But Bill Irwin as the father, was just great.

 

The book ends the exact same way, so I'm not sure you can blame the filmmakers for it being a 'cop-out.' Blame the Nobel Prize winning author of the novel.

 

I just thought them

all regaining sight

was a lame way to end the movie. But

blind gang rape

awesome. I was also impressed with how they were able to make the movie, it had to be a challenge.

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You know, I thought about it when making my own list, but I don't remember anything from the movie. I might have ranked Rachel Getting Married too low in my list, that movie really stayed with me- broke my heart.

 

But Bill Irwin as the father, was just great.

 

 

 

I would say you did, as it will def be in my top 10 for the year. Everyone just came across as so real to me. So you really felt for all of these characters and what they went through.

 

The dad was great as was the mom, but to me Anne and Rosemarie were a step above. Their scenes together where they fought over what they had gone through growing up and how it effected them now were some very powerful scenes.

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The second of Bob's spoiler tags is what made me think the movie was going to be something great. That scene was remarkably pulled off.

 

But as for the ending

It's not the fact that they just up and get their sight back that irritated me. That was lame, but the final 'gotcha' shot made me want to throw my drink at the screen.

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I'm trying to remember the gotcha, but I just can't.

 

To me Blindness was just Children of Men, only with blindness. I think the producers should make a Saw-like series where each year, everyone goes [something].

 

I also loved how Maury Chaykin became king of the blind jail, because he had been blind since birth. Thought that was really clever.

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Agreed. There were some good things, but the bad just overtook them. I'm sure if I saw more movies then it wouldn't be my pick for worst movie of the year, but I went in with such high expectations.

 

And if Bob's idea goes through, I can't wait for the movie where people can't smell anymore. The one where they can't feel could make for a right fucked up movie.

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I'm glad you didn't outright hate it. I was a bit taken aback by worst movie of the year, since well I saw 88 Minutes, Proud American, The Happening and The Hottie and the Nottie.

 

Deafness would be legit awesome. And Julianne Moore has to be in it too.

 

The thought of waking up or suddenly going blind is one of my fears, so the movie really touched on that. The reviews were so terrible, that I went in with very low expectations which helped.

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I reserve hate for a select couple of movies. I hadn't seen any of those other movies you listed. I think I watched Strange Wilderness in 08, but I don't know if it was from 08 or 07. If the former, then Strange Wilderness is my pick for worst of the year.

 

 

Also, for the Best Song category I'm torn between "The Wrestler" and "Gran Torino," as they're both really good. I'm actually leaning more toward "Gran Torino" at the moment.

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Strange Wilderness was 08. Yea, that one was bad.

 

I can't stop listening to The Wrestler. It's such a haunting song. I'm going to download Gran Torino though.

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We all know who we can thank for this...Harvey Weinstien

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May I note I am happy that Taraji P Henson got nominated

 

You know what? Warner Brothers should pull Ledger's name from contention, as a way of saying to the Oscars "You know what Academy, you're not going to profit from his death by showering him with an award, when you couldn't give a shit about celebrating the film he was a part of"

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For anyone who wants the entire list:

 

Performance by an actor in a leading role

 

* Richard Jenkins in “The Visitor” (Overture Films)

* Frank Langella in “Frost/Nixon” (Universal)

* Sean Penn in “Milk” (Focus Features)

* Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)

* Mickey Rourke in “The Wrestler” (Fox Searchlight)

 

Performance by an actor in a supporting role

 

* Josh Brolin in “Milk” (Focus Features)

* Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount)

* Philip Seymour Hoffman in “Doubt” (Miramax)

* Heath Ledger in “The Dark Knight” (Warner Bros.)

* Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage)

 

Performance by an actress in a leading role

 

* Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics)

* Angelina Jolie in “Changeling” (Universal)

* Melissa Leo in “Frozen River” (Sony Pictures Classics)

* Meryl Streep in “Doubt” (Miramax)

* Kate Winslet in “The Reader” (The Weinstein Company)

 

Performance by an actress in a supporting role

 

* Amy Adams in “Doubt” (Miramax)

* Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)

* Viola Davis in “Doubt” (Miramax)

* Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)

* Marisa Tomei in “The Wrestler” (Fox Searchlight)

 

Best animated feature film of the year

 

* “Bolt” (Walt Disney), Chris Williams and Byron Howard

* “Kung Fu Panda” (DreamWorks Animation, Distributed by Paramount), John Stevenson and Mark Osborne

* “WALL-E” (Walt Disney), Andrew Stanton

 

Achievement in art direction

 

* “Changeling” (Universal), Art Direction: James J. Murakami, Set Decoration: Gary Fettis

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo

* “The Dark Knight” (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando

* “The Duchess” (Paramount Vantage, Pathé and BBC Films), Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway

* “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Art Direction: Kristi Zea, Set Decoration: Debra Schutt

 

Achievement in cinematography

 

* “Changeling” (Universal), Tom Stern

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Claudio Miranda

* “The Dark Knight” (Warner Bros.), Wally Pfister

* “The Reader” (The Weinstein Company), Chris Menges and Roger Deakins

* “Slumdog Millionaire” (Fox Searchlight), Anthony Dod Mantle

 

Achievement in costume design

 

* “Australia” (20th Century Fox), Catherine Martin

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Jacqueline West

* “The Duchess” (Paramount Vantage, Pathé and BBC Films), Michael O’Connor

* “Milk” (Focus Features), Danny Glicker

* “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Albert Wolsky

 

Achievement in directing

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Fincher

* “Frost/Nixon” (Universal), Ron Howard

* “Milk” (Focus Features), Gus Van Sant

* “The Reader” (The Weinstein Company), Stephen Daldry

* “Slumdog Millionaire” (Fox Searchlight), Danny Boyle

 

Best documentary feature

 

* “The Betrayal (Nerakhoon)” (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath

* “Encounters at the End of the World” (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser

* “The Garden” A Black Valley Films Production, Scott Hamilton Kennedy

* “Man on Wire” (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn

* “Trouble the Water” (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal

 

Best documentary short subject

 

* “The Conscience of Nhem En” A Farallon Films Production, Steven Okazaki

* “The Final Inch” A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant

* “Smile Pinki” A Principe Production, Megan Mylan

* “The Witness - From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde

 

Achievement in film editing

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Kirk Baxter and Angus Wall

* “The Dark Knight” (Warner Bros.), Lee Smith

* “Frost/Nixon” (Universal), Mike Hill and Dan Hanley

* “Milk” (Focus Features), Elliot Graham

* “Slumdog Millionaire” (Fox Searchlight), Chris Dickens

 

Best foreign language film of the year

 

* “The Baader Meinhof Complex” A Constantin Film Production, Germany

* “The Class” (Sony Pictures Classics), A Haut et Court Production, France

* “Departures” (Regent Releasing), A Departures Film Partners Production, Japan

* “Revanche” (Janus Films), A Prisma Film/Fernseh Production, Austria

* “Waltz with Bashir” (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel

 

Achievement in makeup

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Greg Cannom

* “The Dark Knight” (Warner Bros.), John Caglione, Jr. and Conor O’Sullivan

* “Hellboy II: The Golden Army” (Universal), Mike Elizalde and Thom Floutz

 

Achievement in music written for motion pictures (Original score)

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.),Alexandre Desplat

* “Defiance” (Paramount Vantage), James Newton Howard

* “Milk” (Focus Features), Danny Elfman

* “Slumdog Millionaire” (Fox Searchlight), A.R. Rahman

* “WALL-E” (Walt Disney), Thomas Newman

 

Achievement in music written for motion pictures (Original song)

 

* “Down to Earth” from “WALL-E” (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel

* “Jai Ho” from “Slumdog Millionaire” (Fox Searchlight), Music by A.R. Rahman, Lyric by Gulzar

* “O Saya” from “Slumdog Millionaire” (Fox Searchlight), Music and Lyric by A.R. Rahman andMaya Arulpragasam

