I disagree. It isn't too different from what they were doing on Document and Green, though with 90s-alt rock production (and shittier songs).
Goodbye Cruel World, by Elvis Costello & the Attractions, was the band's sole concession to contemporary pop radio (this was 1984): overproduced, drum machines and big (and now) horribly dated synths. These guys also did a pretty straight collection of country covers, Almost Blue, a few years prior, a feat they thankfully never tried to replicate, given how horrible the end result was. I suppose I could also place the maudlin balladry of All This Useless Beauty here, but I won't. Even though it's billed to the band proper AND all of them play on it, it's more or less an Elvis Costello solo album in sound and execution. No wonder they broke up again after recording it.
Destroyer's Dan Bejar, on Your Blues, dropped his Bowie-fixationâ€â€and use of a live backing bandâ€â€from his earlier records, and embraces theatrical and Very Gay MIDI synths. The Destroyer album that followed brought back the live band.