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I wonder if he'll start putting glass in Lockes food?

 

 

I forgot how that went exactly on Oz. Wasn't it O'Reily's idea to put glass in the mob guy's food and Adebesi was the one who executed it or was it the other way around?

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Other way around I believe. I can't remember. But hopefully he wears the little hat. The little hat ownz you all.

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O'Reilly came up with the idea and Adebesi was in charge of the kitchen at the time so was the one that orchestrated the daily glass ingestion.

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AICN's Hercules has gotten a hold of a copy of the first season DVD set.

 

Some details may change (I'm hoping for one inparticular) but here's the breakdown:

 

All episodes are in widescreen.

 

DISC 1

Pilot (commentary by creator-writer-director J.J. Abrams, creator-writer Damon Lindelhof and executive producer Bryan Burk.) The commentary is unusual in that it lasts longer than the actual episode; through the miracle of “branching” DVD technology, Abrams is able to (if you’re watching in “commentary mode”), stop the episode and switch to behind-the-scenes footage, over which he continues to comment at length about certain aspects of the episode.

 

Tabula Rasa

 

Walkabout (commentary by actor Terry O’Quinn, writer David Fury and director Jack Bender.)

-If you have a DVD-ROM drive, you can access the “Lost Scriptscanner,” which allows you read the entire pilot script while following along with the episode. You can click on any line of dialogue in the script in immediately interact with that scene.

- Commercials! An almost-3-minute-long trailer for the bigscreen Dec. 9 release “The Chronicles of Narnia: The Lion, The Witch and The Wardrobe,” plugs for the DVD releases of “Lost” 1.x, “Desperate Housewives” 1.x, “Alias” 4.x “Scrubs” 2.x “Home Improvement” 3.x, and Golden Girls” 3.x, and that promo we keep seeing for the second season of “Lost” on ABC.

 

Disc 2

White Rabbit

House of the Rising Sun

The Moth(commentary by actor Dominic Monaghan, executive producer Damon Lindelhof and executive producer Bryan Burk. )

Confidence Man

 

Disc 3

Solitary

Raised by Another

All The Best Cowboys Have Daddy Issues

Whatever the Case May Be

 

Disc 4

Hearts and Minds(commentary by actors Maggie Grace and Ian Sommerhalder and writers Carlton Cuse and Javier Grillo-Marxuach.)

Special

Homecoming

Outlaws

 

Disc 5

… In Translation

Numbers

Deus Ex Machina

Do No Harm

 

Disc 6

The Greater Good

Born To Run

Exodus

 

Disc 7

The seventh disc is all extras, and is divided into three sections: “Departure,” “Tales From the Island” and “Lost Revealed.”

 

Departure includes:

The Genesis of Lost (8:40): A documentary in which ABC exec Lloyd Braun reveals he wanted to make “Castaway: The Series.” J.J. Abramas reveals how he built on that idea.

Designing a Disaster (7:59): A documentary detailing, among other things, how they got the middle part of a widebody jet from a plane graveyard in the Mojave Desert to a beach in Oahu, and how they got the front of the same widebody to a jungle on the same island. All in six weeks.

Before They Were Lost (22:55): A documentary examining the unusual “Lost” casting process, which saw the show’s masterminds creating new regular characters tailored to actors they met and liked. Hurley, Sayid, Sun and Jin were among those unmentioned in the original outline ABC bought. We’re reminded that the original plan was to have Michael Keaton play Jack, and that Kate was originally supposed to emerge as the leader of the survivors.

Audition Tapes (27:34): We see all 13 of the 14 of the regulars (Terry O’Quinn had already worked extensively with Abrams on “Alias”) run through some script pages. We get to see Yunjin Kim read for Kate. We get to see Matthew Fox, Dominic Monaghan and even Jorge Garcia play Sawyer.

Welcome To Oahu: The Making of the Pilot (33:20): This is largely a how-they-did-it doc, dealing with those horrifying mid-flight scenes, and the monster in the trees, and the polar bear, and the guy-gets-sucked-into-a-jet engine gag, and other things. (Some interesting stuff about the series’ strange musical score too.)

The Art of Matthew Fox(6:07): Fox discusses the many photos he took on the set as sad music plays.

Lost@Comicon (1:50): A look at how high anticipation was for the series, even months prior to its premiere, thanks largely to buzz on the Internet.

 

Tales From the Island includes:

Lost: On Location offers short behind-the-scenes documentaries about individual episodes, including “House of the Rising Sun” (7:19), “Confidence Man” (4:24), “All The Best Cowboys Have Daddy Issues” (4:56), “Whatever The Case May Be” (2:58), “Hearts and Minds” (6:20), “Special” (3:05) and the finale, “Exodus” (9:21), plus “The Trouble With Boars” (5:09), a look at the difficulties wrangling the animals during several episodes.