 

Best motion picture of the year

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), A Kennedy/Marshall Production, Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers

* “Frost/Nixon” (Universal), A Universal Pictures, Imagine Entertainment and Working Title Production,Brian Grazer, Ron Howard and Eric Fellner, Producers

* “Milk” (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers

* “The Reader” (The Weinstein Company), A Mirage Enterprises and Neunte Babelsberg Film GmbH Production, Nominees to be determined

* “Slumdog Millionaire” (Fox Searchlight), A Celador Films Production,Christian Colson, Producer

 

Best animated short film

 

* “La Maison en Petits Cubes” A Robot Communications Production, Kunio Kato

* “Lavatory - Lovestory” A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit

* “Oktapodi” (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand

* “Presto” (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland

* “This Way Up”, A Nexus Production, Alan Smith and Adam Foulkes

 

Best live action short film

 

* “Auf der Strecke (On the Line)” (Hamburg Shortfilmagency), An Academy of Media Arts Cologne Production, Reto Caffi

* “Manon on the Asphalt” (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont

* “New Boy” (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie

* “The Pig” An M & M Production, Tivi Magnusson and Dorte Høgh

* “Spielzeugland (Toyland)” A Mephisto Film Production, Jochen Alexander Freydank

 

Achievement in sound editing

 

* “The Dark Knight” (Warner Bros.), Richard King

* “Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes

* “Slumdog Millionaire” (Fox Searchlight), Tom Sayers

* “WALL-E” (Walt Disney), Ben Burtt and Matthew Wood

* “Wanted” (Universal),Wylie Stateman

 

Achievement in sound mixing

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten

* “The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick

* “Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty

* “WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt

* “Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt

 

Achievement in visual effects

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Eric Barba, Steve Preeg, Burt Dalton and Craig Barron

* “The Dark Knight” (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin

* “Iron Man” (Paramount and Marvel Entertainment), John Nelson, Ben Snow, Dan Sudick and Shane Mahan

 

Adapted screenplay

 

* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord

* “Doubt” (Miramax), Written by John Patrick Shanley

* “Frost/Nixon” (Universal), Screenplay by Peter Morgan

* “The Reader” (The Weinstein Company), Screenplay by David Hare

* “Slumdog Millionaire” (Fox Searchlight), Screenplay by Simon Beaufoy

 

Original screenplay

 

* “Frozen River” (Sony Pictures Classics), Written by Courtney Hunt

* “Happy-Go-Lucky” (Miramax), Written by Mike Leigh

* “In Bruges” (Focus Features), Written by Martin McDonagh

* “Milk” (Focus Features), Written by Dustin Lance Black

* “WALL-E” (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter

 

No thank you, Oscars.

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I think what needs to happen is that Kate Winslet and Cate Blanchett need to die so that movies that they aren't in can get nominations.

Hey hey now, let's not go TOO overboard here. If I were forced to choose between either Winslet&Blanchett or the Academy Awards vanishing from the earth tomorrow, bye-bye Oscars.

 

Think they stacked up each category enough with the same seven or eight flicks?

 

The sentence "the Academy Award-nominated film Wanted" just sounds dirty and hateful.

 

At least Wall-E got a few nods.

 

 

Since nobody's bothered here yet, the full nomination list:

 

EDIT: damn you, CBright! Mine was better, I rearranged it into "which awards we actually give a fuck about" order.

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Dark Knight ended up with, what is it...8 nominations?

 

So everything about it is great. But it's too popular.

 

I'm wondering how much money Harvey threw at the Academy this time. Seriously? THE READER? I mean, if they were gonna snub TDK, at least use a film that wasn't garbage. Hell, I would have preferred ANGRY CLINT over that sack of shit.

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Whoa Whoa Whoa....Springsteen didn't get in?

 

Look man I love Slumdog, but come on guys you can have up to five Best Song Nominees, I would've figured The Boss and Eastwood would've filled out the other slots.

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