I kinda pretend the song stops after four minutes; not only do I not want happiness for these characters, the vocals are mixed so oddly in that portion of the song it becomes a distraction. Yule's lead vocal was upfront for the majority of the tune, but the Reed portion comes in from this odd middle distance that I don't like at all.
I'm a cranky bastard sometimes, though.
Olu Dara's stroking his son's ego on "Bridging the Gap" isn't quite as embarassing as Momma Hova's orgasming over Jay-Z's learning to ride a bike on "December 4th," but it's still pretty
I used to go to great pains to prove that I had open-minded tastes, then I realized that most of the people who accused me of indie snobbery were far worse snobs than I.
Now I don't give a fuck.
Dirt was one of my favorite albums from ages 13-15.
I had "Them Bones" stuck in my head the other day; I downloaded, listened and regretted, in that order.
I hate the ecstatic way Reed yells "it's a new age!" around the four minute mark of VU's "New Age." Nearly sinks the song's elegiac tone.
Also, The Clash's "Spanish Bombs" and Elvis Costello & the Attractions' "Oliver's Army" employ the same exact melody (the latter predates the former by seven months), though I've never known anyone to mention it.