Jump to content

Recommended Posts

Posted

So I really like the word starfucker. There's a band called the Sneetches and that's the name of one of their albums. Even though I know absolutely nothing about them, I'm tempted to listen to them based on that alone. And honestly, Sneetches is a pretty good name for a band as well.

 

Even if I never listened to it, an album called Starfucker by the Sneetches is worth having just for the wall dressing.

  • Replies 4.7k
  • Created
  • Last Reply

Top Posters In This Topic

Posted

Before. It was named in reference to the original title of the Stones' "Star Star", so I suppose they deserve the credit.

Yeah, I think I'm getting this. The Sneetches sound like good stuff. They seem like the kind of band Incandenza would love. If he sees this, he should give me an opinion.

Posted

Come On Die Young is Mogwai's best album, though the consensus has it being their weakest. It's also an album that, unlike every other Mogwai release, demands you listen to it from start to finish—each of its 67 minutes—for maximum enjoyment.

 

I should mention I like the way this album builds. The first half is all mellow and nocturnal, before launching into "Ex-cowboy"—which very subtly introduces white noise into the mix—seguing into "Chocky"—which continues the trend, albeit in a less discreet fashion—concluding with the totally awesome "Christmas Steps"—which starts in the same leisurely fashion of the songs from early in the record prior to launching into some fucking killer metal riffing.

 

Overall, the album requires great patience on behalf of the listener, but I think it is worth it.

Posted

I couldn't find any Sneetches for download either, but I ordered one of their albums used for a couple bucks (not Starfucker unfortunately). Worth that much for a try. While I was shopping I also got Tired Sounds of Stars of the Lid based on your recommendation.

Posted

Speaking of Stars of the Lid, one-half of that act makes up the Dead Texan. The Dead Texan has an album of the same name, an album that is a bit more song-oriented (but not really) than SOTL's stuff, and might be a bit more accessible to those who have an interest in ambient-type music.

 

Oh, the Dead Texan cd comes with a DVD of visuals to accompany the tracks. I've only skimmed the videos, but it seems a little too faggy for my liking. Not the good kind of faggy, either.

Posted

TV On the Radio's cover of "Mr. Grieves" is superior to the original. Bauhaus's cover "Ziggy Stardust" is inferior to the original.

 

I don't blame anyone for not thinking so of the former, but anyone who disagrees with the latter is batshit fucking loony.

Posted

Doesn't he spell it Kieth? Whattalamer. When I saw the Rollins Band, he came in and did vocals on the first 7 or 8 songs and was pretty weak.

 

I picked up the Ultramagnetic MC's Critical Beatdown this weekend, and it's easily as good as advertised.

Posted
Come On Die Young is Mogwai's best album, though the consensus has it being their weakest.

So anyway, I've never listened to an entire Mogwai album, but I get the same thing with Tom Waits. Neither are my absolute favorite, but Heartattack and Vine and The Black Rider are two of my favorite Waits albums, also commonly considered weaker releases.

Posted

The Mars Volta sucks, but man the Pfork review of the new album is just as terrible:

 

Frances largely retains the audacity of De-Loused's lyrics.

 

"Cassandra Gemini" approaches storytelling with the same breed of macabre circumlocution that pocked the band's debut. (A grizzled, possibly vocoded voice delivers this bracing narrative: "There was a frail syrup dripping off his lap-danced lapel, punctuated by her decrepit prowl/ She washed down the hatching, gizzard soft as a mane of needles.") But no matter what your feelings for De-Loused, at least the band had a mind to curtail their most capricious jams before they lost all context. Here, they seem hellbent on making an album that's as contiguous as possible, and the result is a homogeneous shitheap of stream-of-consciousness turgidity.

 

Holy shit, this guy is just as bad as Cedric Bixler.

Posted

I can't stop listening to Interpol lately. I finally bought Turn On the Bright Lights and have listened to it several times, yet I can't seem to understand why it was universally praised as superior to Antics. The music is great, as are the lyrics, but the vocals, I think, are awful and really bring the album down.

Posted

I'll peruse it next time I'm at Borders or something.

 

Speaking of Big Star, the first two albums are terrific, but the sequencing's a bit off. #1 Record ends with this weird little squibble of a song, which feels more like an interlude than a conclusion. Radio City comes closer to getting it right, but still misses the mark; its "I'm in Love With a Girl"—a brief, spare piece that's just Chilton and a guitar—could pull off its closing position easily if it had followed some epic number (sorta like the calm after the storm), but it doesn't. Instead, it is preceded by another short, but far more forgettable track called "Morpha Too." Weird.

 

At least Third/Sister Lovers gets it right. "Take Care" is a fantastic closer. That the album itself is overrated is another matter.

Posted

I love the last three songs on that album, none of them are overlong and just go together well. The album's slightly overrated but I wouldn't say hideously so like some albums are.

Posted (edited)
I'll peruse it next time I'm at Borders or something.

 

Speaking of Big Star, the first two albums are terrific, but the sequencing's a bit off. #1 Record ends with this weird little squibble of a song, which feels more like an interlude than a conclusion. Radio City comes closer to getting it right, but still misses the mark; its "I'm in Love With a Girl"—a brief, spare piece that's just Chilton and a guitar—could pull off its closing position easily if it had followed some epic number (sorta like the calm after the storm), but it doesn't. Instead, it is preceded by another short, but far more forgettable track called "Morpha Too." Weird.

 

At least Third/Sister Lovers gets it right. "Take Care" is a fantastic closer. That the album itself is overrated is another matter.

Just out of interest, what's your favorite of the Big Star records?

 

I bought Sister/Third a long while back and liked it a lot, but since everyone is always saying "omgz best big star album ever it's soooo good omgz" I found it a bit overrated and was sort of turned off from checking out the other albums.

 

For the record though, I'm not a huge fan of their Velvet Underground cover.

Edited by 5_moves_of_doom
Posted

That Le Tigre song—which I never cared much for—gets played all the time at this scenester bar I occasionally patronize. Well, my gf recently bought the album from which it appears.

 

The song itself appears in two versions on the record. The album itself is very short, so I ended up hearing two slightly different, but mostly similar forms several times during the course of a couple of hours, as she would not change the goddamn CD.

Posted
That Le Tigre song—which I never cared much for—gets played all the time at this scenester bar I occasionally patronize. Well, my gf recently bought the album from which it appears.

 

The song itself appears in two versions on the record. The album itself is very short, so I ended up hearing two slightly different, but mostly similar forms several times during the course of a couple of hours, as she would not change the goddamn CD.

You should break up with her.

 

 

 

And by the way IDRM, who the hell is that in that image in your profile. I've read dozens of posts by you today, and each one has been made distinctly haunting every time I see that.

Please sign in to comment

You will be able to leave a comment after signing in



Sign In Now

×
×
  • Create New...