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Posted

But the poetry is exactly what makes it an innovation. Rapping doesn't involve standing there and saying a bunch of things that rhyme; there's breath control, lyrical flow, etc.

 

EDIT: So what I'm saying is that even a seemingly minor modification can create something totally new.

Posted

I didn't really mean the nu-metal remark...

 

If new things from combinations dont count than rock 'n' roll is out as well.

 

I think Moby was onto a major innovation with Play. Blending something so raw, organic, and ancient with the newest technology and styles is a powerful way expose listeners to something new and unique. The songs at that disc have a deep emotional quality that is pretty much its own. I think this record idea was something that should really be built further on.

Posted

I sadly would have to agree with this statement, which is very unfortunate.

 

I don't even think there's been a new GENRE invented, combination-induced or not, since Post-Rock. Though depending on people's standards two or three others could probably be named off as well.

Guest Agent of Oblivion
Posted

The timeframe we're talking about is around 25 years. Consider how often it took for other major innovations to take place, and really it's not that bad. It just seems long because it coincides with or supercedes most of our lifetimes. Hip hop came about around 30 years after early rock and roll, which was around 30 years after big band swing started moving, and I'm sure something else happened in the 1890's, but I'm sunk on knowledge of music prior to the 20th century. Give it 5-10 more years and then worry.

Posted

I was thinking about that the other day. Nothing new has been made, just blending of current styles, but I guess some people can count that as something new...

Posted

arguable. but i'll suggest house music. sure, born in new york gay dance clubs, but didn't really come into fruition until the 80-s. isn't hip hop born in the 70's? i don't know anymore. i just know daft punk & ect came after the birth of hip hop.

 

what am i doing here?

Guest Agent of Oblivion
Posted

Anyone done noise composition on orchestral instruments yet? Like a full symphony.

Posted
What about the music on Frank Zappa's Jazz From Hell? It's not really jazz, but it's not really electronic either.

New way of doing something old. Doesn't count.

Yeah, but the songs themselves I can't really think of as having any defining characteristic from a stylistic standpoint other than that they're executed by a computer because they cannot be played by men.

Guest Agent of Oblivion
Posted

Jazzy avant-garde prog, I'd call it. "Electronic" is an adjective that fits.

 

The next goldmine is Latin pop country.

Posted

Darkthrone

 

Transilvanian Hunger

 

Peaceville

 

1994

Production: More desperately distorted and flagrantly low-fi than any previous release in rock or metal, this album uses organic granularity in production to highlight the essential tones within its (complex but minimalistic) melodies.

 

Review: An album of pure melody running like riverstreams under a pulsing ambient beat with no teleology or intention other than a continuous cycle of aggression and ambiguity brings forth its genius in the complexity of the relations in these deliberately scaled-down simple riffs and melodic interchanges. Highly dissonant in its composition, this music builds spaces to grow in from the seemingly random and nihilistic combinations of notes that are simultaneously familiar in their essential relationships.

 

1. Transilvanian Hunger

2. Over Fjell Og Gjennom Torner

3. Skald Av Satans Sol

4. Slottet I det Fjerne

5. Graven Tåkeheimens Saler

6. I En Hall Med Flesk Og Mjød

7. As Flittermice As Satans Spys

8. En Ås I Dype Skogen

Length: 39:06

 

Master percussionist Fenriz extends his philosophy of simple drumming to a style where the toms and bass interplay for a constant roughshod grapple of elemental forces as accented by the sinister shadow of a companion cymbal or high-hat, riding each other into a continuity unprecedented in this genre, including archly-satanic battlefield fills that in simplicity and desperation express the dying gasp of a world aflame with its own denial. Over that guitars layer melody in single notes and contrapuntal dissonant patterns, creating a void of extreme ambiguity that demonstrates the doppler effect in music by approaching beat centers with a rising or descending but paradoxically oppositional melody.

 

Orchestration of construction makes the brilliance of this album; raw patterns fashioned from chaos build entities of sublime profundity from the subconscious parsing of metaphorical structure. The voice of bitter wisdom sounding harsh angular tones above the raging madness acts as commentator; the music stands alone.

 

http://anus.com/metal/darkthrone.html

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