The Brothers Solomon joins the sub-$1,000 club making $525,000 for a pathetic per-screen average of $750.
It also becomes the third sub-$1,000 movie that I've seen in theatres.
Scarlett Johansson is a hot name in the media, but I'll look at her movies post-Lost:
Nanny Diaries will probably finish with around 30 million. It was supposed to be released in the spring, but they moved it to the fall to play the Venice Film Festival, but then dumped it in the end of August because it sucked.
I don't think she had much to do with the Prestige's 53 million. She was basically a supporting player, and the movie was more about Bale v. Jackman, the concept and director Christopher Nolan.
Black Dahlia tanked.
Scoop was a Woody Allen movie, and if his movies don't get great reviews, which Scoop didn't, they don't go anywhere.
I'd say Match Point racking up 23 mil on only 500 screens is a success, though that was more about the reviews and the Woody Allen name. Scarlett deserves some credit.
The Island tanked.
In Good Company was another movie where she really had third billing behind Dennis Quaid and Topher Grace. 45 million on less then 2,000 screens is impressive.
Perfect Score was a Janaury dump that really had nothing to do with her.