bob_barron

What I would've nominated (keeping in mind, I haven't seen everything, and I'm a huge Harry Potter nerd) Best Actor: George Clooney, Michael Clayton Chris Cooper, Breach Daniel Day Lewis, There Will Be Blood Johnny Depp, Sweeney Todd John C. Reilly, Walk Hard Best Actress: Amy Adams, Enchanted Nikki Blonsky, Hairspray Angelina Jolie, A Mighty Heart Ellen Page, Juno Amber Tamblyn, Stephanie Daley Best Supporting Actor: Javier Bardem, No Country for Old Men Jason Bateman, Juno Robert Downey, Jr., Zodiac Ben Foster, 3:10 to Yuma Philip Seymour Hoffman, Charlie Wilson's War Best Supporting Actress: Jennifer Garner, Juno Allison Janney, Juno Amy Ryan, Gone Baby Gone Imelda Staunton, Harry Potter and the Order of the Phoenix Tilda Swinton, Michael Clayton Best Director: Ben Affleck, Gone Baby Gone Judd Apatow, Knocked Up PT Anderson, There Will Be Blood Peter Berg, The Kingdom David Yates, Harry Potter and the Order of the Phoenix Best Picture: Gone Baby Gone Harry Potter and the Order of the Phoenix The Kingdom Knocked Up Superbad