On Set With Jimmy Kimmel (7:15) sees the host of ABC’s late-night talk show visit the cast in Hawaii.

Backstage With Drive Shaft (6:40) teaches us, among other things, how a snippet of dialogue from the Phil Donahue show became the lyrics of Charlie’s biggest hit.

 

Lost Revealed includes:

The Lost Flashbacks are two scenes cut from “Exodus.” One deals with Claire and the doomed pilot discussing psychics (3:07); the other deals with Sayid buying a necktie to impress Nadia (1:28).

Deleted Scenes include “Smoking” (1:10) with Charlie and Sawyer having a meeting of the minds, “Chicken or Lasagna” (0:43) with Hurley trying to engage a silent Locke, “Kate and Sayid” (1:09) with one realizing something about the other, “The Climb” (2:02) with Shannon’s hilarious reaction to Charlie’s attempt to impress her, “The Tell” (1:04) with Locke and Walt discussing liars, and “Partners” (0:55) with Boone and Shannon visually contrasting Sun and a handcuffed Jin.

Bloopers From The Set (4:17) is lots of flubbed lines and falling down.

Live From The Museum of Television and Radio (10:56) presents comic highlights from last March’s Paley Festival Q&A with Abrams and nine members of the cast.

 

I was actually hoping that Claire and Sayid's airport flashbacks would be incorporated back into "Exodus".

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Titles for the second season's first three episodes are-

 

Episode 1 "Man of Science, Man of Faith" written by Damon Lindelof

 

Episode 2 "Adrift" written by Steven Maeda & Leonard Dick

 

Episode 3 "Orientation" written by Javier Grillo-Marxuach & Craig Wright

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All episodes are in widescreen.

I'm not a big fan when they take fullscreen and make them widescreen. However, if this means they are going to film the new episodes in widescreen, then this makes me happy.

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Guest Starks
All episodes are in widescreen.

I'm not a big fan when they take fullscreen and make them widescreen. However, if this means they are going to film the new episodes in widescreen, then this makes me happy.

 

 

All episodes of LOST in season 1 were in widescreen. Infact all US Drama's broadcast last year were in widescreen. The show was never filmed in the 4:3 aspect ratio.

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All episodes are in widescreen.

I'm not a big fan when they take fullscreen and make them widescreen. However, if this means they are going to film the new episodes in widescreen, then this makes me happy.

 

Dude, WS is always better. 33% of the picture gets cut off when they have to reformat it to FS. Do you want to miss 33% of Locke? 33% Jin? I thought so.

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Titles for the second season's first three episodes are-

 

Episode 1 "Man of Science, Man of Faith" written by Damon Lindelof

 

Episode 2 "Adrift" written by Steven Maeda & Leonard Dick

 

Episode 3 "Orientation" written by Javier Grillo-Marxuach & Craig Wright

 

Don't really care for the Ep. 1 title

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I was spoiled in the fact that I watched LOST with HDTV rips off the internet and live on HD channels. I absolutely hate fullscreen now.

 

The show really loses a lot of its flair when its "formatted to fit your television screen".

 

Dames

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All episodes are in widescreen.

I'm not a big fan when they take fullscreen and make them widescreen. However, if this means they are going to film the new episodes in widescreen, then this makes me happy.

 

 

All episodes of LOST in season 1 were in widescreen. Infact all US Drama's broadcast last year were in widescreen. The show was never filmed in the 4:3 aspect ratio.

 

 

In fact J.J. Abrams asked ABC to air the show in widescreen to everyone (like ER, West Wing, The Sopranos). But ABC insisted on airing it fullframe on non HD stations.

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Guest Essa_Angelico

Has anyone checked the seating chart lately?

 

There's this new button in the lower right-hand corner called "Pre-board check in", when click it comes up with the name Ethan Rom with box's below. Once you put the anagram in it shows a quick scene of when the others kidnaped Walt.

 

Btw sorry if this is old news.

 

Is there anything else new?

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Okay, the repeats are showing out of order. I taped last week's episode because ABC skipped one and I didn't feel like tumbling in having missed what looked like a really important show. Should I just wait for the DVDs to finish this thing off, or go as they skip?

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Guest Essa_Angelico

Hey for anyone that doesn't know there a new small ad for the new season of lost. Go Oceanic Air and the seat map. Where it says Economy Class 11-42, click on the 42 and see what happens.

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Quick question:

For a lot of shows, a DVD release was hard to do because of liscensing for songs that was on it or something. Since the Lost DVD was announced pretty quick, I was wondering, are the songs that were at the end of a lot of episodes gonna be there still, or will they be replaced with generic type music (like they did, IIRC, with a few episodes of Buffy)? Or hasn't there been any word about that?

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