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Posted

Buddy Holly is a fun little song with a great video...take away the video and the song doesn't have quite the same impact.

 

I never said Weezer was a bad band, but they're hardly an all time classic band. I even have most of their CDs aside from the new one, but when I go back and listen it's just not the sort of timeless stuff that works years later.

 

How much older Weezer stuff still gets played? I might hear Buddy Holly every now and then on the radio. But Longview, Come Out and Play, etc.? Still played often, still fresh and enjoyable.

Posted

The Sweater Song still gets some radio play. I also thought that the Green Album was decent (Hash Pipe, Islands in the Sun, etc). But Im still a bit puzzled as to why Rivers hasnt done something better with his huge obsession with creating 'perfect pop songs'.

 

Fun lil pop rock like Buddy Holly isnt nearly 'perfect pop' like Green Day, Brian Wilson, Beatles, Oasis etc. (And these examples of 'perfect pop' are Rivers' not mine. Though I cant really argue against him when those artists were at their best.

Posted

Weezer's first album is fantastic. Every song is loaded with great hooks, and the songs are specific, clever without being obnoxious, and exuberant. I wish they still put out songs like that. I'll take them all the way through the second self-titled, which is about half great songs and half okay.

 

What radio play a song gets years after its release is almost as uninteresting a measure of supposed quality as printing a chunk of lyrics.

Posted
Buddy Holly is a fun little song with a great video...take away the video and the song doesn't have quite the same impact.

 

I never said Weezer was a bad band, but they're hardly an all time classic band.  I even have most of their CDs aside from the new one, but when I go back and listen it's just not the sort of timeless stuff that works years later. 

 

How much older Weezer stuff still gets played?  I might hear Buddy Holly every now and then on the radio.  But Longview, Come Out and Play, etc.?  Still played often, still fresh and enjoyable.

 

 

You don't think Longview, Buddy Holly and Come out and Play are all by the same band, do you?

Guest viewaskew142
Posted
I thought Ben Folds Five had potential for another really good album.  Then again, for the most part, Ben Folds solo career has paled in comparison to his career with the Five and he was the band's principle songwriter and vocalist.

 

 

 

 

I would mostly agree with that. Reinhold Messner was an incredible album, in my opinion. They had major potential for at least a few more great records, which sadly we may never see(or hear).

 

Although Ben may have been the principle songwriter and vocalist for the group, Darren and Robert added alot to the Five, vocally and musically. Ben Folds on his own has a bit of a different style, especially with his latest album. More ballads, less sarcasm and humor.

Posted

Even though I am an enormous fan of theirs, I'd have to say Garbage. The first two albums were solid. However by the time the third one was released they had changed labels (to a label that didn't know what to do with them) and secondly the album hit the street within a few weeks of 9/11 which hurt sales. My personal opinion.

 

Also, Sublime and Save Ferris is a great example.

Posted
Even though I am an enormous fan of theirs, I'd have to say Garbage.  The first two albums were solid.  However by the time the third one was released they had changed labels (to a label that didn't know what to do with them) and secondly the album hit the street within a few weeks of 9/11 which hurt sales.  My personal opinion.

 

Also, Sublime and Save Ferris is a great example.

 

The new Garbage is damn good.

 

Ill second the Sublime though.

Guest Agent of Oblivion
Posted

I can't hate Sublime enough.

Posted

I hadn't listened to 40Oz. To Freedom in a long time (that's the name of their main, most popular album, correct?), so I decided to pop it in and give it a play...I found my self skipping numerous tracks and pretty much listening to everything mainstream...to me, this band is sorta overrated...

Posted
Stuck Mojo broke up before they could ever try something new with the rapcore genre. Personally, I felt that their masterpiece was Rising, but Declaration of a Headhunter was damn fine, and showed a bit of growth when it came to Rich Ward writing the music. More melodic than the other albums, though not as groove-filled.

 

Haven't you heard, they are back together and playing shows. They just finished touring Europe and a new album is rumored:

 

http://www.roadrunnerrecords.com/blabbermo...ewsitemID=37277

 

http://www.roadrunnerrecords.com/blabbermo...ewsitemID=37314

Posted

I feel dirty...Roadrunner?! God, I hope not...how many bands have signed to Roadrunner and been completely fucked up the arse by Robinson? Oh...EVERY SINGLE ONE OF THEM? Gah...

 

Rich, Bonz, Bud...come home to Century Media. PLEASE.

Posted
I feel dirty...Roadrunner?! God, I hope not...how many bands have signed to Roadrunner and been completely fucked up the arse by Robinson? Oh...EVERY SINGLE ONE OF THEM? Gah...

 

Rich, Bonz, Bud...come home to Century Media. PLEASE.

 

Umm, nope. Blabbermouth is hosted by Roadrunner. Spitfire will release the new album. Read the links.

Posted
Weezer's first album is fantastic.  Every song is loaded with great hooks, and the songs are specific, clever without being obnoxious, and exuberant.  I wish they still put out songs like that.  I'll take them all the way through the second self-titled, which is about half great songs and half okay.

 

What radio play a song gets years after its release is almost as uninteresting a measure of supposed quality as printing a chunk of lyrics.

So bad lyrics aren't enough to measure a song's quality? What sort of hoops must one jump through, then. I mean, shitty lyrics are hard to look beyond. They're sort of front and center, unless you're My BLoody Valentine.

Posted

You can measure a song's quality--or at least some component of it--by lyrics, but keep context in mind. Why would you criticize the largely nonsensical lyrics on "Buddy Holly" when you've got a fat stack of power chords, tons of little hooks in the background, and fantastic fucking handclaps all throughout? That many melodies crammed into 2:40 is pretty impressive. "Oo ee oo" isn't really the point and I don't think it detracts from the song. It's also not a terribly representative example of the approach to lyrics throughout the album, which, on nearly every other song, are much more evocative.

 

Weezer was at their best when they were having fun. "Only in Dreams," or at least the first half of it, is the least impressive song on their first album just because it's so serious-schmaltzy.

Posted

Yeah but you overstate the actual hooks on Weezer's debut. They flat out aren't that great, Buddy Holly aside. No One Else? Decent little song, but nothing I'd write home about. My Name is Jonas? It's ok, I can listen to it every now and then, but nothing to send to the Rock and Roll Hall of Fame. It's a nice album, but when you only have 10 songs they better all be great and there's some uninspired stuff on it.

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