Mole does that

Performance by an actor in a leading role George Clooney in “Michael Clayton” (Warner Bros.) Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) Viggo Mortensen in “Eastern Promises” (Focus Features) Performance by an actor in a supporting role Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) Tom Wilkinson in “Michael Clayton” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Elizabeth: The Golden Age” (Universal) Julie Christie in “Away from Her” (Lionsgate) Marion Cotillard in “La Vie en Rose” (Picturehouse) Laura Linney in “The Savages” (Fox Searchlight) Ellen Page in “Juno” (Fox Searchlight) Performance by an actress in a supporting role Cate Blanchett in “I’m Not There” (The Weinstein Company) Ruby Dee in “American Gangster” (Universal) Saoirse Ronan in “Atonement” (Focus Features) Amy Ryan in “Gone Baby Gone” (Miramax) Tilda Swinton in “Michael Clayton” (Warner Bros.) Best animated feature film of the year “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud “Ratatouille” (Walt Disney) Brad Bird “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck Achievement in art direction “American Gangster” (Universal) Art Direction: Arthur Max Set Decoration: Beth A. Rubino “Atonement” (Focus Features) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer “The Golden Compass” (New Line in association with Ingenious Film Partners) Art Direction: Dennis Gassner Set Decoration: Anna Pinnock “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Art Direction: Dante Ferretti Set Decoration: Francesca Lo Schiavo “There Will Be Blood” (Paramount Vantage and Miramax) Art Direction: Jack Fisk Set Decoration: Jim Erickson Achievement in cinematography “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins “Atonement” (Focus Features) Seamus McGarvey “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit Achievement in costume design “Across the Universe” (Sony Pictures Releasing) Albert Wolsky “Atonement” (Focus Features) Jacqueline Durran “Elizabeth: The Golden Age” (Universal) Alexandra Byrne “La Vie en Rose” (Picturehouse) Marit Allen “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood Achievement in directing “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel “Juno” (Fox Searchlight) Jason Reitman “Michael Clayton” (Warner Bros.) Tony Gilroy “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson Best documentary feature “No End in Sight” (Magnolia Pictures) A Representational Pictures Production Charles Ferguson and Audrey Marrs “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) A Documentary Group Production Richard E. Robbins “Sicko” (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production Michael Moore and Meghan O’Hara “Taxi to the Dark Side” (THINKFilm) An X-Ray Production Alex Gibney and Eva Orner “War/Dance” (THINKFilm) A Shine Global and Fine Films Production Andrea Nix Fine and Sean Fine Best documentary short subject “Freeheld” A Lieutenant Films Production Cynthia Wade and Vanessa Roth “La Corona (The Crown)” A Runaway Films and Vega Films Production Amanda Micheli and Isabel Vega “Salim Baba” A Ropa Vieja Films and Paradox Smoke Production Tim Sternberg and Francisco Bello “Sari’s Mother” (Cinema Guild) A Daylight Factory Production James Longley Achievement in film editing “The Bourne Ultimatum” (Universal) Christopher Rouse “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor Best foreign language film of the year “Beaufort” A Metro Communications, Movie Plus Production Israel “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production Austria “Katyń” An Akson Studio Production Poland “Mongol” A Eurasia Film Production Kazakhstan “12” A Three T Production Russia Achievement in makeup “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel Achievement in music written for motion pictures (Original score) “Atonement” (Focus Features) Dario Marianelli “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias “Michael Clayton” (Warner Bros.) James Newton Howard “Ratatouille” (Walt Disney) Michael Giacchino “3:10 to Yuma” (Lionsgate) Marco Beltrami Achievement in music written for motion pictures (Original song) “Falling Slowly” from “Once” (Fox Searchlight) Music and Lyric by Glen Hansard and Marketa Irglova “Happy Working Song” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “Raise It Up” from “August Rush” (Warner Bros.) Nominees to be determined “So Close” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “That’s How You Know” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz Best motion picture of the year “Atonement” (Focus Features) A Working Title Production Tim Bevan, Eric Fellner and Paul Webster, Producers “Juno” (Fox Searchlight) A Dancing Elk Pictures, LLC Production Lianne Halfon, Mason Novick and Russell Smith, Producers “Michael Clayton” (Warner Bros.) A Clayton Productions, LLC Production Sydney Pollack, Jennifer Fox and Kerry Orent, Producers “No Country for Old Men” (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production Scott Rudin, Ethan Coen and Joel Coen, Producers “There Will Be Blood” (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers Best animated short film “I Met the Walrus” A Kids & Explosions Production Josh Raskin “Madame Tutli-Putli” (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse “My Love (Moya Lyubov)” (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov “Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman Best live action short film “At Night” A Zentropa Entertainments 10 Production Christian E. Christiansen and Louise Vesth “Il Supplente (The Substitute)” (Sky Cinema Italia) A Frame by Frame Italia Production Andrea Jublin “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production Philippe Pollet-Villard “Tanghi Argentini” (Premium Films) An Another Dimension of an Idea Production Guido Thys and Anja Daelemans “The Tonto Woman” A Knucklehead, Little Mo and Rose Hackney Barber Production Daniel Barber and Matthew Brown Achievement in sound editing “The Bourne Ultimatum” (Universal) Karen Baker Landers and Per Hallberg “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay “Ratatouille” (Walt Disney) Randy Thom and Michael Silvers “There Will Be Blood” (Paramount Vantage and Miramax) Matthew Wood “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins Achievement in sound mixing “The Bourne Ultimatum” (Universal) Scott Millan, David Parker and Kirk Francis “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland “Ratatouille” (Walt Disney) Randy Thom, Michael Semanick and Doc Kane “3:10 to Yuma” (Lionsgate) Paul Massey, David Giammarco and Jim Stuebe “Transformers” (DreamWorks and Paramount in association with Hasbro) Kevin O’Connell, Greg P. Russell and Peter J. Devlin Achievement in visual effects “The Golden Compass” (New Line in association with Ingenious Film Partners) Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood “Pirates of the Caribbean: At World’s End” (Walt Disney) John Knoll, Hal Hickel, Charles Gibson and John Frazier “Transformers” (DreamWorks and Paramount in association with Hasbro) Scott Farrar, Scott Benza, Russell Earl and John Frazier Adapted screenplay “Atonement” (Focus Features) Screenplay by Christopher Hampton “Away from Her” (Lionsgate) Written by Sarah Polley “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Screenplay by Ronald Harwood “No Country for Old Men” (Miramax and Paramount Vantage) Written for the screen by Joel Coen & Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Written for the screen by Paul Thomas Anderson Original screenplay “Juno” (Fox Searchlight) Written by Diablo Cody “Lars and the Real Girl” (MGM) Written by Nancy Oliver “Michael Clayton” (Warner Bros.) Written by Tony Gilroy “Ratatouille” (Walt Disney) Screenplay by Brad Bird Story by Jan Pinkava, Jim Capobianco, Brad Bird “The Savages” (Fox Searchlight) Written by Tamara Jenkins

He was bad, but I remember laughing at one or two things he said. The Tyson bit was terrible. Happy Heterosexual Goldust is awful, it's just killing his heat

I didn't see a thread on this, so I figured I'd start something for people to predict and/or say what films they would like to see nominated for the Oscars. I also might start a seperate thread for people to post their top ten lists. Anyway, have at it. The nominations will be announced tomorrow morning at 8:30 a.m. est. EDIT BY MOLE: Performance by an actor in a leading role George Clooney in “Michael Clayton” (Warner Bros.) Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) Viggo Mortensen in “Eastern Promises” (Focus Features) Performance by an actor in a supporting role Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) Tom Wilkinson in “Michael Clayton” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Elizabeth: The Golden Age” (Universal) Julie Christie in “Away from Her” (Lionsgate) Marion Cotillard in “La Vie en Rose” (Picturehouse) Laura Linney in “The Savages” (Fox Searchlight) Ellen Page in “Juno” (Fox Searchlight) Performance by an actress in a supporting role Cate Blanchett in “I’m Not There” (The Weinstein Company) Ruby Dee in “American Gangster” (Universal) Saoirse Ronan in “Atonement” (Focus Features) Amy Ryan in “Gone Baby Gone” (Miramax) Tilda Swinton in “Michael Clayton” (Warner Bros.) Best animated feature film of the year “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud “Ratatouille” (Walt Disney) Brad Bird “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck Achievement in art direction “American Gangster” (Universal) Art Direction: Arthur Max Set Decoration: Beth A. Rubino “Atonement” (Focus Features) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer “The Golden Compass” (New Line in association with Ingenious Film Partners) Art Direction: Dennis Gassner Set Decoration: Anna Pinnock “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Art Direction: Dante Ferretti Set Decoration: Francesca Lo Schiavo “There Will Be Blood” (Paramount Vantage and Miramax) Art Direction: Jack Fisk Set Decoration: Jim Erickson Achievement in cinematography “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins “Atonement” (Focus Features) Seamus McGarvey “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit Achievement in costume design “Across the Universe” (Sony Pictures Releasing) Albert Wolsky “Atonement” (Focus Features) Jacqueline Durran “Elizabeth: The Golden Age” (Universal) Alexandra Byrne “La Vie en Rose” (Picturehouse) Marit Allen “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood Achievement in directing “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel “Juno” (Fox Searchlight) Jason Reitman “Michael Clayton” (Warner Bros.) Tony Gilroy “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson Best documentary feature “No End in Sight” (Magnolia Pictures) A Representational Pictures Production Charles Ferguson and Audrey Marrs “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) A Documentary Group Production Richard E. Robbins “Sicko” (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production Michael Moore and Meghan O’Hara “Taxi to the Dark Side” (THINKFilm) An X-Ray Production Alex Gibney and Eva Orner “War/Dance” (THINKFilm) A Shine Global and Fine Films Production Andrea Nix Fine and Sean Fine Best documentary short subject “Freeheld” A Lieutenant Films Production Cynthia Wade and Vanessa Roth “La Corona (The Crown)” A Runaway Films and Vega Films Production Amanda Micheli and Isabel Vega “Salim Baba” A Ropa Vieja Films and Paradox Smoke Production Tim Sternberg and Francisco Bello “Sari’s Mother” (Cinema Guild) A Daylight Factory Production James Longley Achievement in film editing “The Bourne Ultimatum” (Universal) Christopher Rouse “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor Best foreign language film of the year “Beaufort” A Metro Communications, Movie Plus Production Israel “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production Austria “Katyń” An Akson Studio Production Poland “Mongol” A Eurasia Film Production Kazakhstan “12” A Three T Production Russia Achievement in makeup “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel Achievement in music written for motion pictures (Original score) “Atonement” (Focus Features) Dario Marianelli “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias “Michael Clayton” (Warner Bros.) James Newton Howard “Ratatouille” (Walt Disney) Michael Giacchino “3:10 to Yuma” (Lionsgate) Marco Beltrami Achievement in music written for motion pictures (Original song) “Falling Slowly” from “Once” (Fox Searchlight) Music and Lyric by Glen Hansard and Marketa Irglova “Happy Working Song” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “Raise It Up” from “August Rush” (Warner Bros.) Nominees to be determined “So Close” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “That’s How You Know” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz Best motion picture of the year “Atonement” (Focus Features) A Working Title Production Tim Bevan, Eric Fellner and Paul Webster, Producers “Juno” (Fox Searchlight) A Dancing Elk Pictures, LLC Production Lianne Halfon, Mason Novick and Russell Smith, Producers “Michael Clayton” (Warner Bros.) A Clayton Productions, LLC Production Sydney Pollack, Jennifer Fox and Kerry Orent, Producers “No Country for Old Men” (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production Scott Rudin, Ethan Coen and Joel Coen, Producers “There Will Be Blood” (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers Best animated short film “I Met the Walrus” A Kids & Explosions Production Josh Raskin “Madame Tutli-Putli” (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse “My Love (Moya Lyubov)” (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov “Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman Best live action short film “At Night” A Zentropa Entertainments 10 Production Christian E. Christiansen and Louise Vesth “Il Supplente (The Substitute)” (Sky Cinema Italia) A Frame by Frame Italia Production Andrea Jublin “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production Philippe Pollet-Villard “Tanghi Argentini” (Premium Films) An Another Dimension of an Idea Production Guido Thys and Anja Daelemans “The Tonto Woman” A Knucklehead, Little Mo and Rose Hackney Barber Production Daniel Barber and Matthew Brown Achievement in sound editing “The Bourne Ultimatum” (Universal) Karen Baker Landers and Per Hallberg “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay “Ratatouille” (Walt Disney) Randy Thom and Michael Silvers “There Will Be Blood” (Paramount Vantage and Miramax) Matthew Wood “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins Achievement in sound mixing “The Bourne Ultimatum” (Universal) Scott Millan, David Parker and Kirk Francis “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland “Ratatouille” (Walt Disney) Randy Thom, Michael Semanick and Doc Kane “3:10 to Yuma” (Lionsgate) Paul Massey, David Giammarco and Jim Stuebe “Transformers” (DreamWorks and Paramount in association with Hasbro) Kevin O’Connell, Greg P. Russell and Peter J. Devlin Achievement in visual effects “The Golden Compass” (New Line in association with Ingenious Film Partners) Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood “Pirates of the Caribbean: At World’s End” (Walt Disney) John Knoll, Hal Hickel, Charles Gibson and John Frazier “Transformers” (DreamWorks and Paramount in association with Hasbro) Scott Farrar, Scott Benza, Russell Earl and John Frazier Adapted screenplay “Atonement” (Focus Features) Screenplay by Christopher Hampton “Away from Her” (Lionsgate) Written by Sarah Polley “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Screenplay by Ronald Harwood “No Country for Old Men” (Miramax and Paramount Vantage) Written for the screen by Joel Coen & Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Written for the screen by Paul Thomas Anderson Original screenplay “Juno” (Fox Searchlight) Written by Diablo Cody “Lars and the Real Girl” (MGM) Written by Nancy Oliver “Michael Clayton” (Warner Bros.) Written by Tony Gilroy “Ratatouille” (Walt Disney) Screenplay by Brad Bird Story by Jan Pinkava, Jim Capobianco, Brad Bird “The Savages” (Fox Searchlight) Written by Tamara Jenkins

I didn't see it, but didn't Georgia Rule have a whole subplot about Lohan being sexually abused. The marketing campaign was about her being a slut. I also don't see how Bucket List was mismarketed. It's a movie about two people about to die, of course it's not a laugh riot.

The Bucket List is a comedy, though. It's a comedy, with the obvious sentimental dramatic moments that accompanies a plot like this. It was a lot better than I expected it to be though. Roger Ebert hated it.

It takes a king.... ::goes in, gets clotheslined out and returns to the commentary table:: to know a king! Classic

I thought that Yoko had been off his feet before that by Hacksaw Jim Duggan and Yoko destroying Duggan is why he wasn't in the Rumble. 2005 is another great Rumble, but I think since it followed 2004, it gets forgotten.

1997 has great moments, but it drags a lot. It's one of those Rumbles that exposed the depth problems in the WWF. 2000 really isn't that good. Once the Rikishi period ends, it drags a lot to the point that Jerry Lawler becames obviously bored on commentary.

Perfect was in 2002, and he wasn't a surprise entrance, he was announced beforehand. Honky Tonk Man was 2001. Nothing will top 2004 for me

That's why I like that Coach Cal scheduled Gonzaga and Tennesse during February

Holy shit, I can't believe Memphis is in line to be #1 in the country.

How? He got to lie out of the ring for a while to get the record. That's another reason why it's so bad

I'd love to be a part of this. Watched the first Nitro and first RAW. The first Nitro is great, really hooks you into the show. The first RAW....not so much. Barlett was funny in small doses, but he's awful. You can tell Vince and Savage quickly grew tired of him

I'll be there. You won't like me though, b/c I'll be booing Triple H and HBK

They shouldn't make them two movies, it wil just be overly long and bloated, which is what the movies should try to avoid. Granted, I haven't read the 7th book, so I understand if my point is not valid, but they made the other movies into one, they surely can make this one

The teaser looks lame, but Berg, Bateman and Will Smith means I will love it. And Milky hit the nail on the head about Enchanted

I've done standup comedy twice, though not in almost four years. The first time went pretty well. I didn't write anything down, just had four bullet points I wanted to do. I did it with a friend, and we alternated. I did traditional material, and he did one-liners. I was funny, he was not. My signature bit was attacking John Walsh. People were horrified, but liked it. I'm still stung why my bit on 9/11 didn't work. The second time I did it with no voice in front of a crowd that I knew wouldn't take to my material, so I bombed. I haven't done it since, and it's just because I didn't have the level of commitment I think needed to do it, and I didn't want to just go up and wing it everytime

#1 Milky #6 KKK HELP, I'M A ROCK REGION #1 King Kamala Classic #6 Treble CULTURE BEAT REGION #1 Czech #3 El Dandy POWDERFINGER REGION #5 Edwin MacPhisto #3 Smues

Thanks, but I avoid voting in these tournaments as a matter of policy. What kind of policy is that?

Czech's fat too? This tournament has done a good job of reminding people how terrible Matt Young can be

I'm down by 3 votes. Matt Young, campaign for me.

Walk Hard was one of my favourite movies of 2007.

EHME gets points for the Battlefield Earth reference.